an ignorant convo about DACs

sponger
sponger Posts: 325
edited December 2012 in Electronics
Of course I've always known that some source units sound better than others, but I never really thought about why. I chalked it up to "build quality" and that was about it.

When I upgraded from an entry level Denon to the one I have now, the difference was so obvious and noticeable that I spent an additional moment pondering the reasons. I said to myself, "It must be the DACs."

I was having a conversation with a friend the other day and I said to him, "If you're thinking of getting a new avr, think about the DACs if you're prioritizing sound quality over features." He goes, "I'm sure that technology has come so far that it shouldn't be an issue." I said, "No way, it's about the DACs, and technological advancement has nothing to do with it."

So help me out here. I read the wiki page on DACs and it made no mention of the evolution of said component. Have DACs evolved so that an entry level DAC of today is comparable to the high-end DAC of yesterday? Or is it still about craftsmanship and little else?

Thank you.
Denon X7200WA
LSiM 705 703 704c
Denon DP 400
Yamaha CDC 775
Post edited by sponger on

Comments

  • BlueFox
    BlueFox Posts: 15,251
    edited December 2012
    sponger wrote: »
    When I upgraded from an entry level Denon to the one I have now, the difference was so obvious and noticeable that I spent an additional moment pondering the reasons. I said to myself, "It must be the DACs."

    Maybe it was a little hit of everything, better power supply, better components, more power, etc.
    Lumin X1 file player, Westminster Labs interconnect cable
    Sony XA-5400ES SACD; Pass XP-22 pre; X600.5 amps
    Magico S5 MKII Mcast Rose speakers; SPOD spikes

    Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
    Shunyata Sigma XLR analog ICs, Sigma speaker cables
    Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables

    Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
    Three 20 amp circuits.
  • tonyb
    tonyb Posts: 32,967
    edited December 2012
    Dacs alone do not determine the final sound. Build quality, design, and the ever important analog output stage. Even among seperate dacs, the dac chip alone doesn't determine the final sound.
    HT SYSTEM-
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    SVS SB-2000
    Polk Sig. 20's
    Polk FX500 surrounds

    Cables-
    Acoustic zen Satori speaker cables
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  • unc2701
    unc2701 Posts: 3,587
    edited December 2012
    tonyb wrote: »
    Dacs alone do not determine the final sound. Build quality, design, and the ever important analog output stage. Even among seperate dacs, the dac chip alone doesn't determine the final sound.

    This. A lot of the digital stage features that were in the older top-end DACs are now frequently found in run-of-the-mill DAC chips, but a crappy analog stage, noisy power supply, etc, can ruin that. So you were both right in a sense.
    Gallo Ref 3.1 : Bryston 4b SST : Musical fidelity CD Pre : VPI HW-19
    Gallo Ref AV, Frankengallo Ref 3, LC60i : Bryston 9b SST : Meridian 565
    Jordan JX92s : MF X-T100 : Xray v8
    Backburner:Krell KAV-300i
  • falconcry72
    falconcry72 Posts: 3,580
    edited December 2012
    sponger wrote: »
    ...Have DACs evolved so that an entry level DAC of today is comparable to the high-end DAC of yesterday?...

    No way. External, stand-alone DACs will almost always trump a receiver's internal DAC's, and a great DAC from 20 years ago will beat a new entry-level DAC all day everyday and twice on Sunday. The analog stage is as critical to the final sound, if not MORE cristical, than the chip. Based on my comparisons, the analog stage is more important.

    One of the best sounding DACs I've come across is a Parasound DAC that's 14 years old. Blew away the Benchmark DAC-1 and Musical Fidelity M-1 DAC, which are new, and neither is entry level.

    The advantage to newer DACs is the increasing compatibility with hi-res formats, which the old Parasound can't do; however, I'll take a redbook 44.1 through that Parasound over a 24x192 through a new entry level DAC all day. It may not be as resolving, but the dynamics, weight, separation, and realness more than make up for it.
    2-Channel: PC > Schiit Eitr > Audio Research DAC-8 > Audio Research LS-26 > Pass Labs X-250.5 > Magnepan 3.7's

    Living Room: PC > Marantz AV-7703 > Emotiva XPA-5 > Sonus Faber Liuto Towers, Sonus Faber Liuto Center, Sonus Faber Liuto Bookshelves > Dual SVS PC12-Pluses

    Office: Phone/Tablet > AudioEngine B1 > McIntosh D100 > Bryston 4B-ST > Polk Audio LSiM-703's
  • steveinaz
    steveinaz Posts: 19,538
    edited December 2012
    tonyb wrote: »
    Dacs alone do not determine the final sound. Build quality, design, and the ever important analog output stage. Even among seperate dacs, the dac chip alone doesn't determine the final sound.

    Exactly. Better DAC's have better analog output stages---and at the end of the day, the analog out rules.

    DAC's are a "sum of the parts" deal. You can have the best DAC chips available--but if they're tied to a sub-par (inexpensive) analog output section, it's all for not. This is why I discourage the use of dime-a-dozen DAC's; if you're gonna go external DAC, do it right.
    Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2