Cross-over in LSiM705?

Ocezam
Ocezam Posts: 52
edited February 2014 in 2 Channel Audio
I've got a friend who's will lend me a dbx 223 active crossover, and another friend who'll lend me a pair of Emotiva XPA-100 amps. I'm going to do some experiments with bi-amping my 705's. I'll set the dbx 223 to send the lower freqs to the lower binding posts and the rest of the signal to the upperbinding posts.

My question is, where do I set the crossover point on the dbx? I can fudge this some for the best sound, but where to start?

The factory Polk specs for the internal crossovers in the 705 state:
Midrange/midbass crossover Frequency 280 Hz
Midbass/woofer crossover Frequency 100 Hz

So where in that chain do the lower binding posts come in? In other words, do the lower binding posts just drive the two oval woofers, or do they also drive the mid-bass diver? The answer would be 100hz if only the woofers are connected to the lower binding posts, or 280hz if the woofers AND mid-bass are connected to the lower binding posts.

Anybody know for sure?

Thanks
"The ear is not a microphone, the brain is not a tape recorder, and measurements are limited in describing subjective quality." Nelson Pass

2 Channel:
XDA-2, Modified Jolida JD502P (2 ea), Polk LSiM705
Theater:
Onkyo TX-NR3009 with 9 active channels, Emotiva XPA-5, MartinLogan Encore TF Center Channel, Polk M70 Mains, M40 Wides, M30 Heights, FXi A4 Surrounds, Custom built 18" sub, Mitsu 73" DLP
Post edited by Ocezam on

Comments

  • WLDock
    WLDock Posts: 3,073
    edited January 2014
    Just remove the jumpers and see what drivers are tied to what terminals when power is applied. There you go!
    2.2 Office Setup | LG 29UB55 21:9 UltraWide | HP Probook 630 G8 | Dell Latitude | Cabasse Stream Amp 100 | Boston Acoustics VS 240 | AUDIORAX Desk Stands | Mirage Omni S8 sub1 | Mirage Omni S8 Sub2
  • Ocezam
    Ocezam Posts: 52
    edited February 2014
    Yeah. Good Idea. Simple as that. Thanks.
    "The ear is not a microphone, the brain is not a tape recorder, and measurements are limited in describing subjective quality." Nelson Pass

    2 Channel:
    XDA-2, Modified Jolida JD502P (2 ea), Polk LSiM705
    Theater:
    Onkyo TX-NR3009 with 9 active channels, Emotiva XPA-5, MartinLogan Encore TF Center Channel, Polk M70 Mains, M40 Wides, M30 Heights, FXi A4 Surrounds, Custom built 18" sub, Mitsu 73" DLP
  • falconcry72
    falconcry72 Posts: 3,580
    edited February 2014
    There is no point in using external crossovers if you are still using the speaker's internal crossovers... you'll just make it sound worse.
    2-Channel: PC > Schiit Eitr > Audio Research DAC-8 > Audio Research LS-26 > Pass Labs X-250.5 > Magnepan 3.7's

    Living Room: PC > Marantz AV-7703 > Emotiva XPA-5 > Sonus Faber Liuto Towers, Sonus Faber Liuto Center, Sonus Faber Liuto Bookshelves > Dual SVS PC12-Pluses

    Office: Phone/Tablet > AudioEngine B1 > McIntosh D100 > Bryston 4B-ST > Polk Audio LSiM-703's
  • Ocezam
    Ocezam Posts: 52
    edited February 2014
    There is no point in using external crossovers if you are still using the speaker's internal crossovers... you'll just make it sound worse.

    Yeah, thanks.
    "The ear is not a microphone, the brain is not a tape recorder, and measurements are limited in describing subjective quality." Nelson Pass

    2 Channel:
    XDA-2, Modified Jolida JD502P (2 ea), Polk LSiM705
    Theater:
    Onkyo TX-NR3009 with 9 active channels, Emotiva XPA-5, MartinLogan Encore TF Center Channel, Polk M70 Mains, M40 Wides, M30 Heights, FXi A4 Surrounds, Custom built 18" sub, Mitsu 73" DLP
  • WLDock
    WLDock Posts: 3,073
    edited February 2014
    There is no point in using external crossovers if you are still using the speaker's internal crossovers... you'll just make it sound worse.
    Ocezam, falconcry72 brings up a a point that maybe you are not thinking about? Removing the jumpers if I had to guess will net...
    -One terminal for the TWEETER/MID 280Hz UP
    -One terminal for the MIDBASS/SUBASS 280Hz DOWN.

