Lets not talk about the room...
madmax
Posts: 12,434
I notice that we talk about the room our equipment is in maybe once out of a thousand posts. I guess that is because we can all look at a piece of equipment and know about it but every room is different. That's too bad because the room has way more to do with the sound than the source, amplification or speakers. I just find it funny that we don't have a way of communicating our room characteristics to each other. We are ignoring the biggest variable in sound quality. I don't know where we start learning how to describe this stuff. It's too bad there isn't some sort of on-forum drawing tool or something, that would help.
madmax
madmax
Vinyl, the final frontier...
Avantgarde horns, 300b tubes, thats the kinda crap I want...
Avantgarde horns, 300b tubes, thats the kinda crap I want...
Post edited by madmax on
Comments
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Had this same thought a few days ago, Max, but didn't start a thread because I don't know anything about room effects. Most of us are stuck with what we've got -- a den or living room or bedroom with furniture and carpet, so what's the big deal? It isn't practical to add acoustic panels, bass traps, etc., so there's no need to talk about it, is there?
What I'd like to know is how I can determine if my rooms are "acoustic friendly" (whatever that means), then get recommendatons on how to "fix" the problems. Don't you need fancy equipment and a Ph.D. in math and engineering to do this?HT/2-channel Rig: Sony 50 LCD TV; Toshiba HD-A2 DVD player; Emotiva LMC-1 pre/pro; Rogue Audio M-120 monoblocks (modded); Placette RVC; Emotiva LPA-1 amp; Bada HD-22 tube CDP (modded); VMPS Tower II SE (fronts); DIY Clearwave Dynamic 4CC (center); Wharfedale Opus Tri-Surrounds (rear); and VMPS 215 sub
"God grooves with tubes." -
Agree completely Max, but that is the area where we, for the most part, are less flexible for a variety of reasons. It's also the area that most people don't understand and know the least about.
A bit of a tangent here but, I see so many pics of people's sytems and the one thing that bother's me is there is usually a large entertainment center or a big screen bewteen the front speakers. The single best thing I did was to get low-boy cabinets which are fairly narrow and stack my equipment side by side. What this did was open up the space between the 2 speaks and not allow any reflections from a tall object inbetween. I also have my speaks over a foot from the wall behind them.
By doing this simple set-up the sound stage and dynamics opened up a great deal. It has taken me much time and effort to find the best spot possible. It's still not ideal because my couch is on the back wall and I sit in the sweet spot essentially with my head against the wall. I'd rather have the couch pulled out from the wall and get a little reflection off the back wall.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
Its funny you should mention this. I will be sewing the last two socks for my tube traps tonight. When the traps are complete, I was going to take pictures of the room and update my DIY Tube Trap thread in the Speaker forum and/or start another System Showcase entry. As you mention, the room is more important than most think.
If anyone is serious about acoustical treatments for their audio environment and has the option of using these products, there is more information available on the internet than you would ever want to read. My suggestion would be to read until you are comfortable with the ideas and concepts, and then make an informed decision. I have posted several links in anotherthread that has relevant information.
As H9 pointed out, there are many adjustments one can complete in order to improve their current setup that do not involve acoustic treatment.
Edit:
Pictures added to DIY Tube Trap thread in Speaker forum. -
Hmmmm.....I seem to recall having this conversation with Chuck earlier today.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
Max
Good post. I think alot of people end up chasing their tails with equipment because of room inadequacies.
I've got a great set-up in the new house in that there is no back wall behind my listening position (at least not for another 22 feet). I really like what it has done to imaging and bass control. I also like the fact that the speakers are against an external wall; meaning that the wall is fully insulated, and 2x6 framed--less boom and echo. The last house had hollow internal drywall, that was shared with the master bedroom; 2x4 construction, no insulation and 24" spaced studs made for alot "boom" and hollow bass.Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2 -
Good thread Chuck. Normanality has done extensive measurements and acoustic treatments in his listening room. He's done a great job, and his system sounds fantastic in there now compared to when he started.
I'll ask him to pull himself away from work and chime in here.Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 * -
F1nut wrote:Hmmmm.....I seem to recall having this conversation with Chuck earlier today.
Just thought I would share it with the other nuts...
I think there are options if things are not right. As F1 told me, if his system sounds bad in the new house, he will move. Now that is dedication.
madmaxVinyl, the final frontier...
Avantgarde horns, 300b tubes, thats the kinda crap I want... -
So Rich calls to tell me to stop working and mention the world's worst listening room.
It's right here in Hillside. This room has successfully defeated Paradigm Reference V3's and LSi 15's. It's on the second floor of a cape cod style house so the listening side of the 10' x 11' room has sloped ceilings that meet the wall half way and a 4' wide dormer.
Bottom line....standing waves and strange reflections. While my tube amp worked wonders with the LSi 15's to tighten up the bass and remove the mud, there was still the issue of discontinuity between the bass, mids and highs.
