Show me your ****(embly), and let me get in your guts baby!
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EndersShadow wrote: »
Wow, I love how they used to build gears like this one. a lot of shielding for sure!!!. it is a shame that many companies do not want to spend in "extra" metal or quality parts and have pride to show the inside of their gears. Most the time you will find a very nice amp, receiver etc, etc that look very nice from the outside, but as soon as you open it, you will find it's low quality build. Business, business, business...:rolleyes:Make it simple...Make it better! -
One Class A Krell KSA-250. 140 pounds, 4.5kVA transformer, 250WPC @ 8 Ohms, stable to 0.5 ohm at 4,000WPC.
There were three revisons of this amp. First build had vertical binding posts, second version sported horizontal binding posts and different soft start board with no separate low voltage power supply to activate the relays. This is the third revision with higher bias and some board changes.
Once upon a time Krell would mod these into mono blocks.:eek: I know a fellow here that has a pair of these converted to mono blocks. I bow to him.:cheesygrin:Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 * -
Swiss made heavy platter Lenco L75 idler drive turntable, shown in typical stock hollow plinth and in modded heavy plinth form. Do this right and you get a table that can mount any arm and cartridge made. The plinth can be as wild as your imagination and budget for exotic woods. This one sports an automotive clear coat finish over layered Baltic birch with linear tracking air bearing arm. Some folks cut the OEM top plate, others leave it full size. Some leave the table stock and use the OEM arm.
Aftermarket parts are available such as stainless bearings, stainless platters, stainless top plates (full and minimal) and custom idler wheels. The top plates decouple the motor from main bearing plate. Using plates allows for increased surface area of plinth as there is less cutting to clear the OEM stamped steel top pan. You can achieve belt drive quiet with direct drive speed stability. Highly dynamic and detailed sounding.
Pics 2, 3, 4 and 11 are borrowed. 12 could be my next project.Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 * -
Very nice!"He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
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SCompRacer wrote: »One Class A Krell KSA-250. 140 pounds, 4.5kVA transformer, 250WPC @ 8 Ohms, stable to 0.5 ohm at 4,000WPC.
There were three revisons of this amp. First build had vertical binding posts, second version sported horizontal binding posts and different soft start board with no separate low voltage power supply to activate the relays. This is the third revision with higher bias and some board changes.
Once upon a time Krell would mod these into mono blocks.:eek: I know a fellow here that has a pair of these converted to mono blocks. I bow to him.:cheesygrin:
Seriously bad **** looking amp - the heat sinks look like all business. 140 lbs requires a foot in the middle of the bottom panel! :cool:
I'd love to hear one of those."Science is suppose to explain observations not dismiss them as impossible" - Norm on AA; 2.3TL's w/sonicaps/mills/jantzen inductors, Gimpod's boards, Lg Solen SDA inductors, RD-0198's, MW's dynamatted, Armaflex speaker gaskets, H-nuts, brass spikes, Cardas CCGR BP's, upgraded IC Cable, Black Hole Damping Sheet strips, interior of cabinets sealed with Loctite Power Grab, AI-1 interface with 1000VA A-L transformer -
SLP is nice.LSI 15
LSI C
LSI FX
80 fx ls for atmos
Velodyne SPL-10
Marantz 7012
Panasonic 9000
JVC 420 -
One of the local shops got a Mark Levinson pre/pro and amp in on trade today. They had the amp open for cleaning and I snapped a quick blurry phone pic...
Attachment not found.
Thing was huge."Some people find it easier to be conceited rather than correct."
"Unwad those panties and have a good time man. We're all here to help each other, no matter how it might appear." DSkip -
Musical Fidelity Trivista 300 integrated amp with internal RCA cables
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Nicer than your average CDP (or CD-recorder, for that matter)! ;-)
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more topless than open guts ;-) but I re-animated the Bottlehead Paramours last week in preparation to loan 'em out to someone and snapped a photo whilst they were warmin' up...
paramours 112413 by mhardy6647, on Flickr
... just another opportunity to suck someone in to the high-sensitivity loudspeaker/single-ended, direct heated triode amplifier sickness... The first hit is free. Bwahahahahahahahahahahahahhaaaa... -
here's the back:
Pretty cool. This must have a powerful sound. I guess it would be perfect for multichannel home theater project. -
How are you liking this amp? Looking to get one to replace my NAD and run my Sonos connect into the Peachtree DAC.- Jeremy
Amps: Jolida FX-10, NAD 3045, NAD C320BEE, Sansui G-9700
Speakers: Polk Monitor 7A's, KEF Reference 104aB
Sources: ProJect Debut Carbon, Sonos streaming FLAC -
Simple in design but big on sound. My preamp build............Bottlehead Quickie battery powered pre.
