Recommended common ground power amp
hifi junky
Posts: 24
I'm still in search of a common ground power amp to drive a pair of SDA 2B's, with the use of the interconnecting cable.
I would like something vintage 80's- early 90's, with display VU or digital, LED meters ect.
I was inquiring about a Nikko alpha lll, though I think it is only 80 wpc. I think it would be under powering my speakers as it has been recommend to use a amp producing 200 wpc.
Any recommendations or opinions would be greatly appreciated.
Thanks.
I would like something vintage 80's- early 90's, with display VU or digital, LED meters ect.
I was inquiring about a Nikko alpha lll, though I think it is only 80 wpc. I think it would be under powering my speakers as it has been recommend to use a amp producing 200 wpc.
Any recommendations or opinions would be greatly appreciated.
Thanks.
Post edited by hifi junky on
Comments
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I used a Yamaha cr1040@80wpc at normal listening levels & it seemed fine to me. I wouldnt hesitate to use my cr2040 on my 2bs @120wpc. Will it make them sing. Probably not. Will it hurt them. No. Depends on your budget & what you want out of them..the denon poa2200 i use sounds fantastic on the 1c's & i use to use them on the 2b's & can be picked up cheap..
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Since no budget is mentioned...
Sony es, onkyo, Yamaha m-85 etc will do fine.
Klipsch RB81, KG3.5, B&W DM602.5, Polk.
Subwoofers: Klipsch RW10, Triad ProSub Bronze. -
hifi junky wrote: »I'm still in search of a common ground power amp to drive a pair of SDA 2B's, with the use of the interconnecting cable.
I would like something vintage 80's- early 90's, with display VU or digital, LED meters ect.
I was inquiring about a Nikko alpha lll, though I think it is only 80 wpc. I think it would be under powering my speakers as it has been recommend to use a amp producing 200 wpc.
Any recommendations or opinions would be greatly appreciated.
Thanks.
80 watts = 19.03 dBW
200 watts = 23.01 dBW
http://www.rapidtables.com/electric/dBW.htm
You want meters or LEDs? First amps that come to mind are older Carver and Soundcraftsmen. Some of those amps are plain, but others have meters or LED power indicators.
Beware, the first-series Carver M1.0 are NOT common ground, neither are the M500 series. Most of the rest are, including the later version of the M1.0.
Pretty much anything made in the 80's, and most stuff made in the '90's is going to need fresh capacitors by now. Service is still available for Carver equipment, I don't know anyone fixing Soundcraftsmen. -
A great amp, without breaking the budget is an Adcom GFA-555. You can find them for around $300 - 350 in great shape. The large power supply caps are expensive if they are bad but there is a very small chance that's the case. If the amp isn't humming from the speakers, the caps are OK. Otherwise, there are only 4 small electrolytic caps (and they aren't coupling the signal path) so re-capping is just a few bucks if you decide to go that route. The sound of the Adcom trounces my Carver TFM-35 in bass tightness and overall impact and clarity.
My .02
Randy, that Denon amps looks like an awesome component. Specs are great. Maybe I need to pick one of those up next :biggrin:'65 427 Shelby Cobra
'72 Triumph TR-6
__________________
'88 Polk SDA SRS 1.2, with upgraded XO caps and Erse SDA inductors
'86 Polk SDA CRS+
'84 Polk Monitor 10A (Peerless tweeters)
'05 HSU VTF-3 Sub (Original OEM)
'20 HSU VTF-3 Sub (three more, 100% cloned)
'93 Carver TFM-35
'88 Carver M-1.0t
'88 Adcom GFT-555
'88 Adcom GFP-555
'88 Adcom GFA-555 (upgraded/restored)
'88 Adcom GFA-555 (a second one upgraded/restored)
'05 Onkyo DV-555 media
'89 Fosgate 360 Digital Space Matrix
'89 Fosgate 360 Digital Space Matrix, internal surround amp bridged to drive only a center channel
'91 Kenwood Basic M1D Amp
'89 Pioneer Laser Disc media
'89 Sony SuperBeta HiFi media
One PGA2310 based custom built remote volume control
Four Polk T-15's
Four Polk TSi-200's
Four Polk TSi-100's
Two Polk CS-10's -
I bought a Yamaha PC20002M recently and it's working out well with my SDA SRS 2s. You can find them for $300 to $600.
