Amperex 7316 long plate 12au7 tube
pglbook
Posts: 2,226
I am looking for a 1950s Amperex (Holland made) 7316 long plate 12au7 tube. I only need one for my Eastern Electric Minimax preamp. Should test good.
Post edited by pglbook on
Comments
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I'm not (at all) familiar with the 7316 . . . but you might wanna look into this . . . reasonable prices
I've delt with them before. Good outfit and reliable ... was my experience
No affil
https://www.nostubestore.com/search/label/ECC82/12AU7 - EUROPEAN BRANDS
Valvo/Philips/Amperex ECC82 Holland
Made by Philips-Amperex Heerlen/Holland factory. Labeled for Hewlett Packard and Valvo. These early and mid 60's production tubes of Heerlen Factory in Holland were marketed in the USA under the brandname of Amperex. One of the best and most sought-after European ECC82s ever made. Very good sound stage and balanced sound. Matched pair and quads available.
Quantity is Stock : Pull-out tubes tested like new are available only!
Price: US$ 39.00/each; US$ 84.00/matched pairAC Regenerator PS Audio PerfectWave Power Plant 10
Source Lumin U1 Mini into Lampizator Baltic 4 DAC
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I'm not (at all) familiar with the 7316 . . . but you might wanna look into this . . . reasonable prices
I've delt with them before. Good outfit and reliable ... was my experience
No affil
https://www.nostubestore.com/search/label/ECC82/12AU7 - EUROPEAN BRANDS
Thanks for the response and tip. I currently have some nice late 1950s and early 1960s Valvo, RCA clear tops, RCA black tops, and a few other 12au7s that I rotate in my MiniMax pre. The nice thing about the Eastern Electric MiniMax is that, although it uses two 12au7 tubes, one can use different 12au7s in it. It is great for tube rolling. I love the pre. My only minor complaint is that it has high gain to it. I am curious whether different 12au7 tubes may help with that.
I am interested in the Amperex 7316 because it has the reputation of being the best sounding (as well as rarest and, unfortunately, expensive) 12au7 tube, according to many, including Brent Jessee and also to our very own PF tube expert, heiney.
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I am looking for a 1950s Amperex (Holland made) 7316 long plate 12au7 tube. I only need one for my EE Minimax
good thing one tube will do. A quad could get expensive . . . quick!AC Regenerator PS Audio PerfectWave Power Plant 10
Source Lumin U1 Mini into Lampizator Baltic 4 DAC
Pre Cary SLP-05
Power Rogue M180 Dark monos
Mains Salk HT2-TL
Rythmik F12 -
I see them in ebag all the time. I'm just not willing to pay the exorbitant amount they want for them.Gustard X26 Pro DAC
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Good luck. I have a pair and I guess "the best ever" is in the ears of the listener. I didn't think they sounded any different than a regular Holland made 50's long plate. They command a very premium price and IMO, unless you get a deal the $$$ just isn't worth it.
But I spent 10-12 years hunting, finding, buying, experiencing tubes so I get where you're coming from as far as wanting to "try" it for yourself.
You may already know, but pay attention to the tube codes. A real long plate 7316 with have a manufactures code (top line) of Ct0 or Ct1. IIRC the Ct2, 3, 4, etc and higher are the short plate version. If the build code is anything other than Ct(x) it's not a true 7316.
Good luck on hunting one for a reasonable price.
H9
P.s. I bought mine at a very good price, so I am not selling them. They are part of my collection."Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
Good luck. I have a pair and I guess "the best ever" is in the ears of the listener. I didn't think they sounded any different than a regular Holland made 50's long plate. They command a very premium price and IMO, unless you get a deal the $$$ just isn't worth it.
But I spent 10-12 years hunting, finding, buying, experiencing tubes so I get where you're coming from as far as wanting to "try" it for yourself.
You may already know, but pay attention to the tube codes. A real long plate 7316 with have a manufactures code (top line) of Ct0 or Ct1. IIRC the Ct2, 3, 4, etc and higher are the short plate version. If the build code is anything other than Ct(x) it's not a true 7316.
Good luck on hunting one for a reasonable price.
