difference
warren
Posts: 756
Could someone please tell me the difference between dts, and5.1. Mahalo, Warren
Some final words,
"If you keep banging your head against the wall,
you're going to have headaches."
Warren
"If you keep banging your head against the wall,
you're going to have headaches."
Warren
Post edited by warren on
Comments
-
DTS has nothing to do sith 5.1diredtly. 5.1 is just the number of channels (L, R, C, Rear L and R) and the .1 is the sub.
DTS has to do with the way the tracks were recorded. DTS is considered (generally) to be better than DD...if anything just an enhanced track recording.comment comment comment comment. bitchy. -
http://www.hifi-writer.com/he/dolbydts/dolbydts.htm went to Google found this,.. any opinions? Guess it"different strokes gang.Some final words,
"If you keep banging your head against the wall,
you're going to have headaches."
Warren -
It really is all about personal preference. I'll take DTS over DD anytime.
-
In my experience, DTS seems to have a bit cleaner, smoother sound. That is the best way I can say it. DD, by comparison, can sometimes sound a bit too forward, however they both offer excellent sound. Personally, I think the .1 effects on DTS are a little tighter and less boomy, but still have the same extension and power.
DD is nothing to balk at, however, especially the THX mastered DD mixes, such as that given for the Star Wars films on DVD, or the Indiana Jones films. I have come to expect THX branded DD mixes to be of the same quality I would expect from a DTS ES mix. Given the choice, I always opt for DTS, however as we all know, THX branded tracks do not usually offer DTS, only DD. Must be a contract thing.Current System:
Mitsubishi 30" LCD LT-3020 (for sale**)
Vienna Acoustics Beethoven Concert Grand (Rosewood)-Mains (with Audioquest Mont Blanc cables)
CSi5-Center (for sale**)
FXi3-surrounds (for sale**)
Martin Logan Depth-Sub
B&K AVR 507
Pimare CD21-CD Player
Denon 1815-DVD Player
Panamax M5500-EX-Line Conditioner -
I think it is mostly that when someone takes time to do a DTS mix, they tend to spend more time on it than the general mass-market DD tracks most DVD's are pressed with. Just like with redbook CD's, it depends how much love the engineers put into it.
That's why, in my opinion, THX DD tracks sound as good if not better than DTS tracks.Dodd Audio ELP [ Tubes ] // Harman Kardon AVR330 // Parasound HCA-1203A // Denon DVD-2900
Polk Audio LSi9, LSiC, LSi 7 // HSU STF-2 // Signal Cable Interconnects (SG BW/A2/MP) -
I was always under the impression it came down to compression. DD is usually 448kbps, i believe, whereas DTS is usually 768 or 1536 (somewhere close). DTS is supposed to be better because it uses less compression, but takes up much more space on the disc. In my experience backing up my dvd's on the PC, a DD track for an average 1.5hr movie is around 300-400 megabytes, whereas DTS is close to 750 megabytes. Since most DTS discs include DD as well, the producer of the dvd often has to sacrifice picture quality or extras, or include a second disc to provide the DTS soundtrack. Or so I would think.....HT: Yamaha HTR-5660, Front-RTi38, Center-CSi40, Rear-RT15i, Rear Center-RT15i, Subs-2x Polk DX12 in custom enclosures, Sub Amp-Harman/Kardon Citation Sixteen
PC: H/K AVR 65, some DIY bookshelves
The truck: Pioneer premier head, MTX amps, XM radio, 2 pair 6.5" DX Components, 1 DB 12" sub (the old one) -
I love DTS it sounds so much clearer than DD. I now make sure that whenever I get a movie or audio DVD, I make sure it has DTS on it.Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2
-
For the purposes of this discussion, we shall focus only on the true surround sound formats (that is, those that rely of multiple dedicated speakers).
Dolby Digital
Dolby Digital logoDolby Digital (formerly known as Dolby AC-3, where AC-3 is short for audio coding 3) is the de facto surround sound standard in today's home theaters. It is the surround sound format used in thousands of movie theaters today. And, since about the mid-1990's, it has become available for home theater use by consumers. Today, a large percentage of the DVD-Video titles come with Dolby Digital surround sound. Dolby Digital content first appeared on LaserDisc, since DVDs only emerged in the Spring of 1997. (Incidentally, Hi-Fi VHS still only supports up to Dolby Surround Pro-Logic.)
Not only is Dolby Digital the standard for DVD-Video, but it is also part of the new High Definition TV (HDTV) standard. It is used in pay-per-view movies and digital TV channels of digital satellite broadcasting (e.g., DIRECTV system). Dolby Digital is the successor to Dolby Surround Pro-Logic. The Dolby Digital surround sound format provides up to five discrete (independent) channels (center, left, right, surround left, surround right; giving it the "5" designation) of full frequency effects (from 20 Hz to 20,000 Hz), plus an optional sixth channel dedicated for low frequency effects (LFE), usually reserved for the subwoofer speaker. The low frequency effects channel gives Dolby Digital the ".1" designation. The ".1" signifies that the sixth channel is not full frequency, as it contains only deep bass frequencies (3 Hz to 120 Hz).
One should note however, that not all Dolby Digital soundtracks have 5.1 channels of audio. Those that are have the designation "Dolby Digital 5.1". Since Dolby Digital is a flexible surround sound format that supports up to 5.1 channels, Dolby Digital soundtracks could have one channel of audio (mono, designated as "Dolby Digital 1.0"), two channels of audio (stereo or Dolby Surround Pro-Logic, designated as "Dolby Digital 2.0"), or five channels of audio (designated as "Dolby Digital 5.0"). In fact, the Dolby Digital 2.0 soundtrack is required for all Region 1 (U.S. and Canada) DVDs.