    Its a 4-way passive crossover similar in layout to this:
    4wayblok.gif

    Removing the jumper allows PASSIVE BI-AMPING...therefore no active crossover is needed as the passives are still inline. Polk did not offer any ACTIVE Bi-AMPING options or terminals. If one wants to do that you would have to remove the crossovers and configure a bypass yourself.
    2.2 Office Setup | LG 29UB55 21:9 UltraWide | HP Probook 630 G8 | Dell Latitude | Cabasse Stream Amp 100 | Boston Acoustics VS 240 | AUDIORAX Desk Stands | Mirage Omni S8 sub1 | Mirage Omni S8 Sub2
  • Ocezam
    Ocezam Posts: 52
    edited February 2014
    WLDock wrote: »
    Ocezam, falconcry72 brings up a a point that maybe you are not thinking about? Removing the jumpers if I had to guess will net...
    -One terminal for the TWEETER/MID 280Hz UP
    -One terminal for the MIDBASS/SUBASS 280Hz DOWN.

    Its a 4-way passive crossover similar in layout to this:
    4wayblok.gif

    Removing the jumper allows PASSIVE BI-AMPING...therefore no active crossover is needed as the passives are still inline. Polk did not offer any ACTIVE Bi-AMPING options or terminals. If one wants to do that you would have to remove the crossovers and configure a bypass yourself.


    I am aware of that, thanks.
    "The ear is not a microphone, the brain is not a tape recorder, and measurements are limited in describing subjective quality." Nelson Pass

    2 Channel:
    XDA-2, Modified Jolida JD502P (2 ea), Polk LSiM705
    Theater:
    Onkyo TX-NR3009 with 9 active channels, Emotiva XPA-5, MartinLogan Encore TF Center Channel, Polk M70 Mains, M40 Wides, M30 Heights, FXi A4 Surrounds, Custom built 18" sub, Mitsu 73" DLP
  • aboroth00
    aboroth00 Posts: 1,106
    edited February 2014
    The passive crossovers will still filter the frequencies. There's no point in applying an active crossover without removing the passive ones. You'll effectively be filtering out certain frequencies with the active crossover then the passive crossover would filter those frequencies again. Biamping MIGHT be beneficial if the speakers are so inefficient, you need to apply power to the bass independently, but this isn't the case with your speaker. However, leaving the passive crossovers in there, all the extra energy will just be burnt off as heat.

    To get the benefits of an active crossover, you have to remove the passive crossover, and apply amp power to each driver and use an active XO to filter the frequencies to each driver. However, if a speaker with a passive XO sounds fine, I wouldn't mess with it by yanking out the XO.
    2Ch Tube Audio Convert
  • Ocezam
    Ocezam Posts: 52
    edited February 2014
    Doing what I'm getting ready to do here isn't any more complicated (or wrong) then using the bass management feature found on many preamps. There is no need to "tear out all the crossovers" and amplify each driver. To do so wouldn't be bi-amping. In this case it would be quad-amping. The passive internal crossovers are still very much needed.

    With a 24 dB/Octave 2-Way Linkwitz-Riley Electronic Crossover used to split off the lowest freqs the only critical concern is to nail the crossover point of the external crossover VERY close to the mid point of the overlapping frequency curves created by the internal passive crossover at the lower binding posts. This isn't difficult to do with a well made active crossover.

    As to weather doing this is "needed" or not...
    The "need" doesn't arise based on the specs of the speakers, but on the specs of the amps. My tubes are rated at 140 watts each, but being tubes, their dampening factor is significantly lower than SS amps. As I hope most of you know, a high dampening factor is fairly critical in controlling woofers, and fairly insignificant in controlling mid and high freq drivers. By ACTIVELY bi-amping I'll get the benefits of more power, but just as importantly, the benefits of a higher damping factor solid state amp on the woofers.

    This isn't the first time I've worked with active bi-amping. I'm not speaking theoretically. I'm not interested in anyone's THEORY of why this will or will not work. In fact I've done this, mostly successfully, at least a half dozen times in the last 35 years. I've had friends do it DOZENS of times. Success is based almost entirely on setting up the active crossover well. The degree of success is also based on the specific speaker/amp combo you start with. I've never had any "failure" biamping. If you start with over powered solid state amps, you are unlikely to see a significant improvement, but that isn't failure. Starting with mid powered tubes, I expect a fairly significant upgrade of woofer control.

    There are any number of other forums where MANY enthusiasts regularly actively bi-, tri-, and quad-amp.