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look at GUITAR CENTER used power amplifiers....ad around 50$ chipping at your home or shop!... http://used.guitarcenter.com/usedgear/index.cfm
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On the top right at GEAR SEARCH--KEYWORD "power amplifier"
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(sorry) I believe the ADCOM GFA5006 is not good for your SDA. Bridged only for 8 OHM!
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If I was in the market for an amp I'd go Parasound...Marantz 1152 DC- Denon DP 1200, Soundsmith Carmen MKII- ADS L980 - Blue Jeans IC's
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Thanks everyone for the input. I guess I've got some homework to do !
To be continued.... -
Lots of choices, http://app.audiogon.com/listings?filter_category_id=49Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
A great amp, without breaking the budget is an Adcom GFA-555. You can find them for around $300 - 350 in great shape. The large power supply caps are expensive if they are bad but there is a very small chance that's the case. If the amp isn't humming from the speakers, the caps are OK. Otherwise, there are only 4 small electrolytic caps (and they aren't coupling the signal path) so re-capping is just a few bucks if you decide to go that route. The sound of the Adcom trounces my Carver TFM-35 in bass tightness and overall impact and clarity.
My .02
Randy, that Denon amps looks like an awesome component. Specs are great. Maybe I need to pick one of those up next :biggrin:.. -
I had the Carver connected to a CD with no pre and it still sounded tubby and lazy. I will not dispute the power, Adcom vs Denon but with the 1.2s at 93 dB efficiency, 200W is more than adequate for my listening. The carver has power meters and if I listened for a while at levels averaging 50W, my ears were ringing afterwards. I realized that power is less important than how an amp works with a particular set of speakers.
The Carver TFM amps are/were supposed to emulate a tube amp sound. One thing that sticks out as different on the TFM-35 is the damping factor is about 9. Tube amps have a similar low damping factor. This might work well with some speaker designs than benefit from a less damped woofer cone but the 1.2 get a little boxy sounding with the Carver, maybe the damping is too low?. The bass sounds louder with the Carver but listening carefully reveals its not as clean and accurate, as if it's adding a harmonic. As far as why the TFM does not sound lively in the mids and highs, I can't say. I tested both amps frequency response ( not sound pressure, electrical output) and it was flat from 20-20 with the speakers connected, varying only 1.0 dB at the amp outputs (driving the dynamic speaker load). What I'm hearing is worse that a 1dB drop.'65 427 Shelby Cobra
'72 Triumph TR-6
__________________
'88 Polk SDA SRS 1.2, with upgraded XO caps and Erse SDA inductors
'86 Polk SDA CRS+
'84 Polk Monitor 10A (Peerless tweeters)
'05 HSU VTF-3 Sub (Original OEM)
'20 HSU VTF-3 Sub (three more, 100% cloned)
'93 Carver TFM-35
'88 Carver M-1.0t
'88 Adcom GFT-555
'88 Adcom GFP-555
'88 Adcom GFA-555 (upgraded/restored)
'88 Adcom GFA-555 (a second one upgraded/restored)
'05 Onkyo DV-555 media
'89 Fosgate 360 Digital Space Matrix
'89 Fosgate 360 Digital Space Matrix, internal surround amp bridged to drive only a center channel
'91 Kenwood Basic M1D Amp
'89 Pioneer Laser Disc media
'89 Sony SuperBeta HiFi media
One PGA2310 based custom built remote volume control
Four Polk T-15's
Four Polk TSi-200's
Four Polk TSi-100's
Two Polk CS-10's -
Some good helpful info here. Now I got even more homework to do.HT/2Channel: Emotiva MMC-1, Adcom GFA-555II, Polk SDA 3.1's, Teac TN-300 TT, Polk Center and Sub.