SDA2BTL
Marantz CD5004
Adcom GFA-545
Bottlehead Quickie Tube Preamp -
My GFA-545.
SDA2BTL
Marantz CD5004
Adcom GFA-545
Bottlehead Quickie Tube Preamp -
Simple in design but big on sound. My preamp build............Bottlehead Quickie battery powered pre.
Funny you should mention the Quickie ;-) I had my first aural Quickie experience a couple of weeks ago - one of the local tube guys brought one over. We listened to it through my SE 2A3 amp (JE/Angela "Simple 2A3" variant) and the Duplexes... and it sounded really dandy to me. Quiet and silky smooth. It looks like a toy in every respect, and of course it is cheap... but it acquitted itself very nicely.
The only real drawback (if any) -- besides, of course, the complete lack of 'snob appeal' ;-) -- is that it offers rather low gain (6 dB, if memory serves). If that's enough for one, it's an excellent gateway drug kind of little preamp, I'd opine!
Indeed, even its owner was impressed by its "synergy" (probably impedance related) with the SE 2A3 amp. He's used it with a solid state amp, and he found it microphonic and touchy in that setting.
It was really dandy on my hifi.
EDIT: What ancillary equipment are you using your Quickie with? -
Mhardy:
Toy? Why I would put this thing up against any Fisher Price contraption that is made in China? ;-)
I have the Quickie feeding a Adcom GFA-545. To cure the microphonics that is inherent in the Q I went through a few tube brands. Finally settled on a RCA version. Almost cured the microphonics. The little preamp does a good job if you can control it. I have been tweaking the tubes with home made dampers to try and get them to a euphoric state. At this time I have it sitting on a 2 inch concrete cap block out in front of the amplifier on the floor. This weekend I am thinking of wall mounting behind and above my gear. I am getting good battery life from the preamp, better than I expected. With my listening habits I should spend about $60 per year on them.
Interesting to hear that your friend experienced a less microphonic environment with your tube amp than with the SS gear. I am headed in the tube direction. As you mentioned if you are not a tube guy this is a way to get your pavlov experience started!SDA2BTL
Marantz CD5004
Adcom GFA-545
Bottlehead Quickie Tube Preamp -
The Quickie was impeccably behaved with a CDP as the source and driving the JE/Angela Simple 2A3 variant. I rapped on the preamp's panel and it didn't whimper. The tubes in it were (AFAIK) those supplied with it.
....I've asked my wife for a Quickie for Christmas. ;-) -
I firmly believe that any wife out there worth her weight can provide their husband with a Quickie. ;-)
I feed the Q with a CDP. My interest is still peaked concerning the Quickie's response especially when you tapped on the case. The supplied tubes that I received were the devil! Not knocking Bottlehead as I am happy to have a preamp that performs so well for $99. But they were highly microphonic even when enveloped with heater hose which is a home remedy I was taught. Great to hear that it performed so well with your 2A3 amp. It seems I need to study up on what the causes of microphonics are SS vs. tube. It sounds that there is a difference between the two.SDA2BTL
Marantz CD5004
Adcom GFA-545
Bottlehead Quickie Tube Preamp -
Hmm... we should probably start a Quickie thread... ;-)
The tubes used in the Quickie are notorious for microphonics; it's "just" an old battery radio tube (3S4); not exactly designed for hifi. Presumably the only - possible - salient difference in interfacing the preamp with different flavors of power amp would be match of the the output impedance of the preamp and the the load presented by the power amp. -
^So what your saying is....
Keep in mind, "Its just a quickie" :biggrin:"....not everything that can be counted counts, and not everything that counts can be counted." William Bruce Cameron, Informal Sociology: A Casual Introduction to Sociological Thinking (1963) -
mhardy6647 wrote: »Hmm... we should probably start a Quickie thread... ;-)
The tubes used in the Quickie are notorious for microphonics;"He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche -
all of the above.
