Are CDs on the way out?

Flash21
Flash21 Posts: 316
edited November 2006 in 2 Channel Audio
I have been toying with the idea of a new CD player, but my need is not urgent and so I have been held back by concerns that it would be a bit of a waste of $$ because I forsee music going to hard-drive or other computer-based virtual media before too long. Obviously my 700+ CD collection will be useful for years to come, but my Denon is functioning perfectly and certainly doesn't need replacement (not that "need" has much to do with any of this ;) ).

I know nothing about "lossless audio" programs or whatever...I can certainly see the attraction to removing transport-related issues from the equation. But the music industry still needs to come to grips with the whole copyright issue.

Thoughts on how imminent this transition might be?
Steve Carlson
Von Schweikert VR-33 speakers
Bel Canto eVo2i integrated amp
Bel Canto PL-2 universal disc player
Analysis Plus Oval Nine speaker cables and Copper Oval-In Micro interconnects
VH Audio Flavor 4 power cables
Polk Monitor 10B speakers, retired but not forgotten
Post edited by Flash21 on
«13

Comments

  • cmy330go
    cmy330go Posts: 2,341
    edited October 2006
    I doubt CDs are going anywhere anytime soon, and I personally am not sold on downloading music. I prefer to spend virtually the same amount of money and have something tangible such as a CD or LP.

    I had more to say but I think my dog is destroying something!:eek:

    LATER!
    HT
    Mits WD-65737, DirecTV, Oppo DV-970HD, XBOX ONE, Yamaha RX-A1030, Parasound Halo A23, Rotel RB-985, Music Hall MMF-7, Parasound PPH-100, LSi-15, LSi-C, LSi-FX, LSi-7, PSW-1000, Monster HTS2600

    2 CH
    Parasound Halo P3, Parasound Halo A21, Sutherland Ph.D, VPI Classic 3 w/ 3D arm & Soundsmith Aida Cartridge, Arcam CD72T, B&W 802 S3, Monster HTS2500,
  • shack
    shack Posts: 11,154
    edited October 2006
    Yep...CDs are history...and those black vinyl things are too....
    "Just because you’re offended doesn’t mean you’re right." - Ricky Gervais

    "For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase

    "Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson
  • ESavinon
    ESavinon Posts: 3,066
    edited October 2006
    Yes, cd's are on the way out.
    To prevent nostalgia and to regain some lost room, send your whole collection to me. I'll make sure to give them a loving home for their remaining lifetime.
    SRT For Life; SDA Forever!

    The SRT SEISMIC System:
    Four main satellite speakers, six powered subs, two dedicated for LFE channel, two center speakers for over/under screen placement and three Control Centers. Amaze your friends, terrorize your neighbors, seize the audio bragging rights for your state. Go ahead, buy it; you only go around once.
  • Emlyn
    Emlyn Posts: 4,489
    edited October 2006
    I've purchased more CD's this year than any of the 23 years I've been buying them.
  • Flash21
    Flash21 Posts: 316
    edited October 2006
    Yeah, CDs are definitely the primary media right now, and I am not saying they will disappear soon - although I will admit to saying the same thing about vinyl when CDs came out, and that transitioned much more quickly than I thought it would. (Yes I know vinyl is not dead...but it does smell kinda funny)

    Just pondering if dropping a grand on a new CDP is worth it in terms of format viability...
    Steve Carlson
    Von Schweikert VR-33 speakers
    Bel Canto eVo2i integrated amp
    Bel Canto PL-2 universal disc player
    Analysis Plus Oval Nine speaker cables and Copper Oval-In Micro interconnects
    VH Audio Flavor 4 power cables
    Polk Monitor 10B speakers, retired but not forgotten
  • audiobliss
    audiobliss Posts: 12,518
    edited October 2006
    Flash21 wrote:
    Just pondering if dropping a grand on a new CDP is worth it in terms of format viability...
    If I had a grand for it...I'd spend it. While they may not be the medium of choice forever, I imagine they'll have a very strong presence for a good while yet to come.
    Jstas wrote: »
    Simple question. If you had a cool million bucks, what would you do with it?
    Wonder WTF happened to the rest of my money.
    In Use
    PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
    Pioneer Elite VSX-52, Parasound HCA-1000A
    Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
    Epson 8700UB

    In Storage
    [Home Audio]
    Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
    Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
    Klipsch RF-35, RB-51ii

    [Car Audio]
    Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520
  • bobman1235
    bobman1235 Posts: 10,822
    edited October 2006
    Flash21 wrote:
    I will admit to saying the same thing about vinyl when CDs came out