Bedroom system: Carver CT-24, Parasound HCA-800II, Monitor 10's
Additional projects: RTA 12c's -
boston1450 wrote: »you otta hear it hooked to a volume control cd player no pre, powerful unit & sounds oh so sweet. Im almost tempted to get another. I like Adcom but i think the Denon walks all over it power wise
Very dangerous.
I did that for some time and the cd player's volume came back to 0 when powered on.
One day, I forgot to decrease it before playing and my ear was ringing for a while even though I stopped it after few seconds.
:eek:
Never again will I use an amp without a pre.
Klipsch RB81, KG3.5, B&W DM602.5, Polk.
Subwoofers: Klipsch RW10, Triad ProSub Bronze. -
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with the 1.2s at 93 dB efficiency
Spec is 91 dB.One thing that sticks out as different on the TFM-35 is the damping factor is about 9. Tube amps have a similar low damping factor.
The damping factor is basically a non-factor. Here's a couple of good reads,
http://www.audioholics.com/audio-amplifier/damping-factor-effects-on-system-response
http://www.butleraudio.com/damping1.phpPolitical Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
Stock is 91 dB but with the low DCR inductor mod, I measured a 2dB sound pressure increase (as well as a 2dB voltage increase at the SDA MW) level below 120 hz. I read those damping links some time back. Good info and puts damping effect on cone control into perspective when it's lower than 32. IMO a 9 damping factor might be a contributing factor in bass tightness when a speaker has a 3 Ohm DCR.'65 427 Shelby Cobra
'72 Triumph TR-6
__________________
'88 Polk SDA SRS 1.2, with upgraded XO caps and Erse SDA inductors
'86 Polk SDA CRS+
'84 Polk Monitor 10A (Peerless tweeters)
'05 HSU VTF-3 Sub (Original OEM)
'20 HSU VTF-3 Sub (three more, 100% cloned)
'93 Carver TFM-35
'88 Carver M-1.0t
'88 Adcom GFT-555
'88 Adcom GFP-555
'88 Adcom GFA-555 (upgraded/restored)
'88 Adcom GFA-555 (a second one upgraded/restored)
'05 Onkyo DV-555 media
'89 Fosgate 360 Digital Space Matrix
'89 Fosgate 360 Digital Space Matrix, internal surround amp bridged to drive only a center channel
'91 Kenwood Basic M1D Amp
'89 Pioneer Laser Disc media
'89 Sony SuperBeta HiFi media
One PGA2310 based custom built remote volume control
Four Polk T-15's
Four Polk TSi-200's
Four Polk TSi-100's
Two Polk CS-10's -
Back to your original question:
If you want a great vintage amp at 200wpc into 8 ohms with a very neutral sound, have a look at Perreaux's PMF 2350 or 2150 on eBay or Audiogon occasionally. They do not have meters, but they are built like tanks.
My experience with Perreaux products from 1989 to the present has been very good.Family Room, Innuos Statement streamer (Roon Core) with Morrow Audio USB cable to McIntosh MC 2700 pre with DC2 Digital Audio Module; AQ Sky XLRs to CAT 600.2 dualmono amp, Morrow Elite Speaker Cables to NOLA Baby Grand Reference Gold 3 speakers. Power source for all components: Silver Circle Audio Pure Power One with dedicated 20 amp circuit to main panel.
Exercise Room, Innuos Streamer via Cat 6 cable connection to PS Audio PerfectWave MkII DAC w/Bridge II, AQ King Cobra RCAs to Perreaux PMF3150 amp (fully restored and upgraded by Jeffrey Jackson, Precision Audio Labs), Supra Rondo 4x2.5 Speaker Cables to SDA 1Cs (Vr3 Mods Xovers and other mods.), Dreadnaught with Supra Rondo 4x2.5 interconnect cables by Vr3 Mods. Power for each component from dedicated 20 amp circuit to main panel, except Innuos Statement powered from Silver Circle Audio Pure Power One.