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Acurus A250, recently acquired. The insides need some cleaning. Upon removing the top, I was surprised at how physically imposing the power transformer looked, rated at 1KVA. Upgrades planned including re-cap, adding bypass caps to the DC rails, and adding output relays/DC protection. One of the output posts is missing its plastic cap. I have a set of new WBT Midline posts on hand, and will use them to replace the stock posts.
Main System: Denon DP-59L | Audio-Technica AT33EV | Marantz SA-11S2 | Classe DR-10 | Classe CA-300 | Classe RC-1 | PSB Stratus Gold i's | DIY Balanced AC Power Conditioner | Acoustic Zen and NeoTech cables | Oyaide and Furutech power connectors | Dedicated 20A isolated ground line.
Home Theater: Toshiba D-VR5SU | Laptop #1 |Outlaw Audio OAW3 wireless audio system | Marantz SR-19 | Phase Linear 400 Series 2, modified | AudioSource 10.1 EQ (for subs) | Axiom M3 v3’s | Axiom VP150 | Optimus PRO-X55AVs | Dayton 12” powered subs (x2) | Belkin PureAV PF-60 line conditioner.
Party System: Laptop #2 | Audioquest Dragonfly USB DAC | Technics SU-A6 | Acurus A-250 | Radio Shack 15-band EQ | Pioneer SR-9 reverb | Cerwin Vega DX9's | Dayton 100° x 60° horns with titanium HF/MF compression drivers. -
Guts of Marantz 2385
My New Year's resolution is 3840 × 2160
Family Room| Marantz AV7704| Usher Dancer Mini - 2 DMD Mains |Usher Dancer Mini-x DMD's Surrounds | Usher BE-616 DMD Center | SVS Ultra Rear Surrounds | Parasound Halo A21 | Parsound Halo A52+ | MIT Shotgun S3's | Dual SVS SB 4000 Ultras | Oppo UDP 203 | Directv Genie HD DVR | Samsung 75" Q8 QLED | PSAudio Stellar GCD | Mytek Brooklyn DAC+ | Lumin U1 Mini | HP Elite Slice PC | ROON'd for life |
ManCave: HT:Polk LSiM 706VR3 LSiM 703's LSiM 702's|| Marantz AV7002 AV PrePro Sunfire TGA-7401| Sony PS4 Pro| Sony PS4 Pro|SVS PB13 Ultra| Oppo UDP 203 | Music Hall MMF 5.3se TT w/ Soundsmith Carmen | Samsung 55" SUHD TV | Sony PS4
Patio | Polk Atrium 8's | Yamaha R-N303BL |
Office BlueSound Node| KEF LS50 | Peactree Nova 125SE |
Bedroom | Focal 905's | Chromecast Audio |
Garage | Polk Monitor 5B's
Closet Yamaha M80 | 2 Polk MP3K subs| Yaqin MC100B with Shuguang Treasures KT 88's & CV181Z's | Tesla E83CC's | Marantz 2252B | Marantz 2385 |Polk SDA SRS 2.3 | LSiM 705's | -
Recently picked this up for $90:
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Appreciated. It looks like one of my early 1970s DIY 6BQ5 efforts.Main System: Denon DP-59L | Audio-Technica AT33EV | Marantz SA-11S2 | Classe DR-10 | Classe CA-300 | Classe RC-1 | PSB Stratus Gold i's | DIY Balanced AC Power Conditioner | Acoustic Zen and NeoTech cables | Oyaide and Furutech power connectors | Dedicated 20A isolated ground line.
Home Theater: Toshiba D-VR5SU | Laptop #1 |Outlaw Audio OAW3 wireless audio system | Marantz SR-19 | Phase Linear 400 Series 2, modified | AudioSource 10.1 EQ (for subs) | Axiom M3 v3’s | Axiom VP150 | Optimus PRO-X55AVs | Dayton 12” powered subs (x2) | Belkin PureAV PF-60 line conditioner.
Party System: Laptop #2 | Audioquest Dragonfly USB DAC | Technics SU-A6 | Acurus A-250 | Radio Shack 15-band EQ | Pioneer SR-9 reverb | Cerwin Vega DX9's | Dayton 100° x 60° horns with titanium HF/MF compression drivers.