Teac 4010SU R2R

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Comments

  • schwarcw
    schwarcw Posts: 7,338
    Wow! The deck looks fabulous! Great work as always Richee!
    Carl

  • SeleniumFalcon
    SeleniumFalcon Posts: 3,831
    I thought the service manual showed an RCA connection from the playback head to the lower circuits:

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    If you want to try this out I bought two sets of PCB for the ESP, power supply and preamp, I'd be happy to send a set to you, gratis. I probably even have some of the parts I over ordered.
  • SCompRacer
    SCompRacer Posts: 8,504
    edited August 10
    Hey Carl! Thanks!

    Ken, my transport is similar to image but less the variable voltage switch. That is a very kind offer! I may take you up on that once I get the sewer line fixed... I think it is a better option than totally recapping and replacing transistors in the amp section. I don't think this deck is worth that much effort and expense.

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    The amp section is slightly different.

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    The heads connect to PCB, then from PCB to Playback Out.

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    Poking around wiring there and pull these out, find this. I don't recall doing anything to mess these wires up.

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    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • heiney9
    heiney9 Posts: 25,189
    As always, cool and entertaining. I have very little ability to go this far into a piece of electronic equipment. Love these kind of detailed threads.

    Keep up the great work

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • xschop
    xschop Posts: 5,000
    Some alloy reels in the works? Fantastic build here. Really enjoying your work.
    Don't take experimental gene therapies from known eugenicists.
  • SCompRacer
    SCompRacer Posts: 8,504
    edited August 31
    Kind of busy around here and little ambition, but I did get a few minutes to start looking into what might be an issue.

    Deck powered on, set to 3.75 ips, tape not playing, let's call it idle. (The 4010 does not have a pause function. Only play, reverse play, FF and stop). The capstan motor is partially powered, can feel it vibrate. Set speed to 7.5 ips, capstan motor silent. It does play fine at 3.75 ips with no excess motor heat.

    Teac has .1 uf caps between field wires of capstan motor, C209-C212. I've read a report when they fail, the motor can run hot and at incorrect speed, or not at all. In this model they use a capacitor block. Ken mentioned how he likes his Struder because the manuals are so good. Wires are color indicated, don't change in a circuit. Teac 4010 manual is lacking in that department. And my deck does not have a 50/60Hz selector.

    Number 1,2,3,4, 11 and 12 on the multiple .1uf capacitor block are capstan motor wires. They were nice enough to put schematic on side of block if I wish to try it with new external caps. Some of the schematic wire colors are correct. I'm partially color blind (dear wife usually helps me there) so if number 1 is Blue where is the violet? No indication of what C209-C212 are on the block though. The issue could even be further upstream.

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    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • skipshot12
    skipshot12 Posts: 1,169
    Dang nice job, wonderful to see it wasn’t tossed.

    Would like to have 1/10 of your concentration & patience.

    Skip
  • SCompRacer
    SCompRacer Posts: 8,504
    edited September 5
    Thanks for the kind words!

    More progress. Parts from Mouser arrived. Still waiting for the 2.8uf 5% capstan motor run capacitor from China. Closest Mouser had was a 2.7uf. A wise man told me to keep the values correct and with tight tolerance on the AC motors.

    The scraped insulation....

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    The wires were good so desoldered and slipped shrink tubing over the bald spots.

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    While doing that repair, I found a wire on the speed control switch that wasn't soldered at the factory.

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    Replaced electrolytics for the power supply. Used snap ins for the can caps. I wrapped them with some thick double-sided tape and did some bending on the other clamp to secure them.

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    Replaced electrolytic caps in amp section. I also cleaned the contacts in all the relays with Kim wipes damp with contact cleaner.

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    They ranged from 32% to 60% out of tolerance.

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    Post edited by SCompRacer on
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • SCompRacer
    SCompRacer Posts: 8,504
    edited September 5
    There isn't sufficient depth to fabricate a capacitor bank with the new larger.1uf 400VAC film caps so it will be split into two separate boards. 1,2,3,4, 11 and 12 are for the capstan motor windings. I did point to point with small gauge hook up wire following the schematic on potted caps.

