Damping factor
[Deleted User]
Posts: 10,716
Going to show my ignorance again.
How come speaker manufacturers down list a recommended
damping factor for there speakers. They must have some golden
ear tuning them to something…
which leads to maybe they should partner with someone?
This would lead to bi-amping which would lead to a 4 channel amp?
I'm sure this ground must be covered but its bugging me today.
How come speaker manufacturers down list a recommended
damping factor for there speakers. They must have some golden
ear tuning them to something…
which leads to maybe they should partner with someone?
This would lead to bi-amping which would lead to a 4 channel amp?
I'm sure this ground must be covered but its bugging me today.
Comments
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oops I see it has be answered many times.
Still bugs me. -
Doesn't really matter anyway with modern gear. As long as it isn't too low....or too high....speaking for amp specs anyway. In general though, there is just too many variables in the mix to make a speakers damping spec worth anything.
today it's more so about synergy and impedance matching within one's system. To give a technical reason as to why damping specs for speakers matter one way or another would be very confusing to most and frankly....very uninteresting.HT SYSTEM-
Sony 850c 4k
Pioneer elite vhx 21
Sony 4k BRP
SVS SB-2000
Polk Sig. 20's
Polk FX500 surrounds
Cables-
Acoustic zen Satori speaker cables
Acoustic zen Matrix 2 IC's
Wireworld eclipse 7 ic's
Audio metallurgy ga-o digital cable
Kitchen
Sonos zp90
Grant Fidelity tube dac
B&k 1420
lsi 9's -
Thanks. The reason it was bugging me was I dumpster dove
for a Architectural Acoustics Peavey IP-8.5c today and wondered
what if anything to do w/ it. It turns on and the fans pretty quite…
so I was looking at the specs and noticed the damping factor of >300
while the ole Crown I had was >1000 which lead me… to thicker
speaker wires and 14 AWG power cords! -
Like I said, just too many variables to make that a consideration. In general though, anything over 100 is pretty good. The common train of thought is the better the damping factor the more control over the speaker drivers movement. While that's true to an extent, there's just too much more involved to make that a written in stone statement.
Speaking in generals again, usually the more drivers a speaker has to start and stop, the more of a damping factor comes into play. That said, many amps today of decent quality should be well within the realm of offering a good damping factor, which is why you never hear much hupla about it. Concern yourself more with amperes peek to peek.HT SYSTEM-
Sony 850c 4k
Pioneer elite vhx 21
Sony 4k BRP
SVS SB-2000
Polk Sig. 20's
Polk FX500 surrounds
Cables-
Acoustic zen Satori speaker cables
Acoustic zen Matrix 2 IC's
Wireworld eclipse 7 ic's
Audio metallurgy ga-o digital cable
Kitchen
Sonos zp90
Grant Fidelity tube dac
B&k 1420
lsi 9's -
Thanks!
-
Hello,
Damping factor is really an indicator of the amount of control an amplifier has over a woofer. Since a woofer's cone has a fair amount of moving mass it can continue moving forward and rearward after the audio pulse has stopped flowing through it's coil of wire. This unwanted motion would add a muddy quality distortion to the original sound signal if not dealt with. One of the ways to damp this motion would be to temporarily short out the woofer's voice coil between the signal pulses. Next time you have a woofer out of an enclosure gently push on the cone and note how much resistance the suspension gives to your movement. Then take a clip lead or a piece of wire and short out the positive and negative terminals of the woofer. Now try pushing with the same amount of force on the woofer's cone, you should feel greater resistance caused by the shorted voice coil. In fact some of the older British speakers would have shorting wires on their terminals, when they left the factory, to limit the amount of flexing the woofer would do during shipping.
The only way to accomplish this shorting action during actual sound production is by offering the speaker a very low impedance, by the amplifier, when there isn't an audio signal being produced. This is where damping factor becomes involved, it is the ratio of the amplifier's output impedance compared to the load impedance of the speaker. The idea is to have an amplifier impedance low enough so that the speaker behaves as though the voice coil was shorted out between audio pulses.
Most transistor amplifiers have a fairly low output impedance compared to the fairly high impedance of the woofer, so mechanical damping is accomplished.
Cheers, Ken -
Here's a more in depth look...
http://www.butleraudio.com/damping1.php
After reading both pages.....refer back to my previous comments. Too techy for most and very uninteresting....but you'll get the general drift. BTW, that was written in 1967.HT SYSTEM-
Sony 850c 4k
Pioneer elite vhx 21
Sony 4k BRP
SVS SB-2000
Polk Sig. 20's
Polk FX500 surrounds
Cables-
Acoustic zen Satori speaker cables
Acoustic zen Matrix 2 IC's
Wireworld eclipse 7 ic's
Audio metallurgy ga-o digital cable
Kitchen
Sonos zp90
Grant Fidelity tube dac
B&k 1420
lsi 9's -
Thanks Mr. Swauger. As Tonyb said, I'll just have to try it and see if I like it.
It's a "Pro" amp so probably only good for bugging the neighbors for me. -
rednedtugent wrote: »Thanks Mr. Swauger. As Tonyb said, I'll just have to try it and see if I like it.
It's a "Pro" amp so probably only good for bugging the neighbors for me.
You may be right, but since it's a dumpster find, don't be hooking it up to speakers you want to keep off the bat. Try it on something you won't lose sleep over if it toasts them.HT SYSTEM-
Sony 850c 4k
Pioneer elite vhx 21
Sony 4k BRP
SVS SB-2000
Polk Sig. 20's
Polk FX500 surrounds
Cables-
Acoustic zen Satori speaker cables
Acoustic zen Matrix 2 IC's
Wireworld eclipse 7 ic's
Audio metallurgy ga-o digital cable
Kitchen
Sonos zp90
Grant Fidelity tube dac
B&k 1420
lsi 9's -
wise idea. Thanks!
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Plug it into a dim-bulb tester before you do anything else with it.
http://www.antiqueradio.org/dimbulb.htm
You can put one together in less than an hour.Family Room, Innuos Statement streamer (Roon Core) with Morrow Audio USB cable to McIntosh MC 2700 pre with DC2 Digital Audio Module; AQ Sky XLRs to CAT 600.2 dualmono amp, Morrow Elite Speaker Cables to NOLA Baby Grand Reference Gold 3 speakers. Power source for all components: Silver Circle Audio Pure Power One with dedicated 20 amp circuit to main panel.
Exercise Room, Innuos Streamer via Cat 6 cable connection to PS Audio PerfectWave MkII DAC w/Bridge II, AQ King Cobra RCAs to Perreaux PMF3150 amp (fully restored and upgraded by Jeffrey Jackson, Precision Audio Labs), Supra Rondo 4x2.5 Speaker Cables to SDA 1Cs (Vr3 Mods Xovers and other mods.), Dreadnaught with Supra Rondo 4x2.5 interconnect cables by Vr3 Mods. Power for each component from dedicated 20 amp circuit to main panel, except Innuos Statement powered from Silver Circle Audio Pure Power One. -
Cool! Bookmarked for later.
Installed a new low flush toilet tonight. (crappy job)Moose68Bash wrote: »Plug it into a dim-bulb tester before you do anything else with it.
http://www.antiqueradio.org/dimbulb.htm
You can put one together in less than an hour.
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There is a chart floating around from a test someone did on damping factor effects. It was found that the difference between a damping factor of 10 and 1000 was so slight that it was a non-factor.
That said, I had an amp years ago with a damping factor of 1000, which had terrible control of the woofers. I replaced it with an amp that had a damping factor of 50, which had no problem controlling the woofers.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
Didn't plug the AMP in yet, but cleaned it w/ a damp cloth.
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There is a chart floating around from a test someone did on damping factor effects. It was found that the difference between a damping factor of 10 and 1000 was so slight that it was a non-factor.
That said, I had an amp years ago with a damping factor of 1000, which had terrible control of the woofers. I replaced it with an amp that had a damping factor of 50, which had no problem controlling the woofers.
Jess, that's because too much is just as bad as too little. When the damping factor is too high, the woofers do their own thing and not what the signal is telling them. Kinda like when you rev the blade on a saw and it starts to wobble.
Personally I place little attention to the number unless it's super low like 20....or super high like 1000. I want to say though that 95% of the amps made today don't hit those extremes anyway. You only see really low numbers in old tube amps and real high numbers in ice amps. Those old tube amps that were used to power consoles back in the day come to mind.
HT SYSTEM-
Sony 850c 4k
Pioneer elite vhx 21
Sony 4k BRP
SVS SB-2000
Polk Sig. 20's
Polk FX500 surrounds
Cables-
Acoustic zen Satori speaker cables
Acoustic zen Matrix 2 IC's
Wireworld eclipse 7 ic's
Audio metallurgy ga-o digital cable
Kitchen
Sonos zp90
Grant Fidelity tube dac
B&k 1420
lsi 9's