Question About Balanced Interconnects?

BrentMcGhee
BrentMcGhee Posts: 548
I am contimplating getting the outlaw 990 preamp with two 2200 monoblocks. I am going to be hooking the 990 to the 2200's with balanced interconnects. However my cd player will be hooked into the 990 with unbalanced interconnects. will the 990 be sending anything out of the balanced connections if the source is coming into it unbalanced?
Post edited by BrentMcGhee on

Comments

  • rskarvan
    rskarvan Posts: 2,374
    edited October 2005
    Yes... however, there would be a big benefit if you had a balanced source feeding your pre-amp.
  • BrentMcGhee
    BrentMcGhee Posts: 548
    edited October 2005
    am i really gaining anything using the balanced over the unbalanced to my power amps with my current configuration
  • rskarvan
    rskarvan Posts: 2,374
    edited October 2005
    Three advantages of operating in balanced: 1- its a better sounding circuit in general overall over that of a single-ended design, 2 - you get a lower noise floor - meaning you hear more of the music and less noise, and 3 - you get an additional 6 db of gain.
  • BrentMcGhee
    BrentMcGhee Posts: 548
    edited October 2005
    Well i am sure when i get the pre-amp i will probably play around with it both ways anyway to hear the differences for my self. After all isnt that what this hobby is all about :) Thanks
  • Dennis Gardner
    Dennis Gardner Posts: 4,861
    edited October 2005
    If you're drunk by 4PM, who cares, it all sounds good!! :D:D

    The benefit of balanced circuits is really noticed in very long runs. Thats why pro audio uses them almost exclusively. In an ever changing venue that they don't have the time to troubleshoot and can't control where cables land, the noise rejection of balanced cables works great. In a home setting where you have more control of wiring runs and the placement remains constant, your low level signal runs are rarely dozens of feet in distance, so you won't get as much benefit.

    Some people do prefer their monoblocks very close to the speakers if they have balanced wires. Just a thought.
    HT Optoma HD25 LV on 80" DIY Screen, Anthem MRX 300 Receiver, Pioneer Elite BDP 51FD Polk CS350LS, Polk SDA1C, Polk FX300, Polk RT55, Dual EBS Adire Shiva 320watt tuned to 17hz, ICs-DIY Twisted Prs, Speaker-Raymond Cable

    2 Channel Thorens TD 318 Grado ZF1, SACD/CD Marantz 8260, Soundstream/Krell DAC1, Audio Mirror PP1, Odyssey Stratos, ADS L-1290, ICs-DIY Twisted , Speaker-Raymond Cable
  • heiney9
    heiney9 Posts: 25,197
    edited October 2005
    Balanced interconnects certainly have advantages. IMO, unless all connections are going to be balanced it's not really worth it. That being said if you have very long runs or have poor noise rejection they may be of some benefit in those situations.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • Holydoc
    Holydoc Posts: 1,048
    edited October 2005
    rskarvan wrote:
    Three advantages of operating in balanced: 1- its a better sounding circuit in general overall over that of a single-ended design, 2 - you get a lower noise floor - meaning you hear more of the music and less noise, and 3 - you get an additional 6 db of gain.


    Rskarvan,

    Where did you read about these advantages? My understanding is that it was much more resistant to external interference and electrical static (i.e. noise) and thus should be used in long runs. That was the only advantage I have heard and even that advantage was negligible for runs shorter than a hundred feet.

    Please post the link to your source so that I can read about these advantages. I am always looking for ways to improve my "music" understanding.

    Thanks!
    Holydoc (Home Theatre Lover)
    __________________________________________
    Panasonic -50PX600U 50" Plasma
    Onkyo -TX-NR901 Receiver
    Oppo -Oppo 980HD Universal DVD Player
    Outlaw -770 (7x200watt) Amplifier
    PolkAudio - RTi12 (Left and Right)
    PolkAudio - CSi5 (Center)
    PolkAudio - FXi3 (Back and Surround)
    SVS - PB-12/Plus (Subwoofer)
    Bluejean Cables - Interconnects
    Logitech Harmony 880 - Remote
  • BrentMcGhee
    BrentMcGhee Posts: 548
    edited October 2005
    If you're drunk by 4PM, who cares, it all sounds good!! :D:D

    Very True :D
  • rskarvan
    rskarvan Posts: 2,374
    edited October 2005
    I wrote to the service manager at Krell audio about balanced interconnects. He responded with the list of three advantages of balanced interconnects. I am an engineer. I've studied the circuits a little. The balanced circuits contain twice the electrical components vs. a single-ended circuit. I don't think the electrical engineers would bother to go through all this trouble if it weren't worth the effort. Afterall, twice the components means twice the cost and twice the possibility of defects. This is a very good reason to use balanced cables when available.
  • Eric W
    Eric W Posts: 556
    edited October 2005
    This is a double edged sword. In many professional audio systems, the signal is balanced from the source (microphone, professional CD Player, synthesizer etc) all the way through the mixers, signal processors and then power amplifiers. However most pro audio systems function in very noisy enviroments (lights, wireless mics, running on several power circuits etc) and have extremely long cable runs. In the home, its a much different ball game, particularly when very few home audio sources are balanced to begin with.

    I think this would be the major advantage: If your amplifiers are far away from your preamp (the 990 is an awesome unit BTW) such as amp under your front speakers, but sources and preamp at the rear of room, then yes the Balanced cable would be the best here, mainly because of the common mode noise rejection.

    On the other hand, if your amplifiers are only 6 or so feet away, there really won't be any sonic advantages here. Infact, to "balance" the unbalanced signal, the signal gets split into 2, one side is reversed 180 degrees to be sent over the balanced line, then at the other end, it is reversed again to cancel out any noise that would be picked up by both. Theoretically, this is another 2 steps in processing the signal, so you could potentially loose some sonic material although very slight.
    -Eric
    -Polk Audio
  • BrentMcGhee
    BrentMcGhee Posts: 548
    edited October 2005
    That makes perfect sense.... that is kind of what i was assuming.

    Thanks.
  • beardog03
    beardog03 Posts: 5,550
    edited October 2005
    so I should save my money ?

    I was about to pull the trigger on some balanced I/C`s, when I started pondering the very questions raised in this thread..!!

    my Pre and amp would get the balanced I/C, and from CDP to pre would be Rca type..
    Cary SLP-98L F1 DC Pre Amp (Jag Blue)
    Parasound HCA-3500
    Cary Audio V12 amp (Jag Red)
    Polk Audio Xm Reciever (Autographed by THE MAN Himself) :cool:
    Magnum Dynalab MD-102 Analog Tuna
    Jolida JD-100 CDP
    Polk Audio LSi9 Speaks (ebony)
    SVS PC-Ultra Sub
    AQ Bedrock Speaker Cables (Bi-Wired)
    MIT Shotgun S1 I/C`s
    AQ Black Thunder Sub Cables
    PS Audio Plus Power Cords
    Magnum Dynalab ST-2 FM Antenna
    Sanus Cherry wood Speak Stands
    Adona AV45CS3 / 3 Tier Rack (Black /Gold)


    :cool:
  • heiney9
    heiney9 Posts: 25,197
    edited October 2005
    beardog03 wrote:
    so I should save my money ?

    I was about to pull the trigger on some balanced I/C`s, when I started pondering the very questions raised in this thread..!!

    my Pre and amp would get the balanced I/C, and from CDP to pre would be Rca type..

    Again, unless everything is balanced I don't see an advantage. Just my .02c

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • Eric W
    Eric W Posts: 556
    edited October 2005
    I would only bother with the balanced if you are either running a long line between the preamp and the amp, or if you have a ground loop problem between the preamp and the amp.

    Or, if you're a hobbyist and just want to build a balanced circuit, then by all means go for it...

    PS I wish the consumer industry used XLR connectors to begin with, RCA's are horrible.
    -Eric
    -Polk Audio