    Vinyl was dead to the vast majority of the general public long before CDs came out. Not to most of the people on this forum, probably, but cassette tapes were the choice for years between the eras of vinyl and CDs.
    If you will it, dude, it is no dream.
  • shack
    shack Posts: 11,154
    edited October 2006
    Flash21 wrote:
    although I will admit to saying the same thing about vinyl when CDs came out, and that transitioned much more quickly than I thought it would. (Yes I know vinyl is not dead...but it does smell kinda funny)

    If you think vinyl is anywhere close to being dead, you are misinformed. Here is an interesting article I read from a recent London business publication.
    Back in the groove

    May 14, 2006

    Technology Editor Tony Glover reports how in the iPod age the record industry is going forward by returning to the days of vinyl

    BESET by digital piracy and increasing customer reluctance to pay for CDs, the music industry is fighting back with its latest technology – black vinyl records.

    Music labels and high street retailers are busy turning back the industry’s clock to a time not only before internet song downloads, but also before CDs or even audio cassettes. The irony is that the vinyl revolution is being led by teenage consumers who are prepared to stand in line for the latest 45 rpm single or 331/3rpm LP (long-playing record) in much the same way that their parents, or in some cases their grandparents, did.

    According to Rob Campkin, the head of Music at Virgin Megastores, vinyl is now outselling CDs when it comes to the latest records.

    “Up to 70% of sales of new releases are vinyl. The fans of popular new rock bands like Arctic Monkeys and The Raconteurs prefer vinyl to CD,” said Campkin. “When the Raconteurs’ latest single was released, 80% of high-street sales were for seven-inch vinyl and only 20% were for CDs.”

    “We are not just talking about vinyl singles but also about albums – the format is just continuing to grow,” said HMV spokesman Gennaro Castaldo.

    The trend is born out by figures from record industry body, the British Phonographic Industry (BPI). According to the BPI’s findings, vinyl records are a technology that has come back from the brink of extinction to take the industry by storm. Between 2001 and 2005, annual sales of vinyl single in the UK rose sixfold to over 1m, accounting for 14.7% of all physical singles sales in 2005, up from 12.2% in 2004. The industry expects vinyl figures for the current year to be even more dramatic.

    The vinyl revolution has caught many of the big music labels napping. It is the smaller independent labels who have been able to snap up successful new bands. This has left big players in the industry, such as EMI, scratching their heads and wondering why teenagers are embracing a technology the music industry had dismissed as outdated and obsolete before most of them were born.

    Record labels like EMI are finding themselves losing the next generation of music stars to upstart labels like Domino Records, which handles hit bands Franz Ferdinand and Arctic Monkeys, and Rough Trade, which handles The Strokes and rock music’s latest human disaster area, Pete Doherty.

    According to Virgin’s Campkin, the smaller independents have one key advantage over the larger labels as far as the artists are concerned.

    “The independent labels will release material on vinyl where the more established are more reluctant to do this,” said Campkin.

    One reason for this situation is believed to be that the mainstream music industry has forsaken vinyl to the extent that there is now no big vinyl processing plant in the UK. This means that the discs must be pressed offshore and that a large number of new vinyl recordings are limited editions that quickly become collectors’ items. This type of operation, where limited pressings are carried out by factories in other countries, is better suited to the independent labels than to the more established players.

    Virgin also reports a trend where fans will buy the CD when it is released and will wait weeks or months until the vinyl release before buying that as well. Some vinyl albums, such as the last White Stripes release, continue to sell consistently for months.

    In addition to the new releases, retailers Virgin and HMV report a growing demand for classic pop records on vinyl from artists such as The Rolling Stones and Bob Dylan. Market research has shown that these new releases of older material are often being bought by younger customers, just as older “baby boomers” are increasingly augmenting their collections with LPs from modern artists such as the White Stripes.

    “The original baby boomers, who are now in their fifties, are not only buying classic pop records by the Beatles or the Stones but are also adding new artists from the independent labels to their collections,’ said HMV’s Castaldo.

    According to Virgin’s Campkin, one major reason for the renewed popularity of vinyl is its collectability, which operates on two levels. On one level, collectability means seeing the value of a 99 pence (E1.43, $1.73) single CD increases 50-fold in a single year.

    “The first 7-inch single release from Arctic Monkeys, which came out a year ago, is now selling on eBay for £50-£60,” said Campkin.

    He added that the second sort of collectability is the desire to own a record collection of one’s own.