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    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Excellent job! Nice tip on the "Kim-Wipes", didn't know about that one. I like the color matched shrink tubing on the exposed wires, nice touch! From what I gather capacitors when they are old tend to increase the capacitance value, I suppose the electrolyte chemically changes? Becomes more "electrolytic"? You can see by the slight scorching of the insulation on the connecting wires that when this deck was assembled the workers used soldering guns and plenty of flux paste. I remember having a phone conversation with Tom Tutay and he felt that older audio gear that was assembled with a solder gun would have solder junctions that were contaminated by the iron from the gun's tip and that the operating temperature was much higher than is used today.
  • SCompRacer
    SCompRacer Posts: 8,504
    Thank you Ken! I keep a box of multi color shrink handy. :)

    The Kim wipes have a short fold at one end. I cut that end to as little as 1/8" wide for tight spots. A single layer tears easily while doubled up holds up better when moist with contact cleaner. The way this was stored I figured it best to clean all contacts. The motor control relays have no covers while the signal relays do. I had to clean the output relay contacts on the Krell amp a while back too.

    The use of a solder gun explains the large blobs of solder and melted insulation. I had to use some liquid tape on some wires on the speed switch. One site suggested to redo every solder joint on the older Teac's!


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    Finished the second 1uf capacitor bank terminals 5 to 9, 13 to19.

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    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • SCompRacer
    SCompRacer Posts: 8,504
    edited September 8
    Some bad news, Richee screwed up, but I managed to fix it. Part of it was my eyesight, which I caught prior to installing the second snubber cap board. I tied 14 and 15 into the 5,6, 13 circuit. Some of the small rings on the capacitor block broke when desoldering the wires. There isn't much slack in some wires, so I didn't want to cut them. Therefore, I was unable to test all the pinouts.

    On my potted capacitor block, the schematic on side shows terminals 14 and 15 are not part of circuit. They are just connection points for wires. Terminal 16 looks like it is part of the 5, 6, 13 circuit so that's what I did. Oh, the pot schematic is not listed in the manual. They just show the snubber caps in circuit with numbers that do not match the numbers on the block.

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    Powered it up, bench lights got dim and I heard a sizzling noise and oh, that smell. I quickly powered off and since power supply capacitors store energy the sizzling continued for several seconds. I torched the windings in the capstan motor.

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    I called the local retired tech near me that I got the capstan (tape drive) from weeks ago. He had a used potted capacitor block with the wires cut so I could test and see if the schematic matched the actual circuits. That block clearly shows terminal 16 is not part of the 5,6, 13 circuit. Oh well, things happen....

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    He gave me a used capstan drive motor for free, so I was able to get back to where I was before, a functioning transport. The new snubber caps did help. The capstan motor doesn't vibrate like it did before powered on, not playing, but if you turn the cooling fan, you can feel it seems powered. I have no prior experience with the 4010 so I guess that is normal.

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    He has a Dual 1019 that needs some work, so I'll help him with that next week, no charge.

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    Post edited by SCompRacer on
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Nice recovery, Rich! I noticed in your signature that you use a Bottlehead Eros in your system. That preamp can be adapted so it will function as a tape playback preamp. Some simple changes to the feedback network I would imagine. A selector switch would make it do both.
  • SCompRacer
    SCompRacer Posts: 8,504
    edited September 9
    Thanks! Scary moments....

    Speaking of the Eros, love mine. It punches way past its price point. I have two NOS Telefunken EF86 and an Amperex '60's white label 7308 in place of 6DJ8.

    I was aware the Eros could be used as a tape pre-amp as once upon a time he had sold it as one. It is archived now. I'm still considering the one you built but do not have 100% confidence in this transport yet. The capstan motor still gets some power at idle. You can feel it if you try and turn the fan. It's like in a holding or brake mode. I'll look into the relays next to see if they are sticking.

    https://archives.bottlehead.com/product/eros-tape-head-preamplifier-kit/index.html

    Got the two snubber boards secured. One in original position, the other to left. Still waiting for the 2.8uf capstan motor capacitor from China. A 2.7uf is temporarily in place. I gutted the original 2.8uf can capacitor and cut a slot in it to hold the new square cap.

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    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • SCompRacer
    SCompRacer Posts: 8,504
    edited September 12
    More progress. Getting close to checking head alignment time, though it sounds pretty good. It both records and plays. I think Ken was encouraging me to get a calibration tape and experience the joy of doing it myself. :) So far, $105 in parts invested in it.

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    Got two 3uf motor run caps for the reel motors. Still waiting for the 2.8uf capstan motor cap to arrive. Currently running a 2.7uf. The way I understand it, using a slightly different value won't change the motor speed but it will affect the torque. It sounds good at both speeds, so maybe I'll leave the larger physical size 2.7uf in there. A smaller physical sized 2.8uf ceiling fan cap is making its way from China.

    I gutted the old can capacitors and cut slots to mount them in.

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    This falls into the you get what you accept category. If the tape is contacting the head in fast forward or fast rewind, you'll get that annoying fast play gibberish. While not mentioned in the manual, I found you can adjust the travel of the tape lifters to compensate for slightly worn linkage.

