The Niles Experiment
Polkaguy58
Posts: 352
I just finished playing The White Album on my new Niles controlled tweeters an do believe I have them dialed in !
You hear the word "forward" in describing speakers and I do believe that's what one might call the SVS Towers............until the other day that is.
I found that magic spot on the third click back from the "normal" setting.
It's like you're getting drawn into the soundstage now.
I found that rather than having to add an equalizer to amplify the mid bass, all I really needed was to give the woofers equal volume by lowering the tweeters output.
I know it's an odd way to accomplish what I was looking for, but there's no denying the grin I get when I listen now.
You hear the word "forward" in describing speakers and I do believe that's what one might call the SVS Towers............until the other day that is.
I found that magic spot on the third click back from the "normal" setting.
It's like you're getting drawn into the soundstage now.
I found that rather than having to add an equalizer to amplify the mid bass, all I really needed was to give the woofers equal volume by lowering the tweeters output.
I know it's an odd way to accomplish what I was looking for, but there's no denying the grin I get when I listen now.
Comments
-
Is this anything like The Philadelphia Experiment?
-
What you did is called "padding" and it is a time-honored tuning technique.
http://www.sengpielaudio.com/calculator-Lpad.htm -
I don't know, unless it happened in the 70's when I was experimenting.
-
-
I just keeps getting better !
I decided to see how many clicks back on the Niles that I could go before things started to muddy up and it turned out to be 4.
3 is the ultimate setting and now I've started to back the sub off too.
It seems that the 6 1/2" mid woofers were getting buried on either end of the spectrum.
Steely Dan's "Peg" has a unique synth bass line that has a fuzz type rasp to it which these SVS' never quite delivered.
By backing down on the sub and increasing the over all volume a bit, it allowed the woofers to show more midrange punch and now I can hear that saw toothed synth.
Oh yeah, Chris Squire's bass solos stick out a lot better now too !
Life is good.
-
Polkaguy58 wrote: »I just keeps getting better !
I decided to see how many clicks back on the Niles that I could go before things started to muddy up and it turned out to be 4.
3 is the ultimate setting and now I've started to back the sub off too.
It seems that the 6 1/2" mid woofers were getting buried on either end of the spectrum.
Steely Dan's "Peg" has a unique synth bass line that has a fuzz type rasp to it which these SVS' never quite delivered.
By backing down on the sub and increasing the over all volume a bit, it allowed the woofers to show more midrange punch and now I can hear that saw toothed synth.
Oh yeah, Chris Squire's bass solos stick out a lot better now too !
Life is good.
One question: Which Chris Squire bass solos are you referring to? The Fish? Or his solo in Nous Somme Du Soleil from Topographic Oceans?
Taken from a recent Audioholics reply regarding "Club Polk" and Polk speakers:
"I'm yet to hear a Polk speaker that merits more than a sentence and 60 seconds discussion."
My response is: If you need 60 seconds to respond in one sentence, you probably should't be evaluating Polk speakers.....
"Green leaves reveal the heart spoken Khatru"- Jon Anderson
"Have A Little Faith! And Everything You'll Face, Will Jump From Out Right On Into Place! Yeah! Take A Little Time! And Everything You'll Find, Will Move From Gloom Right On Into Shine!"- Arthur Lee -
One question: Which Chris Squire bass solos are you referring to? The Fish? Or his solo in Nous Somme Du Soleil from Topographic Oceans?
https://www.youtube.com/watch?v=bYvFnkSo6ro
-
I've always liked those photos of Squire with a ReVox A77, myself.
(EDIT: And I just noticed the QUAD preamp in the YT splash photo...after all these decades)
Now, youse guyses want some isolated bass tracks...
https://youtu.be/YhmImkKvEDo
(Squire was an inventive bass player as well -- too bad he was stuck with Yes to play for... mostly)
-
The solo that I use for speaker testing is from the song Starship Trooper.
The very first notes have a lingering tremolo effect that doesn't shine through on an inefficient speaker.
The bass solo in the middle of the song has a broad note span and will show any frequency drop outs in a poorly designed speaker.
(The same goes for Neil Pert's descending drum rolls from RUSH)
There's nothing like the sound of an over driven Rickenbacker bass ! -
One question: Which Chris Squire bass solos are you referring to? The Fish? Or his solo in Nous Somme Du Soleil from Topographic Oceans?
https://www.youtube.com/watch?v=bYvFnkSo6ro
Those bass tracks were awesome !
It's funny, as a guitar tech, half my clients would object to the amount of string buzz that Chris was getting off that Ricky..............but hey, if it's good enough for him...........................