H9
P.s. I bought mine at a very good price, so I am not selling them. They are part of my collection.
Thanks for the response. I was hoping to hear from you and your deep knowledge of tubes. It is good to know that regular Holland made 50s long plates are just as good as the 7316. Are the any other tubes you can recommend for my EE MiniMax preamp, mainly for the amplification stage as I believe (correct me if I am wrong) that has the greatest effect on the sound? I believe you also had a MiniMax. My only (minor) issue with the MiniMax is that it has high gain. Are there any 12au7 tubes that may help to tame the high gain of the MiniMax or do tubes not have any effect on gain? As you can see, I am pretty much a tube newbie but am learning and I have learned a lot from you in the past. I currently have a 1957 Amperex 12au7 long plate D getter w/foil, as well as a 1957 RCA Conn label 12au7, in the MiniMax. I may have even bought the Amperex tube from you. I know I got it from a Polk Forum member a few years ago. I really like the sound that those tubes impart but I would like to try some other tubes since the MiniMax is so great for tube rolling. The other tubes I currently have in storage are the following: some 1950s RCA black plate D getter tubes and a matched pair of 1959 Valvo short plates. How are those? Are there any other 12au7s you can recommend for the MiniMax? Thanks again. Great to hear from you. Hope all is well. -
IIRC all 12au7 tubes have a gain of 20, if it were a 12ax which has a gain of 100, in that case you could go to a 5751 which has a gain of 70.
The 12au has the lowest gain of the 12** series. In order of gain it would be 12au, 12at and 12ax with the highest gain factor.
Is there a particular problem that bugs you? I found when I had the Dared SL2000 that old non Russian Mullards gave it the sweet spot. That puppy was a gain monster. -
IIRC all 12au7 tubes have a gain of 20, if it were a 12ax which has a gain of 100, in that case you could go to a 5751 which has a gain of 70.
The 12au has the lowest gain of the 12** series. In order of gain it would be 12au, 12at and 12ax with the highest gain factor.
Is there a particular problem that bugs you? I found when I had the Dared SL2000 that old non Russian Mullards gave it the sweet spot. That puppy was a gain monster.
Thanks for the reply. I appreciate it.
My only minor issue with the MiniMax is its high gain. It seems that different 12au7 tubes won't have an effect on the preamp's gain although, as you say, different tubes can affect sound, such as Mullard tubes having a warmer sound than some other 12au7 tubes.
The only thing that bothers me about the MiniMax is that, at times, I am not able to turn its volume control past 1 or 2 while playing a CD because the music is that loud. But I think that also has to do a lot with compressed CDs. It is a combination of the preamp's high gain and compressed CDs. With the high gain of the EE MiniMax, it is hard to move the volume control past 2 when playing a CD that is too compressed, as the music sounds very loud at a low volume. Vinyl playback is much better since most vinyl is not compressed like a lot of CDs were/are.
Thanks again.
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That was the one thing I disliked about the Mini-max was the gain. I never found a combination of tubes that really lowered it. I know the Tom Tutay modded ones had lower gain. As you say with a hot recording you don't move the volume knob hardly at all.
The EE Avant pre I have has a variable gain nob on the front for one of the tube stages, and it works pretty well. But it doesn't have a gain issue like the Mini-Max pre.
H9Post edited by heiney9 on"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
That was the one thing I disliked about the Mini-max was the gain. I never found a combination of tubes that really lowered it. I know the Tom Tutay modded ones had lower gain. As you say with a hot recording you don't move the volume knob hardly at all.
The EE Avant pre I have has a variable gain nob on the front for one of the tube stages, and it works pretty well. But it doesn't have a gain issue like the Mini-Max pre.
H9
Thanks. The MinMax is a great pre but the high gain is definitely an issue, especially on compressed CDs. A couple of years ago I had thought about getting the Tom Tutay mods done on my MinMax to lower the gain. However, another PF member who had the mods done on his MiniMax, recommended that I not do so. He told me that, although the mods lowered the gain, they also affected the MinMax' sound quality for the worse.