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    This adjustment will favor one lifter or the other to get that 'clear both forward and reverse play head' balance.

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    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • SCompRacer
    SCompRacer Posts: 8,504
    edited September 15
    The cabinet got some TLC. I filled the worst veneer damage on the corners, right side face. I left some dings in for character. I also went a bit darker with stain to hide some stains on the top. The last coat of clear satin poly on the top.

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    I hung it from basement ceiling to finish bottom, front, sides. Once dry the feet cleaned and side trim polished, installed.

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    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • SCompRacer
    SCompRacer Posts: 8,504
    edited September 19
    It sees daylight again. I have to decide if I will recap the EQ/preamp board and replace the Germanium transistors with silicone. It sounds pretty good with no buzzing or rushing noise so maybe just recap and test the Ge transistors for leakage. I'm told Germanium are more analog sounding and distort in a more pleasing manner than silicone. Also it could use head alignment, recalibration.

    I messed up with color of the veneer hard fill here and there on the edges, should have got the wife involved.

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    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • EndersShadow
    EndersShadow Posts: 17,593
    Looks like it just came off the factory floor! Great job Rich!
    "....not everything that can be counted counts, and not everything that counts can be counted." William Bruce Cameron, Informal Sociology: A Casual Introduction to Sociological Thinking (1963)
  • SCompRacer
    SCompRacer Posts: 8,504
    edited October 9
    The heads on the 4010SU were not aligned properly. All the height and azimuth screws had been turned. Heads not parallel to tape, etc. Record and playback had some issues. One head shield was touching the azimuth screw. Fixed that and coarse aligned heads per manual. A clear leader tape helped me. A lighted magnifier was needed for my old eyes. A calibration tape is needed for fine tuning.

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    I have calibration tapes on the way from Germany, seller ural91. They make replica tapes like the Teac YTT-1002 (3.75ips) and YTT-1003 (7,5ips). Recording level, azimuth, frequency response and they added speech announcement of frequencies. Folks that have them speak highly of the quality. They are a less expensive alternative to MRL calibration tapes with only four frequencies. Having the replica Teac tape will make it easier to follow the procedure in the manual. This is all new to me.

    1. Playback level / output level (measured e.g. with a millivoltmeter), Level meter 0VU setting
    2. PB-Head gap - azimuth adjustment
    3. PB-EQ setting
    4. Frequency response according to the corresponding standard level and equalization. A series of –10dB recorded sine wave signals is displayed on the VU meter.
    5. DBX - Level setting
    6. Sweep - Stepless sliding tone part 31.5 to 12500Hz, -10dB
    7.Multi-frequency signal consists of 17 frequencies recorded simultaneously with -20dB 31.5, 40, 63, 125, 250, 315, 500, 1K, 2K, 4K, 6.3K, 8K, 10K, 12.5K, 14K, 16K, 18K for fast frequency response control with appropriate measuring devices or software

    They were supplied at the old magnetic flux standard of 185nWb/m. Tapes have improved so I inquired about getting the tapes done at 250nWb/m and they complied. Basically, you can record at higher levels with newer tape. One can always dial down to 185 or higher than 250 if desired during calibration.

    Got a nice Leader Lag 126 audio signal generator for $90. Sad about the dial but compared to some offerings in rough shape for big money, this one is a beauty. It has much less distortion than my signal generator and much easier to dial in the small voltages required for calibration. I checked calibration and it was very tight. An AC millivolt/dB meter is expected Thursday. I already have a scope so should be good to calibrate when tapes arrive.

    A big shout out to Ken who has helped me understand the alignment process and why Teac requires a DIY bias trap to aid in calibration.

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    Post edited by SCompRacer on
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • SCompRacer
    SCompRacer Posts: 8,504
    edited October 21
    Caps for the EQ/pre amp and amplifier board expected tomorrow. Small values, a whole $22 with some extras ordered, including shipping. What else to do?

    The RG Keen PNP Germanium transistor tester. The guitar crowd loves Ge transistors for their fuzz face clones. I guess you could call it a tube type PNP. It measures leakage, flip the switch and you get gain. Ge PNP are touchy. Heat from your fingers changes value so you have to leave them stabilize for a couple minutes. I used a switch for gain instead of push button.

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    Next Mouser/Digi order I'll get some exact value resistors, maybe even a zif socket. For now, I got 2.2M and 2.47k values with my add-a-resistor-in-series-to-get-value setup.

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    A Toshiba 2SA49. My amp board has two of each. Toshiba 2SA49, 2SB94, 2SB440. One 2SB415. Two TEN brand 2SB39. Two Sanyo 2SB405.

