Tube break-in

lomic
lomic Posts: 407
edited November 2005 in 2 Channel Audio
Is it recommended to have a source playing through a pre-amp when breaking in tubes, or is it enough to simply have them turned on? Got my JJ's yesterday and had them on for about 15 hours but without playing anything through them.

Couldn't do a proper listening session tonight, but I popped in the Oh Brother Where Art Thou SACD and am quite impressed with how tame the highs and more pronounced mids (good thing for the ole' lsi9's) than the Amprex Holland NOS tubes Gary sent with the ELP. Most noted improvement - the Banjo(?) on the final track no longer has a note with an annoying resonance. I'll leave my final judgment for Hell Freezes Over though, since I consider it to be the source I have best "memorized" the sound.

After only 15 hours though I'm quite impressed for a $20 purchase.
Dodd Audio ELP [ Tubes ] // Harman Kardon AVR330 // Parasound HCA-1203A // Denon DVD-2900
Polk Audio LSi9, LSiC, LSi 7 // HSU STF-2 // Signal Cable Interconnects (SG BW/A2/MP)
Post edited by lomic on

Comments

  • organ
    organ Posts: 4,969
    edited November 2005
    The JJ 6922 are excellent tubes. I love mine.

    I think you're ok with the burn-in without music playing. As long as you have the B+ going, you're good.

    Thinking about selling those Bugle Boys?
  • cmy330go
    cmy330go Posts: 2,341
    edited November 2005
    I asked the guy who sold me my new tube integrated about break-in. (Just so happens he designed it too). Anyway I asked virtually the same question. He told me that just having it on would break it in. However he said that playing music through it would break it in a little quicker since the filiments in the tubes vibrate slightly when playing.

    Sounded reasonable to me. He claimed most tube gear will break in fully in around 100 hours.

    Enjoy the new tubes! :)
    HT
    Mits WD-65737, DirecTV, Oppo DV-970HD, XBOX ONE, Yamaha RX-A1030, Parasound Halo A23, Rotel RB-985, Music Hall MMF-7, Parasound PPH-100, LSi-15, LSi-C, LSi-FX, LSi-7, PSW-1000, Monster HTS2600

    2 CH
    Parasound Halo P3, Parasound Halo A21, Sutherland Ph.D, VPI Classic 3 w/ 3D arm & Soundsmith Aida Cartridge, Arcam CD72T, B&W 802 S3, Monster HTS2500,
  • lomic
    lomic Posts: 407
    edited November 2005
    Thinking about selling those Bugle Boys?

    I wasn't under the impression they were Bugle Boys - if so I'd be fairly disappointed in them. These Amperex sounded good, except like I said I didn't think the highs were too great on many recordings. Not what I would have expected from the legendary BB's.

    Here's a picture of one of the tubes, the only one with any writing left on it - the other is completely devoid of markings. They also produce different brightness, which I assume is not a desired trait in a pair of tubes. Check out my reflection on the top of the tube, fear my Nikon 990 with megaflash.

    amperex.jpg
    Dodd Audio ELP [ Tubes ] // Harman Kardon AVR330 // Parasound HCA-1203A // Denon DVD-2900
    Polk Audio LSi9, LSiC, LSi 7 // HSU STF-2 // Signal Cable Interconnects (SG BW/A2/MP)
  • lomic
    lomic Posts: 407
    edited November 2005
    They're at the 30 hour mark and finally a chance to really listen to them.

    Detail on them is amazing, almost to a fault. I'm not use to hearing every slight reverb on every guitar string pluck and every change in inflection in the voice.

    Highs, while controlled, are too bright - if that makes any sense. There's a ceiling where they round off nicely, but it's bringing too much up to that ceiling.

    Bass is great, STF-2 amazes yet again with improved rate of attack and tightness.

    Imaging is uncanny, 2 voices right next to each other are very well defined and seperated. Unfortunately these JJ's are a bit laid back at the moment - with the LSi's it doesn't seem to be a good thing, as I feel a little disinvolved with the music. Hopefully this will change after a longer burn in period.
    Dodd Audio ELP [ Tubes ] // Harman Kardon AVR330 // Parasound HCA-1203A // Denon DVD-2900
    Polk Audio LSi9, LSiC, LSi 7 // HSU STF-2 // Signal Cable Interconnects (SG BW/A2/MP)
  • organ
    organ Posts: 4,969
    edited November 2005
    Iomic,
    Thanks for the excellent pic. Are they 6DJ8 or 6922? I'll still buy them off you if you want to sell them. It's normal for them to have different brightness intensity. It just depends on how the filaments were wounded up in the heater. The closer they are to the opening on the top and bottom part of the heater, the brighter the glow.

    On the JJ. I don't think you will hear anymore improvements after 50hrs. This is usually the case with signal tubes. I had no idea you wanted a more forward presentation. The sound of those JJ's are very similar to a Mullard 6DJ8 I have. The JJ have much better bass and upper bass while the Mullard is a little sweeter in the mids and highs. If you want a more forward sound, EH is the tube for you. I used one for a while and thought it was too forward for my system but it may be the right one for you. The bass on EH is great but won't sound as robust as JJ.

    Maurice
  • HBombToo
    HBombToo Posts: 5,256
    edited November 2005
    Break in without a source will provide "some" benifit across the anode and grid plates. A true DC "break in" will reduce micro protusions on the surface of the plates but would have to happen by at least by double the operating voltage if not more.

    IMHO the true "breaking in" will occur with the cathode being excercised. As the cathode rms temp increases above the steady state temp or the "filament temp" more and more electrons will become available through thremionic emission. The more available electrons that are available will have very noticable differences in tube resistance and capacitance.

    HBomb
    ***WAREMTAE***
  • beardog03
    beardog03 Posts: 5,550
    edited November 2005
    HBombToo wrote:
    Break in without a source will provide "some" benifit across the anode and grid plates. A true DC "break in" will reduce micro protusions on the surface of the plates but would have to happen by at least by double the operating voltage if not more.

    IMHO the true "breaking in" will occur with the cathode being excercised. As the cathode rms temp increases above the steady state temp or the "filament temp" more and more electrons will become available through thremionic emission. The more available electrons that are available will have very noticable differences in tube resistance and capacitance.

    HBomb

    so in other words...playing music through them will make them "break in"
    faster/better..?!!

    ** I`m kinda slow sometimes **
    Cary SLP-98L F1 DC Pre Amp (Jag Blue)
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    :cool:
  • HBombToo
    HBombToo Posts: 5,256
    edited November 2005
    Yes Sir!
    ***WAREMTAE***
  • beardog03
    beardog03 Posts: 5,550
    edited November 2005
    kewl..!!

    I`ve been playin music real low round the clock for about a week now just to break `em in..!!
    Cary SLP-98L F1 DC Pre Amp (Jag Blue)
    Parasound HCA-3500
    Cary Audio V12 amp (Jag Red)
    Polk Audio Xm Reciever (Autographed by THE MAN Himself) :cool:
    Magnum Dynalab MD-102 Analog Tuna
    Jolida JD-100 CDP
    Polk Audio LSi9 Speaks (ebony)
    SVS PC-Ultra Sub
    AQ Bedrock Speaker Cables (Bi-Wired)
    MIT Shotgun S1 I/C`s
    AQ Black Thunder Sub Cables
    PS Audio Plus Power Cords
    Magnum Dynalab ST-2 FM Antenna
    Sanus Cherry wood Speak Stands
    Adona AV45CS3 / 3 Tier Rack (Black /Gold)


    :cool: