LSi15 vs Paradigm Studio 100
Comments
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I'd be ineterested to find out what folks think. I like Paradigm's stuff, but the LSi25 is a very nice speaker.George Grand wrote: »
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I used to own the Studio 40's-III and the tweeter was a bit too much for me, the Polk's I've not had a chance to hear.Denon #2900, Denon stereo receiver, Conrad Johnson Sonographe 120 amp, Blue Jeans cables, and Klipsch RF-7's
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By 'too much', do you mean it was too bright/harsh?George Grand wrote: »
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Pioneer Elite VSX-52, Parasound HCA-1000A
Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
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Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
Klipsch RF-35, RB-51ii
[Car Audio]
Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520 -
I haven't heard the Lsi yet but I have heard the studio's and they are amazing in my opinion.
Though I hear the same thing for the Lsi. One major difference would be ohms so unless you have proper equip already you might need to upgrade, but on the other hand the studio 100 isn't a small speaker so you probably need seperate amplification anyway.
ChrisReceiver: Onkyo TX-SR502-S
DVD Player: Pioneer DV-578A-S
Left and Right: R50
Center: CS1
Rear Center: R15
Surrounds: R30
Subwoofer: 10'' Dayton 100 Watt -
today i listened to studio 100s but the store didn't have Polks, so i can't say which sounded better. i only compared them to B&W 600s and Paradigm won here. the rep. at the store said that it's like comparing station wagon to a sports car......and all depends on what you need. but gerenaly Paradigms are better built speakers.
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As much as I like the LSi15, the Paradigm Studio 100's are a better speaker IMHO. I have heard them and they handle their own quite well against the Totem Forest in a direct comparison across all forms of music.
I just read my copy of Stereophile last night and I believe the Studio 100's were rated a Recommended Class B.Review Site_ (((AudioPursuit)))
Founder/Publisher Affordable$$Audio 2006-13.
Former Staff Member TONEAudio
2 Ch. System
Amplifiers: Parasound Halo P6 pre, Vista Audio i34, Peachtree amp500, Adcom GFP-565 GFA-535ii, 545ii, 555ii
Digital: SimAudio HAD230 DAC, iMac 20in/Amarra,
Speakers: Paradigm Performa F75, Magnepan .7, Totem Model 1's, ACI Emerald XL, Celestion Si Stands. Totem Dreamcatcher sub
Analog: Technics SL-J2 w/Pickering 3000D, SimAudio LP5.3 phono pre
Cable/Wires: Cardas, AudioArt, Shunyata Venom 3 -
i spent a large amount of time trying to figure out if i should go with the paradigm studios or the lsi's.
i was never able to compare the lsi15 to the studio 100, but i did listen to the lsi9 vs studio 20 (both of which are the bookshelf equivalents). the studio blew the lsi9 away. i will grant the fact the the lsi9s just came out of the box and where underpowered when i listened to them, but the studio was incredible. the studio 20 held it's own with every speaker that i listened to (b&w, klipsch, nht, polk, thiel, etc)
i would gladly listen to the polks again, but my vote would be for the paradigms. hands down.Intended System:
Fronts: LSI 15
Surrounds: LSI FX
Center: LSI C
Sub: TBD
Pre/ Pro: Sunfire Grand Theatre III
Amp: Sunfire Cinema Grand 200x7
TV: 50-55" Plasma or DLP (TBD)
Current System:
Infinity Satellites
12" Infinity Sub
Denon AVR-97 85 x 5
Sony 36" Wega -
I worked in a high end HT store in the summer and heard all the Pdigms being powered by Anthem seperates. They're nice but IMO the LSi are superior. The Pdigms sounds thin and bright in comparison to the LSi. I like the LSi a lot more. The Paradigm sounds more like a refined RTi line to me.
Maurice -
I've heard both on several occasions and I PREFER the LSi15s."Just because youre offended doesnt mean youre right." - Ricky Gervais
"For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase
"Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson -
audiobliss wrote:By 'too much', do you mean it was too bright/harsh?
Just for kicks in the future I'd like to try some Lsi9's.Denon #2900, Denon stereo receiver, Conrad Johnson Sonographe 120 amp, Blue Jeans cables, and Klipsch RF-7's -
That's what I hear too. I love metal tweets but not like that. I hear some of this on the Tannoy Eirys(sp) but it could have been the Yamaha receiver and optical connection.
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kolyan2k wrote:can anyone input on this. thanksRogue Audio stereo 100 tube amplifier - Lector Zoe preamplifier with 6H30 pi's
.Audience AU24SE speaker and ic cables- Chord Qutest DAC - Black Cat Silverstar II 75ohm digital cable-Tyler Acoustics Linbrook Signature system with large bass cabinets to accommodate 10" Seas magnesium woofers. -
W WALDECKER wrote:i owned the lsi 15s and replaced them with a pair of Paradigm reference studio 100v3s. the lsi15s listed for $1800 the 100v3s listed for $2300 to my ears the 100v3s were worth the extra $500.00 i loved the midrange and treble of the lsi15s but the bottom end was lacking and a tad muddy with the gear i was using at the time. thanks....WCW III
Did you like the midrange and treble on the LSi15s better
than the 100v3 s?Pio Elite 60 in 1080p PRO-150FD KURO
Integra DTC-9.8 - Pio Elite BDP-95FD
Cinenova Grande 3 ( 600W x 3 ) - Polk LSi15s, LSiC
Outlaw M2200s x 2 ( 300W x 2 ) - Polk LC265i x 2
Velodyne HGS-15X -
W WALDECKER wrote:i owned the lsi 15s and replaced them with a pair of Paradigm reference studio 100v3s. the lsi15s listed for $1800 the 100v3s listed for $2300 to my ears the 100v3s were worth the extra $500.00 i loved the midrange and treble of the lsi15s but the bottom end was lacking and a tad muddy with the gear i was using at the time. thanks....WCW III
with enough watts driving your 15's you would not have thought the bass was lacking unless a) you have a HUGE room or possibly you listen to a lot of rap-like music. I listen to all music flat. Flat. And at that, even rap sounds like the cars you drive by and wish we off the road. In fact, I turned off my subwoofer!! Don't need it now.Denon AVR-2105
Two Outlaw 2200 Mono Block Amps
Sony DVP-CX985V
Polk LSi15 Fronts
Polk LSiC Center
Polk Rti28 Surrounds
Polk PSW350 Subwoofer
Sony KDF-50WE655 50" LCD -
knownalien_ wrote:with enough watts driving your 15's you would not have thought the bass was lacking unless a) you have a HUGE room or possibly you listen to a lot of rap-like music. I listen to all music flat. Flat. And at that, even rap sounds like the cars you drive by and wish we off the road. In fact, I turned off my subwoofer!! Don't need it now.
Definitely don't need a sub for music. I upgraded to
three monoblock outlaw 300 watt amps to drive my LCR
and I am using my Denon 4802 to drive my surrounds.
This complete transormed my entire audio system.
I love my Velodyne HGS-15X for movies :-)Pio Elite 60 in 1080p PRO-150FD KURO
Integra DTC-9.8 - Pio Elite BDP-95FD
Cinenova Grande 3 ( 600W x 3 ) - Polk LSi15s, LSiC
Outlaw M2200s x 2 ( 300W x 2 ) - Polk LC265i x 2
Velodyne HGS-15X -
I consider the Paradigm 20's and the LSi7's comparable with the edge to the 20's due to a more consistent sound across the board. The LSi9's dominated the 20's especially in the lower octives where the 20's rolloff. The Paradigm 40's and the LSi9's are very similar. Once again, I give a slight edge to the Paradigm, but that could have easily changed based upon equipment.
A key I found in comparing the Paradigms and the LSi's is finding a fair volume comparison, as the Paradigms are 8 Ohms, and the LSi's 4 Ohm. Either brand I consider to be a fine addition to audio system.Review Site_ (((AudioPursuit)))
Founder/Publisher Affordable$$Audio 2006-13.
Former Staff Member TONEAudio
2 Ch. System
Amplifiers: Parasound Halo P6 pre, Vista Audio i34, Peachtree amp500, Adcom GFP-565 GFA-535ii, 545ii, 555ii
Digital: SimAudio HAD230 DAC, iMac 20in/Amarra,
Speakers: Paradigm Performa F75, Magnepan .7, Totem Model 1's, ACI Emerald XL, Celestion Si Stands. Totem Dreamcatcher sub
Analog: Technics SL-J2 w/Pickering 3000D, SimAudio LP5.3 phono pre
Cable/Wires: Cardas, AudioArt, Shunyata Venom 3 -
The Paradigm Studio 100s are great speakers that I would have loved to have....but they were $1000 more in my neck of the woods...and it was not worth the improvement over the LSi15s for me.System 1: Martin Logan Vantage, Rotel RC 1070, B&K Reference 200.2, Music Hall DAC 15.2, Yamaha 2300
System 2: LSi15 w/db840, Marantz SR8400, Rotel 1080, RM6800 (C&S), Sony X2020ES
System 3: LSi7, Yamaha SW215, Music Hall Maven, Music Hall MMF CD25 w/627opamps
System 4: RTi100, Harman Kardon AVR 230, Panasonic DVD -
here in Boston Paradigm 100s v3 are $1900 and LSis are $1700
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In Canada, you can get Paradigm at excellent prices. I've been to the Pdigm warehouse a few times and almost blew a load. Huge warehouse with Pdigm stacked to the roof. All the lines are there.