What I found to work best for me was attack the area directly around the speakers.
I placed 2 GIK sound panels and 2 aurelex bass traps creating a mini-room around my speakers. This prevented strange reflections and tamed the bass immediately. It also helped to sell my LSi's to Michael (McLoki) and replace them with Carver AL III's and downfiring subwoofers. I don't need any other room treatments and the sound is amazing. I keep the speakers 20" from the back wall which balanced the bass also. -
I know my basement is a train wreck in terms of room accoustics. the shape, walls, clutter, you name it, I'm sure its hurting, or at least not helping my 2 channel rig's performance. I just bought my house in September, and its on the to do list.
want to here your rig's bass response plummet? put it in my basement. its a hoot!Living Room 2 Channel -
Schiit SYS Passive Pre. Jolida CD player. Songbird streamer. California Audio Labs Sigma II DAC, DIY 300as1/a1 Ice modules Class D amp. LSi15 with MM842 woofer upgrade, Nordost Blue Heaven and Unity interconnects.
Upstairs 2 Channel Rig -
Prometheus Ref. TVC passive pre, SAE A-205 Amp, Wiim pro streamer and Topping E50 DAC, California Audio Labs DX1 CD player, Von Schweikert VR3.5 speakers.
Studio Rig - Scarlett 18i20(Gen3) DAW, Mac Mini, Aiyma A07 Max (BridgedX2), Totem Mites -
Lou just keep filling the room with junk and one day whamo it will all come together.
RT1 -
reeltrouble1 wrote:Lou just keep filling the room with junk and one day whamo it will all come together.
RT1
you say to fill it, but my wife says to get rid of it.......I"M SO CONFUSED!!!
Living Room 2 Channel -
Schiit SYS Passive Pre. Jolida CD player. Songbird streamer. California Audio Labs Sigma II DAC, DIY 300as1/a1 Ice modules Class D amp. LSi15 with MM842 woofer upgrade, Nordost Blue Heaven and Unity interconnects.
Upstairs 2 Channel Rig -
Prometheus Ref. TVC passive pre, SAE A-205 Amp, Wiim pro streamer and Topping E50 DAC, California Audio Labs DX1 CD player, Von Schweikert VR3.5 speakers.
Studio Rig - Scarlett 18i20(Gen3) DAW, Mac Mini, Aiyma A07 Max (BridgedX2), Totem Mites -
Acoustic treatments have made a big difference in my sound as far as clarity, imaging and soundstaging in 2 channel.Sharp Elite 70
Anthem D2V 3D
Parasound 5250
Parasound HCA 1000 A
Parasound HCA 1000
Oppo BDP 95
Von Schweikert VR4 Jr R/L Fronts
Von Schweikert LCR 4 Center
Totem Mask Surrounds X4
Hsu ULS-15 Quad Drive Subwoofers
Sony PS3
Squeezebox Touch
Polk Atrium 7s on the patio just to keep my foot in the door. -
anyone here use realtraps?Speakers: LSi9 x 2, LSic, LSiFX x 2, Velodyne HGS-15
Amps & Power: Rockford Fosgate T8004 x 3, Cascade Audio APS-55 power supplies x 5, and 1 farad capacitor.
Electronics: Denon 3806, Toshiba HD-A1, & Sony KDL46XBR2
Accessories: Anti-IC interconnects, 8 Mondo Traps from Realtraps, and Salamander furniture. -
The first step is to treat the room. You can only treat a room so much. The second step is equilization. I use my laptop with an M-Audio Mobile Pre external USB soundcard and TrueRTA software. For EQ I use a combination of my Behringer DCX2496 and DEQ2496 (just get the DEQ2496; I use the DCX2496 as an active crossover). After about 8 hours of room measurements and adjusting settings on the EQs I have a near flat in room frequency response of +/- 3db from 10hz to 20khz. Before I applied EQ I had peaks and nulls as big as 8db. I really didn't want to add more than 6db of EQ and got lucky I didn't have any enormous EQ adjustments. The cool thing with the Behringers is I can turn the EQ off and on with a click of a button. The before and after are almost comical.
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Nice setup Norm!
I agree.... room is often overlooked as most people dont see what kind of improvements (or detriments) a room can have on one's system. I'll be the first to admit, my room isnt the best for my speakers.... but I cant wait to move into my studio next school year where I have an entire living room that will be dedicated to my 2 channel system. It's going to be sweeeet!Magico M2, JL113v2x2, EMM, ARC Ref 10 Line, ARC Ref 10 Phono, VPIx2, Lyra Etna, Airtight Opus1, Boulder, AQ Wel&Wild, SRA Scuttle Rack, BlueSound+LPS, Thorens 124DD+124SPU, Sennheiser, Metaxas R2R