I would love to get an EE Avant but they are super rare. I have not seen one come up for sale in the 3+ years I have been looking. Please let me know if you ever see one for sale or if you ever decide to sell your Avant.
Thanks again. Take care.
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Hi I seen your post and wanted to share my opinion on the various 12AU7 types out there, I have a small head phone amp that uses a single 12AU7 tube and have been lucky enough to listen to many 12AU7 types including the CBS 7730 Telefunken 802S Mullard 12AU7's of every type including the 10M series and virtually every RCA Sylvania Raytheon GE 6189 5814 6680 variant ever made and my two favorites of all of them were the RCA 6680 and the Raytheon CK 5814A Triple mica D getter tube. Both are much cheaper then the 7316 tubes made by Amperex and sound better to my ears of course we all hear sound differently and prefer one type over the other, like our taste in music it is very subjective what I like you may not there is no wrong opinion because our taste is different.
Someday I may do a roadshow with a pair of 12AU7 Tubes of various types so anyone interested can hear for them selves the differences in types perhaps get 12 people interested and put together a package of tubes that each person can listen to for a month then send to the next person in line and so on until they get returned to me a year laterWell, I just pulled off the impossible by doing a double-blind comparison all by myself, purely by virtue of the fact that I completely and stupidly forgot what I did last. I guess that getting old does have its advantages after all -
For my personal taste I can agree with you somewhat @snow. I have found the Raytheon 5814 triple mica windmill getter some fine ear medicine. You've passed along some fine tubes over the years @snow, I'm a little envious of the tubes you have had.
My surprise was a quad of 1968 grey plate Sylvania 6189's that proved pretty stellar as well. -
For my personal taste I can agree with you somewhat @snow. I have found the Raytheon 5814 triple mica windmill getter some fine ear medicine. You've passed along some fine tubes over the years @snow, I'm a little envious of the tubes you have had.
My surprise was a quad of 1968 grey plate Sylvania 6189's that proved pretty stellar as well.
I have been very lucky to have heard most 12AU7 Types I think likely the rarest ones were made by CBS the 7318/SA312 variant they are almost impossible to locate here are a couple pics of them.
Regards
Post edited by snow onWell, I just pulled off the impossible by doing a double-blind comparison all by myself, purely by virtue of the fact that I completely and stupidly forgot what I did last. I guess that getting old does have its advantages after all -
The 7318 is about the only tube I've never owned in the 12AU7/ECC82 family. I was never able to find them at in my mind a good price. Always very expensive. I'm sure there are others I haven't heard, but I've heard most.
The Raytheon 5814 is one of my faves, as is the real deal CBS 5814. I have found early Brimar tubes to be sleepers.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
I have found early Brimar tubes to be sleepers.
For Sure ! -
The 7318 is about the only tube I've never owned in the 12AU7/ECC82 family. I was never able to find them at in my mind a good price. Always very expensive. I'm sure there are others I haven't heard, but I've heard most.
The Raytheon 5814 is one of my faves, as is the real deal CBS 5814. I have found early Brimar tubes to be sleepers.
H9
Not surprising about the early Brimar tubes it seems to me at least that between the 40's through 60's was the peak of tube technology and the various European tube makers were among the best in the world, certainly US tube makers have made some fabulous tubes also but European tubes as a rule have been very good. I am just thankful that they made enough tubes of great quality that we can still 60-80 years later enjoy them even though some are pricey, music is something that is priceless to me.
Regards SnowWell, I just pulled off the impossible by doing a double-blind comparison all by myself, purely by virtue of the fact that I completely and stupidly forgot what I did last. I guess that getting old does have its advantages after all -
The 7318 is about the only tube I've never owned in the 12AU7/ECC82 family. I was never able to find them at in my mind a good price. Always very expensive. I'm sure there are others I haven't heard, but I've heard most.
The Raytheon 5814 is one of my faves, as is the real deal CBS 5814. I have found early Brimar tubes to be sleepers.
H9The 7318 is about the only tube I've never owned in the 12AU7/ECC82 family. I was never able to find them at in my mind a good price. Always very expensive. I'm sure there are others I haven't heard, but I've heard most.
The Raytheon 5814 is one of my faves, as is the real deal CBS 5814. I have found early Brimar tubes to be sleepers.
H9
Not surprising about the early Brimar tubes it seems to me at least that between the 40's through 60's was the peak of tube technology and the various European tube makers were among the best in the world, certainly US tube makers have made some fabulous tubes also but European tubes as a rule have been very good. I am just thankful that they made enough tubes of great quality that we can still 60-80 years later enjoy them even though some are pricey, music is something that is priceless to me.
Regards Snow
heiney and snow, thank for the great tube recommendations. I think I will forgo my quest for the 7316 white whale and search instead for Raytheon or CBS 5814 tubes. Or Brimar tubes. Are there any particular years (1950s?) I should be looking for? Also, I did a google search and also looked at Brent Jessee's website and noticed that, besides 5814, there is also a 5814A. What is the difference between the 5814 and 5814A? Will either of those work in my stock EE MiniMax preamp. Thanks again for the great advice. -
Guess what? I just checked my tube stash and found that I have a matched pair of JAN 5814A tubes. Mfg. by Sylvania. Made in U.S.A. The tube boxes say: "Date packed 11-67. Similar to the CV-4016." It looks it is a 1967, and not 1950s, 5814A. Are these any good? I will try one in my MiniMax in the near future. I forgot I had those.
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Here's some good reading. It doesn't get to a good explanation for the 5814 vs 5814a, in the 12xx series it mainly had to do with the filament. Personally I wouldn't get too hung up on it both will work just fine. For audio I do not believe there's an advantage to either for our purposes.
https://the-equivalent.com/5814-tube-equivalent/ -
Here's some good reading. It doesn't get to a good explanation for the 5814 vs 5814a, in the 12xx series it mainly had to do with the filament. Personally I wouldn't get too hung up on it both will work just fine. For audio I do not believe there's an advantage to either for our purposes.
https://the-equivalent.com/5814-tube-equivalent/
Thanks for the great article. I just read it and learned a lot! I have found that reading about tubes can get complex pretty fast but that was written in a very straight forward and easy-to-understand language. Thanks again.
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The 7318 is about the only tube I've never owned in the 12AU7/ECC82 family. I was never able to find them at in my mind a good price. Always very expensive. I'm sure there are others I haven't heard, but I've heard most.
The Raytheon 5814 is one of my faves, as is the real deal CBS 5814. I have found early Brimar tubes to be sleepers.
H9The 7318 is about the only tube I've never owned in the 12AU7/ECC82 family. I was never able to find them at in my mind a good price. Always very expensive. I'm sure there are others I haven't heard, but I've heard most.
The Raytheon 5814 is one of my faves, as is the real deal CBS 5814. I have found early Brimar tubes to be sleepers.
H9
Not surprising about the early Brimar tubes it seems to me at least that between the 40's through 60's was the peak of tube technology and the various European tube makers were among the best in the world, certainly US tube makers have made some fabulous tubes also but European tubes as a rule have been very good. I am just thankful that they made enough tubes of great quality that we can still 60-80 years later enjoy them even though some are pricey, music is something that is priceless to me.
Regards Snow
heiney and snow, thank for the great tube recommendations. I think I will forgo my quest for the 7316 white whale and search instead for Raytheon or CBS 5814 tubes. Or Brimar tubes. Are there any particular years (1950s?) I should be looking for? Also, I did a google search and also looked at Brent Jessee's website and noticed that, besides 5814, there is also a 5814A. What is the difference between the 5814 and 5814A? Will either of those work in my stock EE MiniMax preamp. Thanks again for the great advice.Guess what? I just checked my tube stash and found that I have a matched pair of JAN 5814A tubes. Mfg. by Sylvania. Made in U.S.A. The tube boxes say: "Date packed 11-67. Similar to the CV-4016." It looks it is a 1967, and not 1950s, 5814A. Are these any good? I will try one in my MiniMax in the near future. I forgot I had those.
Regards SnowWell, I just pulled off the impossible by doing a double-blind comparison all by myself, purely by virtue of the fact that I completely and stupidly forgot what I did last. I guess that getting old does have its advantages after all