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tdeluce wrote:Did you like the midrange and treble on the LSi15s better
than the 100v3 s?Rogue Audio stereo 100 tube amplifier - Lector Zoe preamplifier with 6H30 pi's
.Audience AU24SE speaker and ic cables- Chord Qutest DAC - Black Cat Silverstar II 75ohm digital cable-Tyler Acoustics Linbrook Signature system with large bass cabinets to accommodate 10" Seas magnesium woofers. -
knownalien_ wrote:with enough watts driving your 15's you would not have thought the bass was lacking unless a) you have a HUGE room or possibly you listen to a lot of rap-like music. I listen to all music flat. Flat. And at that, even rap sounds like the cars you drive by and wish we off the road. In fact, I turned off my subwoofer!! Don't need it now.Rogue Audio stereo 100 tube amplifier - Lector Zoe preamplifier with 6H30 pi's
.Audience AU24SE speaker and ic cables- Chord Qutest DAC - Black Cat Silverstar II 75ohm digital cable-Tyler Acoustics Linbrook Signature system with large bass cabinets to accommodate 10" Seas magnesium woofers. -
I've compared both lines. Paradigm imho is becoming more of a marketing company...they splash patents and review awards around more and more. In Canada (where I live) a few people consider them some of the best speakers made period. The funny thing is that even dealers, have no idea why they sell so well. I have talked to more then 1 dealer who hated the bright, harsh sound of the Paradigm and mid range boom, but said his customers loved it and its paying bills.
I do think the Paradigm house sound makes the speakers jump out at you for short listening periods. They are fairly efficient and don't require higherend electronics to make them sing. But, in terms of build quality I have no idea why a dealer would say a Paradigm is a better built speaker. It simply isn't the case. Also when both series of speakers are setup properly I think the LSi would shine through.
Much of this is personal taste, you might like green I might like blue and we could sit here and argue all day. But there are very few dealers in Canada or the US that have the electronics to make the LSi's shine in a way they should. And because of this few people never get a chance to listen to the LSi's at their max potential. From my listening experiences the Paradigm dealers usually have better gear around, and the speaker isn't as picky as the LSi's. Hence the Paradigms are usually demo'd at near or close to their potential. The LSi's are a much more demanding speaker, with a much more refinded top end that is totally holographic when mated with the highest of electronics.
I've said it before and I'll say it again. The Polk Audio LSi speakers are a tremendous value in audio. That says something when you can mate these speakers with very highend eletronics and they sound better and better. It's a shame Polk Audio's distribution channels have more mass market appeal and very few highend dealers. I understand why they don't (it's a simple question of economics) and use larger massive retailers that carry more AVR and Home Theatre. But just ONCE I'd love to hear a set of Polk Audio LSi15's setup with an Ayre, Linn source and quality amplification from Plinius or Classe from a dealer who also carried Paradigm. I think the differences in the speakers would be striking and I think that dealer would be selling alot more Polk Audio product. -
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LuSh wrote:I've compared both lines. Paradigm imho is becoming more of a marketing company...they splash patents and review awards around more and more. In Canada (where I live) a few people consider them some of the best speakers made period. The funny thing is that even dealers, have no idea why they sell so well. I have talked to more then 1 dealer who hated the bright, harsh sound of the Paradigm and mid range boom, but said his customers loved it and its paying bills.
I do think the Paradigm house sound makes the speakers jump out at you for short listening periods. They are fairly efficient and don't require higherend electronics to make them sing. But, in terms of build quality I have no idea why a dealer would say a Paradigm is a better built speaker. It simply isn't the case. Also when both series of speakers are setup properly I think the LSi would shine through.