    “Vinyl is far more iconic in this respect,” said Campkin. “The record sleeve offers the consumer art work as well as information about the performers and song lyrics.”

    Some well-known music figures believe that the industry did itself irreparable damage when it switched to CDs 20 years ago.

    Roger Daltrey, lead singer of 1960s supergroup The Who, said in a recent interview: “The record labels sold everybody a white elephant with the CD. They pushed it over as being this wonderful musical formula that you can play forever that sounds better and is scratch proof. None of it was true; CDs do not sound as good as vinyl and they last for five minutes.”

    Like other artists of his generation, Daltrey believes that pop music generally sounds better on vinyl as so much of it was originally developed to be played on the vinyl format rather than on digital equipment. Vinyl enthusiasts say that the bass and vocals on most songs cannot be accurately reproduced on a compressed digital format and that the music inevitably loses something by being reduced to what is essentially just a binary computer code.

    Daltrey also believes that record sleeves are a key part of the attraction of vinyl.

    “We threw away an art form that was so much more than the record,” said Daltrey. “The size of the cover was perfect for art work. Sometimes the covers were more important than the music. The more fingerprints you got on it, the more it was a part of you. With a CD, you start with a nice plastic box and end with a scratched plastic box; it has no character whatsoever.”

    Campkin said: “I think the record sleeve is paramount. With a vinyl album you feel you have spent £10-£15 on something tangible that will last.”

    Daltrey also believes that it was the switch to CDs that ultimately led to the music labels’ horrendous problems with digital music piracy.

    “The problem with the CD is that if you can copy what is on it for nothing, as you now can, why would you want to buy it?”

    Music retailers such as Virgin and HMV are also coming to the conclusion that consumers want a return to a more tangible format. They fear that the logical conclusion to the evolution of digital music is a world without high street music retailers where fans do everything over the internet and download all their music via a PC.

    Virgin plans to opens a new 25,000 square-foot Virgin Megastore in Manchester’s Arndale shopping centre that it hopes will transform the way consumers perceive record stores. More space than ever will be dedicated to vinyl records and customers will have access to turntable and

    listening booths in the same way that teenagers did in the 1950s and 1960s. The store will also offer “chill-out” areas with armchairs and sofas where customers can relax and listen to music.

    Virgin plans to use the same formula in other stores in the hope that it will be able to persuade teenagers to see the megastores as social venues as much as music shops. The company hopes that the strategy will enable it to offer consumers enough added value to head off growing competition from cut-price supermarket CD offers and internet download services.

    The music retailers do not believe that vinyl will ever entirely replace digital music formats. Instead, they predict that the same fans will often subscribe to both formats by downloading music for their MP3 players and PCs but will also wait for the vinyl release to add that to their permanent record collections.

    Virgin believes that digital music downloads may not be as big a phenomenon as some the industry anticipates and will account for no more than 10% of the overall market by 2009 and that the appeal of vinyl will continue to grow to shoppers who want to take home something tangible and lasting.

    Those industry players which do not become part of the vinyl revolution will see their market share decline as smaller nimbler players snap up the new artists and establish brand loyalty with an increasingly vinyl-hungry record buying public.

    And then there is our own Madmax's recent thread on the subject...

    http://www.polkaudio.com/forums/showthread.php?t=44626

    It seems vinyl could use the old Mark Twain quote , "The rumors of my death have been greatly exaggerated".
    "Just because you’re offended doesn’t mean you’re right." - Ricky Gervais

    "For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase

    "Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson
  • zombie boy 2000
    zombie boy 2000 Posts: 6,641
    edited October 2006
    bobman1235 wrote:
    Vinyl was dead to the vast majority of the general public long before CDs came out. Not to most of the people on this forum, probably, but cassette tapes were the choice for years between the eras of vinyl and CDs.


    That's funny you bring this up, as I was thinking about it last night...

    Tapes were all I knew as a kid... not records, 8-tracks, or CD's. What strikes me is how small the window of time for tapes really was, yet it was through this medium that I was introduced to music. So in many ways, it remains the existing paradigm.

    some more food for thought.... I have, and I suspect always will, refer to music stores as "record stores". To this day... and I'm still in my twenties.
    I never had it like this where I grew up. But I send my kids here because the fact is you go to one of the best schools in the country: Rushmore. Now, for some of you it doesn't matter. You were born rich and you're going to stay rich. But here's my advice to the rest of you: Take dead aim on the rich boys. Get them in the crosshairs and take them down. Just remember, they can buy anything but they can't buy backbone. Don't let them forget it. Thank you.Herman Blume - Rushmore
  • danger boy
    danger boy Posts: 15,722
    edited October 2006
    that's cool, but damn that's a long article.. i can't keep my attnetion focused in one place for that long.

