LSi9 vs Paradigm Studio 40 v.3

markmarc
markmarc Posts: 2,309
edited July 2005 in Speakers
I have narrowed my choice down to either the Polk LSi9 or the Paradigm Studio 40 v.3. Has anybody been able to compare these two models head to head?
I have heard both, the LSi9's at Fry's, and the Paradigm's at a party recently.
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Founder/Publisher Affordable$$Audio 2006-13.
Former Staff Member TONEAudio
2 Ch. System
Amplifiers: Parasound Halo P6 pre, Vista Audio i34, Peachtree amp500, Adcom GFP-565 GFA-535ii, 545ii, 555ii
Digital: SimAudio HAD230 DAC, iMac 20in/Amarra,
Speakers: Paradigm Performa F75, Magnepan .7, Totem Model 1's, ACI Emerald XL, Celestion Si Stands. Totem Dreamcatcher sub
Analog: Technics SL-J2 w/Pickering 3000D, SimAudio LP5.3 phono pre
Cable/Wires: Cardas, AudioArt, Shunyata Venom 3
Post edited by markmarc on

Comments

  • gregure
    gregure Posts: 871
    edited July 2005
    I've heard the Paradigms run on B&K and Adcom at some dealers. Nice speakers, but way overpriced for what they do. I didn't notice a huge difference between the Paradigms and other speakers such as Polk, lower end B&W, Definitive Technology, etc.
    I did find the LSi line to be very fine indeed, although I've only heard them run off a HK 7300. I really do think the LSi's ring radiator will give you a much better speaker for music, while giving you excellent sound for movies as well.
    For a few hundred more, have you looked at the Haydn Grands from Vienna Acoustics? Those are exceptional.
    Current System:

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    Vienna Acoustics Beethoven Concert Grand (Rosewood)-Mains (with Audioquest Mont Blanc cables)
    CSi5-Center (for sale**)
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    Martin Logan Depth-Sub
    B&K AVR 507
    Pimare CD21-CD Player
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    Panamax M5500-EX-Line Conditioner
  • Joey_V
    Joey_V Posts: 8,583
    edited July 2005
    Good matchup! It will most likely boil down to preferences. Having said that, I prefer the LSi9's vocals hands down.

    However, the Paradigm Refs have such a good dispersion that it makes mincemeat of the LSi9's acoustic dispersion.
    Magico M2, JL113v2x2, EMM, ARC Ref 10 Line, ARC Ref 10 Phono, VPIx2, Lyra Etna, Airtight Opus1, Boulder, AQ Wel&Wild, SRA Scuttle Rack, BlueSound+LPS, Thorens 124DD+124SPU, Sennheiser, Metaxas R2R
  • markmarc
    markmarc Posts: 2,309
    edited July 2005
    Joey:
    Heard the Paradigms on Saturday. Listened to both the 20's and the 40's. Unfortunately, they weren't in the same room. The 40's struggled a bit with the room layout as they had a large entertainment center placed between the speakers. Sound did improve once we moved them out to in front of the unit. but the depth of the soundstage was lacking. Plus the room they were in was abysmal for listening.

    I was actually more impressed by the 20's. Dispertion of the instruments was incredible. I am going back later this week, the sales manager will have them put into the same room.
    Review Site_ (((AudioPursuit)))
    Founder/Publisher Affordable$$Audio 2006-13.
    Former Staff Member TONEAudio
    2 Ch. System
    Amplifiers: Parasound Halo P6 pre, Vista Audio i34, Peachtree amp500, Adcom GFP-565 GFA-535ii, 545ii, 555ii
    Digital: SimAudio HAD230 DAC, iMac 20in/Amarra,
    Speakers: Paradigm Performa F75, Magnepan .7, Totem Model 1's, ACI Emerald XL, Celestion Si Stands. Totem Dreamcatcher sub
    Analog: Technics SL-J2 w/Pickering 3000D, SimAudio LP5.3 phono pre
    Cable/Wires: Cardas, AudioArt, Shunyata Venom 3
  • Joey_V
    Joey_V Posts: 8,583
    edited July 2005
    marc,

    Your impressions mirror mine. Try to see if you can have both the 9s and the Ref20/40s in the same room and do a 1:1 (1xlsi9 and 1xref20/40) hooked up at the same time so you can hear the differences (if you dont have an a/b switcher).

    Keep me posted.

    Joey
    Magico M2, JL113v2x2, EMM, ARC Ref 10 Line, ARC Ref 10 Phono, VPIx2, Lyra Etna, Airtight Opus1, Boulder, AQ Wel&Wild, SRA Scuttle Rack, BlueSound+LPS, Thorens 124DD+124SPU, Sennheiser, Metaxas R2R