Much of this is personal taste, you might like green I might like blue and we could sit here and argue all day. But there are very few dealers in Canada or the US that have the electronics to make the LSi's shine in a way they should. And because of this few people never get a chance to listen to the LSi's at their max potential. From my listening experiences the Paradigm dealers usually have better gear around, and the speaker isn't as picky as the LSi's. Hence the Paradigms are usually demo'd at near or close to their potential. The LSi's are a much more demanding speaker, with a much more refinded top end that is totally holographic when mated with the highest of electronics.
I've said it before and I'll say it again. The Polk Audio LSi speakers are a tremendous value in audio. That says something when you can mate these speakers with very highend eletronics and they sound better and better. It's a shame Polk Audio's distribution channels have more mass market appeal and very few highend dealers. I understand why they don't (it's a simple question of economics) and use larger massive retailers that carry more AVR and Home Theatre. But just ONCE I'd love to hear a set of Polk Audio LSi15's setup with an Ayre, Linn source and quality amplification from Plinius or Classe from a dealer who also carried Paradigm. I think the differences in the speakers would be striking and I think that dealer would be selling alot more Polk Audio product.Rogue Audio stereo 100 tube amplifier - Lector Zoe preamplifier with 6H30 pi's
.Audience AU24SE speaker and ic cables- Chord Qutest DAC - Black Cat Silverstar II 75ohm digital cable-Tyler Acoustics Linbrook Signature system with large bass cabinets to accommodate 10" Seas magnesium woofers. -
Sounds like it may be similar to the LSi series, in that it's picky with its equipment!George Grand wrote: »
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Pioneer Elite VSX-52, Parasound HCA-1000A
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Epson 8700UB
In Storage
[Home Audio]
Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
Klipsch RF-35, RB-51ii
[Car Audio]
Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520 -
audiobliss wrote:Sounds like it may be similar to the LSi series, in that it's picky with its equipment!Rogue Audio stereo 100 tube amplifier - Lector Zoe preamplifier with 6H30 pi's
.Audience AU24SE speaker and ic cables- Chord Qutest DAC - Black Cat Silverstar II 75ohm digital cable-Tyler Acoustics Linbrook Signature system with large bass cabinets to accommodate 10" Seas magnesium woofers. -
Zero wrote:Others who have the chance or patience to unlock their potential will be rewarded
Sounds like I better go with Paradigm!
George Grand wrote: »
PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
Pioneer Elite VSX-52, Parasound HCA-1000A
Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
Epson 8700UB
In Storage
[Home Audio]
Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
Klipsch RF-35, RB-51ii
[Car Audio]
Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520 -
LuSu:
I've got to respectfully disagree with you as well. I've heard every model from all three series (monitor, studio, signature). Only the entry level monitor series could some see in this light, and then in comparison to much higher quality speakers.
I have had the good fortune to listen to Paradigms through Rotel, Music Fidelity, & Bryston. For a big production outfit, they hold their own against more esoteric companies, especially with both the studio and signature lines.
The patents they hold are in collaboration with a Canadian science institute, a gov't sponsored entity that assists private companies by pooling research costs. The results benefit all companies in some form.Review Site_ (((AudioPursuit)))
Founder/Publisher Affordable$$Audio 2006-13.
Former Staff Member TONEAudio
2 Ch. System
Amplifiers: Parasound Halo P6 pre, Vista Audio i34, Peachtree amp500, Adcom GFP-565 GFA-535ii, 545ii, 555ii
Digital: SimAudio HAD230 DAC, iMac 20in/Amarra,
Speakers: Paradigm Performa F75, Magnepan .7, Totem Model 1's, ACI Emerald XL, Celestion Si Stands. Totem Dreamcatcher sub
Analog: Technics SL-J2 w/Pickering 3000D, SimAudio LP5.3 phono pre
Cable/Wires: Cardas, AudioArt, Shunyata Venom 3 -
audiobliss wrote:Sounds like I better go with Paradigm!Rogue Audio stereo 100 tube amplifier - Lector Zoe preamplifier with 6H30 pi's
.Audience AU24SE speaker and ic cables- Chord Qutest DAC - Black Cat Silverstar II 75ohm digital cable-Tyler Acoustics Linbrook Signature system with large bass cabinets to accommodate 10" Seas magnesium woofers. -
Very good point.George Grand wrote: »
PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
Pioneer Elite VSX-52, Parasound HCA-1000A
Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
Epson 8700UB
In Storage
[Home Audio]
Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
Klipsch RF-35, RB-51ii
[Car Audio]
Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520