    we're all just analog people living in a digital world i guess. :D
    PolkFest 2012, who's going>?
    Vancouver, Canada Sept 30th, 2012 - Madonna concert :cheesygrin:
  • zombie boy 2000
    zombie boy 2000 Posts: 6,641
    edited October 2006
    And one more thing...

    many local bands only release on vinyl. It's considered "selling out" to do anything but. I remember when Man or Astro-man? crossed the line and released their albums on CD, they were considered sell-outs by a few hardcore fans....

    interesting.
    I never had it like this where I grew up. But I send my kids here because the fact is you go to one of the best schools in the country: Rushmore. Now, for some of you it doesn't matter. You were born rich and you're going to stay rich. But here's my advice to the rest of you: Take dead aim on the rich boys. Get them in the crosshairs and take them down. Just remember, they can buy anything but they can't buy backbone. Don't let them forget it. Thank you.Herman Blume - Rushmore
  • shack
    shack Posts: 11,154
    edited October 2006
    danger boy wrote:
    that's cool, but damn that's a long article.. i can't keep my attnetion focused in one place for that long.

    we're all just analog people living in a digital world i guess. :D

    Should I text it to you on your Blackberry?
    "Just because you’re offended doesn’t mean you’re right." - Ricky Gervais

    "For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase

    "Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson
  • audiobliss
    audiobliss Posts: 12,518
    edited October 2006
    Man, I thought commercials were long, but I had to stop reading that article when my show came back on! :eek:
    Jstas wrote: »
    Simple question. If you had a cool million bucks, what would you do with it?
    Wonder WTF happened to the rest of my money.
    In Use
    PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
    Pioneer Elite VSX-52, Parasound HCA-1000A
    Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
    Epson 8700UB

    In Storage
    [Home Audio]
    Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
    Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
    Klipsch RF-35, RB-51ii

    [Car Audio]
    Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520
  • shack
    shack Posts: 11,154
    edited October 2006
    Besides, it's only 1,485 words (thanks to MS Word®).
    "Just because you’re offended doesn’t mean you’re right." - Ricky Gervais

    "For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase

    "Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson
  • audiobliss
    audiobliss Posts: 12,518
    edited October 2006
    ...and about 1,460 more than I like to read at one time! :p
    Jstas wrote: »
    Simple question. If you had a cool million bucks, what would you do with it?
    Wonder WTF happened to the rest of my money.
    In Use
    PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
    Pioneer Elite VSX-52, Parasound HCA-1000A
    Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
    Epson 8700UB

    In Storage
    [Home Audio]
    Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
    Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
    Klipsch RF-35, RB-51ii

    [Car Audio]
    Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520
  • reeltrouble1
    reeltrouble1 Posts: 9,312
    edited October 2006
    Yes, the Redbook CD will be replaced. Futurist's look for tendancies and then develop scenario's for worst, expected and best case.

    The expected general audio case is for music servers to dominate in conjuction with some sort of mobile wi-fi. Vinyl and SACD or some form of it will niche market.
  • shack
    shack Posts: 11,154
    edited October 2006
    You guys ever read books?

    You know...those stacks of paper bound together...with words on them...books. Not digital as I recall.
    "Just because you’re offended doesn’t mean you’re right." - Ricky Gervais

    "For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase

    "Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson
  • reeltrouble1
    reeltrouble1 Posts: 9,312
    edited October 2006
    Might I suggest The Art of the Long View, Peter Schwartz, Doubleday.

    RT1
  • Shizelbs
    Shizelbs Posts: 7,433
    edited October 2006
    IMO, CDs aren't going anywhere anytime soon.
  • reeltrouble1
    reeltrouble1 Posts: 9,312
    edited October 2006
    I certainly think there will be players and CD's for quite a while albiet in a diminished role. The CD is becoming a bit of a **** child, of course the little boogers last forever and with what billions of them in circulation, yes, safe bet they will be around a long time.

    RT1
  • Shizelbs
    Shizelbs Posts: 7,433
    edited October 2006
    If anything, digital media (flash, hard-drive, whatever) will coexist happily with their physical, tangible sibling.
  • Midnite Mick
    Midnite Mick Posts: 1,591
    edited October 2006
    Not much of technically knowledgeable guy as this post will reveal, but it would awesome if they could come up with an analog recording that could be read by some form of non contact means such as a laser. Sign wave would be real rather than "filled in" and the medium would still sound clean, quiet, and maintain integrity over time.

    Crazy I know.

    Mike
    Modwright SWL 9.0 SE (6Sons Audio Thunderbird PC with Oyaide 004 terminations)
    Consonance cd120T
    Consonance Cyber 800 tube monoblocks (6Sons Audio Thunderbird PC's with Oyaide 004 terminations)
    Usher CP 6311

    Phillips Pronto TS1000 Universal Remote
  • Shizelbs
    Shizelbs Posts: 7,433
    edited October 2006
    Not much of technically knowledgeable guy as this post will reveal, but it would awesome if they could come up with an analog recording that could be read by some form of non contact means such as a laser. Sign wave would be real rather than "filled in" and the medium would still sound clean, quiet, and maintain integrity over time.

    Crazy I know.

    Mike

    It exists. Its expensive as hell, but there is a vinyl record player that uses several lasers to read the grooves. No needle needed.

    www.elpj.com
  • audiobliss
    audiobliss Posts: 12,518
    edited October 2006
    I was going to mention that, but that device makes it digital, does it not?
    Jstas wrote: »
    Simple question. If you had a cool million bucks, what would you do with it?
    Wonder WTF happened to the rest of my money.
    In Use
    PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
    Pioneer Elite VSX-52, Parasound HCA-1000A
    Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
    Epson 8700UB

    In Storage
    [Home Audio]
    Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
    Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
    Klipsch RF-35, RB-51ii

    [Car Audio]
    Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520
  • dorokusai
    dorokusai Posts: 25,577
    edited October 2006
    F CD, 8 Track rulez.
    CTC BBQ Amplifier, Sonic Frontiers Line3 Pre-Amplifier and Wadia 581 SACD player. Speakers? Always changing but for now, Mission Argonauts I picked up for $50 bucks, mint.
  • dkg999
    dkg999 Posts: 5,647
    edited October 2006
    Doro - 8 trk does rule! I couldn't believe what a car restorer gave me for two Pioneer 8 track car units and a milk crate full of good condition 8 trk tapes I had setting in my shop! Woohoo!
    DKG999
    HT System: LSi9, LSiCx2, LSiFX, LSi7, SVS 20-39 PC+, B&K 507.s2 AVR, B&K Ref 125.2, Tripplite LCR-2400, Cambridge 650BD, Signal Cable PC/SC, BJC IC, Samsung 55" LED

    Music System: Magnepan 1.6QR, SVS SB12+, ARC pre, Parasound HCA1500 vertically bi-amped, Jolida CDP, Pro-Ject RM5.1SE TT, Pro-Ject TubeBox SE phono pre, SBT, PS Audio DLIII DAC
  • dorokusai
    dorokusai Posts: 25,577
    edited October 2006
    They still make them, albeit not often and not many. Weird huh?
    CTC BBQ Amplifier, Sonic Frontiers Line3 Pre-Amplifier and Wadia 581 SACD player. Speakers? Always changing but for now, Mission Argonauts I picked up for $50 bucks, mint.
  • steveinaz
    steveinaz Posts: 19,538
    edited October 2006
    If you haven't heard an 8-track fade---change tracks in the middle of a song--you haven't really lived.
    Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2
  • Midnite Mick
    Midnite Mick Posts: 1,591
    edited October 2006
    Shizelbs wrote:
    It exists. Its expensive as hell, but there is a vinyl record player that uses several lasers to read the grooves. No needle needed.

    www.elpj.com

    Too bad it couldn't be done at a more reasonable price point. I suggest we start a thread to sign up for a group buy. Maybe we can get them for $14,500 each.:D

    Mike
    Modwright SWL 9.0 SE (6Sons Audio Thunderbird PC with Oyaide 004 terminations)
    Consonance cd120T
    Consonance Cyber 800 tube monoblocks (6Sons Audio Thunderbird PC's with Oyaide 004 terminations)
    Usher CP 6311

    Phillips Pronto TS1000 Universal Remote
  • dorokusai
    dorokusai Posts: 25,577
    edited October 2006
    steveinaz wrote:
    If you haven't heard an 8-track fade---change tracks in the middle of a song--you haven't really lived.

    Hell yeah...rocking out to your favorite song of all time, ka-chunck...keep on rockin'.
    CTC BBQ Amplifier, Sonic Frontiers Line3 Pre-Amplifier and Wadia 581 SACD player. Speakers? Always changing but for now, Mission Argonauts I picked up for $50 bucks, mint.