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    Some folks say these $20 TC1 testers net results as good but IMO, the Keen method provides more accurate real-time results. The neat thing about this tester is just stick any leg in a different number on zif socket and it sorts out E/B/C.

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    Post edited by SCompRacer on
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • SeleniumFalcon
    SeleniumFalcon Posts: 3,831
    In the era when your Teac was built Japan led the world in transistor manufacturing, especially Toshiba. Combined with the type of magnetic heads used in these early Sony and Teac decks the sound quality is really excellent. Great work bringing this classic back to life!
  • SCompRacer
    SCompRacer Posts: 8,504
    edited October 22
    Thanks Ken! Hopefully no collateral damage occurs. Based on forum posts, the Ge transistors can get noisy. Changing to silicone transistors alters the Ge sound and would require different bias resistors.

    Had to retire my solder tip cleaner. The Hakko desoldering gun tip gets cleaned there too.

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    My 64xxx serial has the NAB EQ/preamp board in the transport. Later 4010S, maybe around/above serial 100xxx, moved the EQ/preamp board to the amplifier section. This is where the heads connect, so if I wanted to use an external amplifier like Ken suggested, I could wire in some DPDT switches to export head only output to some RCA's.

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    The board had tiny rubber grommets that stuck to the mounting pads/heads of screws. I left them because I haven't found any grommets that small locally and without insulation, the board could short some traces on the mounting.

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    First one...srqffiq6kodx.jpg

    Only 84% out of spec. No flubbing with the number's exaggeration here. Some of the you don't need to replace 50 year old caps crowd think we make this stuff up to justify replacing them.

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    I have the calibration block for the LC53 and check now and then to ensure it hasn't strayed from being accurate. That's 4.74uf reading on a new 4.7uf cap.

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    I'll have to watch as some of the old caps indicate negative leg and some positive.

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    I remove the pots, ohm out between center and each leg, record setting. I take a pic of adjuster clock position as a mark will disappear with DeOxit cleaning. Sometimes you get a good reading off one side, and a poor one off the other. After cleaning you can only match one setting. If in doubt, I can put it back where I found it. Final adjustment occurs with calibration.

    I believe the bottom of wiper and parts of legs are coated or painted so I do not remove it. My concern is the wiper and contact surface are clean and have a smooth adjustment range. I use an analog ohm meter and watch for smooth increase/decrease with no dropouts as I adjust pot from stop to stop. Both sides are tested.

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    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • SCompRacer
    SCompRacer Posts: 8,504
    edited October 22
    Did them one at a time as the manual shows a hand drawing part listing with some different values. Board isn't marked for capacitor polarity either. Some of these were near twice the value out of spec.

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    Two caps were shielded with ground. Some thick copper foil adhesive tape was wrapped around a new cap to replicate the shield and solder the ground wire to.

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    Bottom of board was nasty with flux from factory. I cleaned it up a bit.

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    The best part, it still works. I had received calibration tapes and calibrated the EQ/preamp board R & L channel output to the factory spec of +4dB (1.22v) output before starting the recap. I had to turn it down after recap. Next up, the amplifier board.

    I wanted to stay with Chemi Con but they were out of stock with some values. Kemet and Panasonic values were in stock. All new capacitor values tested prior. I tested some of the resistors and they were close to spec. No excess transistor hiss or rush.

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    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • EndersShadow
    EndersShadow Posts: 17,593
    Is there gonna be anything that’s not been replaced at the end of this lol…..

    This is gonna be BETTER than when it left the factory lol
    "....not everything that can be counted counts, and not everything that counts can be counted." William Bruce Cameron, Informal Sociology: A Casual Introduction to Sociological Thinking (1963)
  • SCompRacer
    SCompRacer Posts: 8,504
    Hopefully! It's my practice/confidence builder before I recap and calibrate the more complicated A-6300 deck that's really worth something.
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • SCompRacer
    SCompRacer Posts: 8,504
    This was the most tedious recapping I have ever done. PCB is not marked. Some values in my amplifier are different than those listed in manual. Over 250,000 decks made, not all revision documentation available.

    Some caps indicate positive leg while most show negative. I documented capacitor placement with drawings and pictures. I had to dust off my organizational skills.

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    Used a light to help locate capacitor position.

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    They left component leads long, like through hole of PCB and point to point. After desoldering, the legs are still stuck together and to PCB. Have to carefully use flux/wick to separate. If you force a stuck lead, you could pull trace off PCB.

    Components with single leads, I could use edge of Hakko nozzle to lift off PCB.

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    All fini.

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    Good news, no smoke/exploding caps, loud hissing or humming from speakers and it still works! Next up, calibration.

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