    Here's a decent article on how active bi-amping is accomplished and why. It should be obvious after reading this why the signals aren't "double filtered", and the obvious need to leave the passive crossovers in place It also briefly touches on why passive bi-amping does VERY little. And why passive bi-amping doesn't free up, or add, any amp power.

    http://sound.westhost.com/bi-amp.htm
    "The ear is not a microphone, the brain is not a tape recorder, and measurements are limited in describing subjective quality." Nelson Pass

    2 Channel:
    XDA-2, Modified Jolida JD502P (2 ea), Polk LSiM705
    Theater:
    Onkyo TX-NR3009 with 9 active channels, Emotiva XPA-5, MartinLogan Encore TF Center Channel, Polk M70 Mains, M40 Wides, M30 Heights, FXi A4 Surrounds, Custom built 18" sub, Mitsu 73" DLP
  • Face
    Face Posts: 14,340
    edited February 2014
    A little knowledge can be dangerous is a dangerous thing.
    "He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
  • F1nut
    F1nut Posts: 50,557
    edited February 2014
    As I hope most of you know, a high dampening factor is fairly critical in controlling woofers

    Actually the difference between a damping factor of 50 and 1000 is so insignificant that it merits no consideration. It's only when the damping factor is below 10 that it seriously affects the woofer control.
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • aboroth00
    aboroth00 Posts: 1,106
    edited February 2014
    Ocezam wrote: »
    Doing what I'm getting ready to do here isn't any more complicated (or wrong) then using the bass management feature found on many preamps. There is no need to "tear out all the crossovers" and amplify each driver. To do so wouldn't be bi-amping. In this case it would be quad-amping. The passive internal crossovers are still very much needed.

    As to weather doing this is "needed" or not...
    The "need" doesn't arise based on the specs of the speakers, but on the specs of the amps. My tubes are rated at 140 watts each, but being tubes, their dampening factor is significantly lower than SS amps. As I hope most of you know, a high dampening factor is fairly critical in controlling woofers, and fairly insignificant in controlling mid and high freq drivers. By ACTIVELY bi-amping I'll get the benefits of more power, but just as importantly, the benefits of a higher damping factor solid state amp on the woofers.



    http://sound.westhost.com/bi-amp.htm

    The same article you cited states:

    The Most Common Question About Biamping
    The most common question I get is ...

    "Do I need to disconnect the passive crossover in my speakers?"
    The answer is ... Yes, otherwise you are not really biamping at all.

    The article also states that installing an active crossover before a passive one can create all types of hell.

    So yes we are giving you the correct information. To actively drive your speakers you need to remove the passive crossover. And you cite that you need a high damping factor for tube amps. The thing standing in your way of a high damping factor is the passive crossover. Here's an article by the same guy you cited earlier demonstrating what the passive crossover does to reduce damping factor.

    http://sound.westhost.com/biamp-vs-passive.htm

    I think you're sorely mistaken about what biamping or amplifying each driver independently.
    2Ch Tube Audio Convert
  • FTGV
    FTGV Posts: 3,649
    edited February 2014
    Ocezam wrote: »
    I'm not speaking theoretically. I'm not interested in anyone's THEORY of why this will or will not work.
    Ok then I won't mention that with the passive crossovers still in place you negate the advantages of active crossovers.
  • megasat16
    megasat16 Posts: 3,521
    edited February 2014
    FTGV wrote: »
    Ok then I won't mention that with the passive crossovers still in place you negate the advantages of active crossovers.

    I also won't mention that I fully agreed with you!
    Trying out Different Audio Cables is a Religious Affair. You don't discuss it with anyone. :redface::biggrin:
  • WLDock
    WLDock Posts: 3,073
    edited February 2014
    I agree with the others...Not sure what can be gained with all the passives still inline at about the same freqs as the active?
    I do however get the idea that some might want to use a tube amp for the high/mid and a SS amp for the midbass/sub.

    As far as damping factor...best not to go there. I started reading about that over twenty years ago in articles by Tom Nousaine and Kenneth Pohlmann stating that its an often debated and sometimes misunderstood spec. The number that some think is high enough is all over the place, 50, 100, 200+,etc. There is more to speaker damping than that one spec alone. The debate has not changed much.

    You asked so just sharing my knowledge and experience. Spent much more time passively and actively bi-amping several car/home audio 2-way, 3-way, 4-way raw drivers, component sets, AND SUBS(My first sub crossover was passive!) in the home lab and noting the differences myself. Anyway, your speakers, your gear, your room, your ears, your opinion, your beliefs. Go for it! That's audio!
    2.2 Office Setup | LG 29UB55 21:9 UltraWide | HP Probook 630 G8 | Dell Latitude | Cabasse Stream Amp 100 | Boston Acoustics VS 240 | AUDIORAX Desk Stands | Mirage Omni S8 sub1 | Mirage Omni S8 Sub2