I went and did it
limashaynut
Posts: 152
Well, I went and blew a few more clams! I won a Adcom GFA-555 amp on ebay today. I was looking to upgrade the fronts in my HT setup. I had been kicking around getting either a Adcom 555/5500 or a couple of Outlaw M 2200 amps.
While I had hoped to get the Adcom I won for close to $200, some last minute snipes drove the price up to a even $300. Despite this, I still thought it was a good deal, the pics showed the amp to look to be in near mint condition. If this amp works out, I guess I will try to pick up a Outlaw for my center in the future.
Any feedback you guys could give me (a bit after the fact) on the Adcom GFA-555 would be great. Are they really as good as their reputation? I guess what I am asking, is this 300 well spent in your experience? I had also heard that the build quality of the older 555 was in fact better than the new 5500, is there any truth to this? Lastly, if I get a Outlaw M 2200 for the center in the future, how do you think it will work with the Adcom for the fronts, and my Denon driving the SR and SRB speakers?
Anybody got a used Outlaw they want to make me a offer on that I can not pass up!
While I had hoped to get the Adcom I won for close to $200, some last minute snipes drove the price up to a even $300. Despite this, I still thought it was a good deal, the pics showed the amp to look to be in near mint condition. If this amp works out, I guess I will try to pick up a Outlaw for my center in the future.
Any feedback you guys could give me (a bit after the fact) on the Adcom GFA-555 would be great. Are they really as good as their reputation? I guess what I am asking, is this 300 well spent in your experience? I had also heard that the build quality of the older 555 was in fact better than the new 5500, is there any truth to this? Lastly, if I get a Outlaw M 2200 for the center in the future, how do you think it will work with the Adcom for the fronts, and my Denon driving the SR and SRB speakers?
Anybody got a used Outlaw they want to make me a offer on that I can not pass up!
Jerry
Denon AVR-3806 7.1
Outlaw Audio M200 (RF,C,LF)
Sony KDFE42A10 LCD
Directv H10-250 DVR
Sony DVP-NS90V
Sony RDR-GX315
JVC Super VHS
Polk RTi8 m
Polk CSi5 c
Polk RTi6 sr
Polk Monitor 30 srb
Polk PSW505 sw (I know, I know, get an SVS!)
PLUCK THE CHICKS!
From A Former Fan
Denon AVR-3806 7.1
Outlaw Audio M200 (RF,C,LF)
Sony KDFE42A10 LCD
Directv H10-250 DVR
Sony DVP-NS90V
Sony RDR-GX315
JVC Super VHS
Polk RTi8 m
Polk CSi5 c
Polk RTi6 sr
Polk Monitor 30 srb
Polk PSW505 sw (I know, I know, get an SVS!)
PLUCK THE CHICKS!
From A Former Fan
Post edited by limashaynut on
Comments
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Well, I've been a fan of Adcom for a long time and $300 is a reasonable price for the 555. I feel for the $$$ they are hard to beat. I'm not sure you'll find a whole lot of people here that like them. Most either have no opinion or are negative. Much like you seem to find about Polk on other audio forums. Personally I don't think there's much of a basis for the Adcom bashing. That's always puzzled me . I sold Adcom along side many others and feel they are a great sounding amp to be had a bargain prices. Feel very confident in your purchase.
As far as Outlaw, I really have no opinion. I could take them or leave them. I've looked at their basic design and it doesn't really strike me as all that remarkable. One thing to consider is amp matching for all your channels, so maybe another Adcom or two will work out better. But if you are just talking a center channel amp then perhaps the Outlaw will work just fine. Believe it or not amps have their own sound signature so mis-matching may or maynot be an issue. Hopefully other HT persons will chime in on this.
I think you will be in for a treat when you hook the Adcom up. What speakers are you running?
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
heiney9 wrote:What speakers are you running?
I'm pretty sure they're listed in his sig.
I would agree than 'amp-matching' could play a role here. At least for the front three channels. As I have read others on here say, how would you like to be watching a movie and have some guy who's talking move from the left side of the screen to the right side, only to have his voice sound different when it gets to the middle (non-tambre matched speaker or different brand amp) and then go back to the original sound when he gets to the right side. Could be annoying, I'll bet.George Grand wrote: »
PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
Pioneer Elite VSX-52, Parasound HCA-1000A
Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
Epson 8700UB
In Storage
[Home Audio]
Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
Klipsch RF-35, RB-51ii
[Car Audio]
Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520 -
audiobliss wrote:I'm pretty sure they're listed in his sig.
Thanks Bliss....I saw that after I posted the ?"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
Thanks for the feedback guys, will let you know how it sounds when it gets here. As for the Outlaw not blending in well with the Adcom, that was a concern, but I am getting the cart before the horse, I have not heard the Adcom yet!
Can not wait to try out on of the Lord of the Rings, and a bit of 2 channel music with this baby.Jerry
Denon AVR-3806 7.1
Outlaw Audio M200 (RF,C,LF)
Sony KDFE42A10 LCD
Directv H10-250 DVR
Sony DVP-NS90V
Sony RDR-GX315
JVC Super VHS
Polk RTi8 m
Polk CSi5 c
Polk RTi6 sr
Polk Monitor 30 srb
Polk PSW505 sw (I know, I know, get an SVS!)
PLUCK THE CHICKS!
From A Former Fan -
Listen awhile and then let us know how it worked out for you! :cool:
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
I no longer own one, but the Adcom is built like a road-amp, and sounds like a studio-amp. It's got a straight line topography and solid PS & output stage. I'll be in the market again soon, and I am just remembering how good they were for the price. I may follow you on that amp decision.-Ignorance is strength -
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Congrats on the adcom!