DTS Digital Surround
DTS Digital SurroundAn alternative and competing format to Dolby Digital is DTS Digital Surround, or just "DTS". Like Dolby Digital, DTS is another 5.1-channel surround sound format that is available in movie theaters, and as an optional soundtrack on some DVD-Video movies for home theater viewing. But unlike Dolby Digital, DTS is not a standard soundtrack format for DVD-Video, and is not used by HDTV or digital satellite broadcasting.
The primary advantage of DTS is that it offers higher data rates than Dolby Digital, leading many home theater enthusiasts to claim that DTS is better than Dolby Digital in sound quality. The down side is that a DTS soundtrack uses more of the disc's data capacity due to its higher data rate. This fact plus the fact that DTS is not a standard soundtrack format for DVD-Video makes DTS an optional 5.1-channel surround format that is actually available on few DVD-Video movies. There are far more DVD-Video titles with Dolby Digital soundtracks than there are those with the DTS surround sound format.
Dolby Surround Pro-Logic
Dolby Surround Pro-Logic emerged in home theater systems in the early 1990's. It became the surround sound standard for Hi-Fi VHS, and is still the standard for today's analog TV broadcasts, since the Dolby Surround Pro-Logic signal can be encoded in a stereo analog signal. If you have an "older" Dolby Surround Pro-Logic receiver, you can still enjoy movies from DVD-Video, since all DVD-Video players down-mixes the Dolby Digital information to the Dolby Surround Pro-Logic format, and outputs the signal as a stereo audio pair.
Extended Surround formats:
Dolby Digital EX, THX Surround EX & DTS Extended Surround (DTS-ES)
Just when you thought 5.1-channel Dolby Digital and DTS surround sound were enough, at the leading edge today are two new "Extended Surround" formats, namely THX Surround EX and DTS Extended Surround (or DTS-ES for short).
The THX Surround EX format is jointly developed by Lucasfilm THX and Dolby Laboratories, and is the home theater version of "Dolby Digital Surround EX", an Extended Surround sound format used by state-of-the-art movie theaters. Lucasfilm THX licenses the THX Surround EX format for use in receivers and preamplifiers. And as of November 2001, Dolby Laboratories has begun to license what is THX Surround EX under its own name, Dolby Digital EX, for consumer home theater equipment. (Since THX Surround EX and Dolby Digital EX are equivalent, we will refer to THX Surround EX and Dolby Digital EX interchangeably, with preference for the former since that name has been around longer.)
THX Surround EX is the Extended Surround version of Dolby Digital 5.1, while DTS-ES is that of DTS 5.1. The difference between the new Extended Surround formats and their 5.1-channel surround sound counterparts is the addition of a surround back channel, whose corresponding speaker is placed behind the audience. This allows certain soundtrack effects to be presented behind the audience, thereby achieving more enveloping and complete 360° surround sound. (Remember that in the 5.1-channel surround sound formats, the surround speakers are placed one on each side of the audience - not behind them.) Additionally, while the Extended Surround sound format calls for one surround back channel, two surround back speakers are generally recommended for better envelopment. Acknowledging this widely accepted industry position, some high-end receiver manufacturers have introduced "7.1-channel" capable receivers, with decoding and sometimes amplification for the two extra surround back channels.
DTS Extended Surround (DTS-ES)Both THX Surround EX and DTS-ES Matrix surround sound encode the surround back channel information into the surround left and surround right channels (similar to the way the center channel is encoded for Dolby Surround Pro-Logic). This cross-channel encoding is referred to as matrix encoding, since the surround back channel is encoded and later decoded (or derived) from those of the surround left and surround right channels. Because of this matrix encoding scheme, the surround back channel is not a true discrete channel and is technically considered a 5.1- channel format. And for this reason, they are sometimes referred to as "Dolby Digital 5.1 EX" or "DTS 5.1 ES". To refer to these matrix encoded Extended Surround formats as 6.1-channel would be wrong. (When we use quotes, as in the "7.1-channel" reference above, we are recognizing that it may not be a true discrete 7.1-channel system.)
A true 6.1-channel format: DTS-ES Discrete 6.1
DTS-ES can optionally support a fully discrete surround back channel. That is, the surround back channel has it own data stream and is truly independent from those of the surround left and surround right channels. This true 6.1-channel format is appropriately called DTS-ES Discrete 6.1 (in contrast to its matrix counterpart, DTS-ES Matrix). And as with DTS-ES Matrix, this discrete format is better realized with two surround back speakers. So our comment above about high-end manufacturers implementing "7.1-channel" receivers and preamplifiers for this purpose still holds true.
The Extended Surround formats are completely backwards-compatible with their 5.1-channel counterparts. That is, THX Surround EX is backwards compatible with Dolby Digital 5.1, and DTS-ES Matrix and DTS-ES Discrete 6.1 are backwards compatible with DTS 5.1. Additionally, DTS-ES Discrete 6.1 is backwards compatible with DTS-ES Matrix. In order to hear the matrix Extended Surround formats, you will need a THX Surround EX, DTS-ES Matrix, or a generic "6.1-channel" decoder in your receiver or preamplifier and use the digital audio output of your DVD player. To hear DTS-ES Discrete 6.1, you will need a DTS-ES Discrete 6.1 decoder in your receiver or preamplifier. In any case, you will also need six or seven channels of amplification, and one or two extra speakers for the surround back channel. Rest assured, you can still use your existing (or a soon-to-be-purchased) DVD-Video player, as long as it features Dolby Digital and DTS digital output.
- Raze96 Of The Def Tech Forum
Hope this helps you- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit.