Why would you prefer a Receiver with pre-outs over a separates Pre-amp/processor?

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  • Gunther16
    Gunther16 Posts: 243
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    As far as cost of quality Pre/pro vs AVR there are a lot of preowned high end Pre/Pros that come up for sale at less than a new AVR. In my case the only "new" items that I purchased were my Polk speakers and the Krell KAV3250 everything else was pre-owned and is more than outstanding. Of course there is always the apprehension to buying pre-owned but I have been very impressed by the quality of my pre-owned equipment.
  • tonyb
    tonyb Posts: 32,911
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    Yep, the higher end pre/pro's used are good deals....except most won't have the most current software for newer HT surround codecs or other bells and whistles some may want in a newer receiver.

    Yeah, in some cases there are work arounds, but most simply don't want to apply that much time and effort into it. Personally, I'm a big proponent of using higher end pre/pro's for 2 channel that are a bit outdated in the HT area. You get better sound than a receiver, better build quality, better dacs built in, and connections up the wazoo.

    At the rate new stuff loses value, I'd doubt I would ever buy new again. Technology changes so fast you lose coin like driving a new car off the lot.
    HT SYSTEM-
    Sony 850c 4k
    Pioneer elite vhx 21
    Sony 4k BRP
    SVS SB-2000
    Polk Sig. 20's
    Polk FX500 surrounds

    Cables-
    Acoustic zen Satori speaker cables
    Acoustic zen Matrix 2 IC's
    Wireworld eclipse 7 ic's
    Audio metallurgy ga-o digital cable

    Kitchen

    Sonos zp90
    Grant Fidelity tube dac
    B&k 1420
    lsi 9's
  • gp4jesus
    gp4jesus Posts: 1,969
    edited June 2016
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    tonyb wrote: »
    Yep, the higher end pre/pro's used are good deals....except most won't have the most current software for newer HT surround codecs or other bells and whistles some may want in a newer receiver.

    At the rate new stuff loses value, I'd doubt I would ever buy new again. Technology changes so fast you lose coin like driving a new car off the lot.
    $588, shipped, last year for a NEW Outlaw 975 pre/pro seemed pretty reasonable. My only beef: it doesn't crank my system like the outdated Rotel it replaced.

    Samsung 60" UN60ES6100 LED Outlaw Audio 976 Pre/Pro Samsung BDP, Amazon Firestick, Phillips CD Changer Canare 14 ga - LCR tweeters inside*; Ctr Ch outside BJC 10 ga - LCR mids, inside* & out 8 ga Powerline: LR woofers, inside* & out *soldered LR: Tri-amped RTi A7 w/Rotels. Woofers - 980BX; Tweets & “Plugged*” Mids - 981, connected w/MP Premiere ICs Ctr Ch: Rotel RB981 -> Bi-amped CSi A6 Surrounds: Premiere ICs ->Rotel 981 -> AR 12 ga -> RTi A3. 5 Subs: Sunfire True SW Signature -> LFE & Ctr Ch; 4 Audio Pro Evidence @ the “Corners”. Power Conditioning & Distribution: 4 dedicated 20A feeds; APC H15; 5 Furman Miniport 20s *Xschop's handy work
  • Dennis Gardner
    Dennis Gardner Posts: 4,860
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    Pre/pros are as a rule the last to adopt the latest processing and features. Cutting edge is actually offered in the receiver line first.

    This is a generality, and isn't quite as bad now that HT has settled down somewhat, but 10 years ago, receivers were sometimes 2 years ahead of pre/pros in features.
    HT Optoma HD25 LV on 80" DIY Screen, Anthem MRX 300 Receiver, Pioneer Elite BDP 51FD Polk CS350LS, Polk SDA1C, Polk FX300, Polk RT55, Dual EBS Adire Shiva 320watt tuned to 17hz, ICs-DIY Twisted Prs, Speaker-Raymond Cable

    2 Channel Thorens TD 318 Grado ZF1, SACD/CD Marantz 8260, Soundstream/Krell DAC1, Audio Mirror PP1, Odyssey Stratos, ADS L-1290, ICs-DIY Twisted , Speaker-Raymond Cable
  • txcoastal1
    txcoastal1 Posts: 13,134
    edited June 2016
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    Pre/pros are as a rule the last to adopt the latest processing and features. Cutting edge is actually offered in the receiver line first.

    This is a generality, and isn't quite as bad now that HT has settled down somewhat, but 10 years ago, receivers were sometimes 2 years ahead of pre/pros in features.

    Vice versus with Marantz this go around
    Prepro first with DTSX firmware upgrades. Pioneer is actually lagging in development this go around

    Was at CEDIA last September most manufacturers are going from top to bottom.
    Housing market killed HT for the standard consumer
    2-channel: Modwright KWI-200 Integrated, Dynaudio C1-II Signatures
    Desktop rig: LSi7, Polk 110sub, Dayens Ampino amp, W4S DAC/pre, Sonos, JRiver
    Gear on standby: Melody 101 tube pre, Unison Research Simply Italy Integrated
    Gone to new homes: (Matt Polk's)Threshold Stasis SA12e monoblocks, Pass XA30.5 amp, Usher MD2 speakers, Dynaudio C4 platinum speakers, Modwright LS100 (voltz), Simaudio 780D DAC

    erat interfectorem cesar et **** dictatorem dicere a
  • Toolfan66
    Toolfan66 Posts: 16,964
    edited June 2016
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    I'm totally happy using a receiver (Pioneer) with a 3 channel amp in my HT, I see no reason to dump more money into it. With the RTiA line, and SVS subs my basement thumps pretty hard, better than a movie theater...

    And if I ever had to have one system, I would either upgrade my RTiA line, and get a two channel preamp with HT bypass, or I would just go to a full time 2 channel set up...
  • gp4jesus
    gp4jesus Posts: 1,969
    edited June 2016
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    Pre/pros are as a rule the last to adopt the latest processing and features. Cutting edge is actually offered in the receiver line first.

    This is a generality, and isn't quite as bad now that HT has settled down somewhat, but 10 years ago, receivers were sometimes 2 years ahead of pre/pros in features.
    Yup. At least the above is true for Rotel. For that that matter they're latest pre/pro at $3500(!!) doesn't decode Atmos. Further their attempts at HDMI friendliness/QC* w/ their 10 & older 15* series everything is documented as it or miss.

    Rather than gamble* on used/affordable* ** I'm happy w/ my Outlaw** with, surprisingly, easier-on-ears SQ.
    ** le$$ new than Rotel used

    Tony
    Samsung 60" UN60ES6100 LED Outlaw Audio 976 Pre/Pro Samsung BDP, Amazon Firestick, Phillips CD Changer Canare 14 ga - LCR tweeters inside*; Ctr Ch outside BJC 10 ga - LCR mids, inside* & out 8 ga Powerline: LR woofers, inside* & out *soldered LR: Tri-amped RTi A7 w/Rotels. Woofers - 980BX; Tweets & “Plugged*” Mids - 981, connected w/MP Premiere ICs Ctr Ch: Rotel RB981 -> Bi-amped CSi A6 Surrounds: Premiere ICs ->Rotel 981 -> AR 12 ga -> RTi A3. 5 Subs: Sunfire True SW Signature -> LFE & Ctr Ch; 4 Audio Pro Evidence @ the “Corners”. Power Conditioning & Distribution: 4 dedicated 20A feeds; APC H15; 5 Furman Miniport 20s *Xschop's handy work