"Higher End" CD's and Lossless Digital

stretchl
stretchl Posts: 1,334
edited March 2013 in Going Digital
One for the cognoscenti -

I'm awaiting the arrival of my Squeezebox Touch, which I will run through a Grant Fidelity TubeDAC-09 in to the set up in my sig.

I wonder...

Since I'm going to be converting CD's to Apple Lossless or AIFF files, would those files maintain the fidelity of "high end" CD's like the Black Pyramid version of Dark Side, for instance?

On the one hand I would think the answer would be "Yes," since the 1's and 0's from the CD will still reach the DAC, but...

On the other hand, and I don't really know why, I'm thinking for some reason the answer might be "No."

I'd appreciate any thoughts and discussion on this from folks here who are much more knowledgeable than am I.

THANKS!
“Anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that 'my ignorance is just as good as your knowledge.'
- Isaac Asimov

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Post edited by stretchl on

Comments

  • tonyb
    tonyb Posts: 32,981
    edited August 2012
    Depends on a variety of things. Use flac first off and a bit perfect download program such as DB poweramp, Media Monkey, Jrivers, etc. Once thats done, playing thru a good dac is essential along with a good analog output stage and pre amp. Plenty of threads to dig up on getting good sound from a SB thats on par with a cdp.
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  • BlueFox
    BlueFox Posts: 15,251
    edited August 2012
    It should, but like everything else in regard to recorded music there is a controversy and ambiguity. For example, earlier this year the absolute sound ran a 5 part series on digital sound. The authors were hearing differences between FLAC and WAV, between the programs used to rip the files, and anything else involved in the process. Moral of the story is use a lossless file, and just enjoy the music.
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  • stretchl
    stretchl Posts: 1,334
    edited August 2012
    Thanks to you both.

    One of these days, I'll test DSOTM via vinyl, common CD, Black Pyramid CD, WAV and AIFF (won't do FLAC as I'm strictly an Apple guy) and see if I can tell any difference.

    My tinnitus will probably make the differences unnoticeable, but it will be a fun test.

    Best -
    “Anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that 'my ignorance is just as good as your knowledge.'
    - Isaac Asimov

    Hi-Fi
    Apple Lossless --> Squeezebox Touch --> Joule Electra LA-100 Mark iii --> Odyssey Khartargo Mono Plus --> LSiM-705's
    Cabling by Groneberg
    Visuals
    https://media.illinois.edu/journalism/ledford-charles-stretch
    bit.ly/stretchonphotojournalism
    http://Vimeo.com/channels/stretchphoto
  • SCompRacer
    SCompRacer Posts: 8,504
    edited August 2012
    Cookie Marenco, a well respected producer/engineer and founder of Blue Coast Records, specializes in hi-res recordings. Here is what she had to say at the Computer Audiophile forum:

    "About FLAC... We did a lot of early testing for FLAC because it is also less expensive for us to send when a file is smaller, but, when listening back to uncompressed FLAC against the full WAV file when both are sent through email... there is a difference and the WAV has consistently sounded better. We realize that much has been published that FLAC is bit to bit accurate, but with a listening test, this is not the case. I have suggested to many of our customers to do the experiment themselves and all have reported the same results as we have found. "

    So compare (with AIFF) and decide for yourself. I do flac here, even my hi-res vinyl rips, and it sounds real good.

    They don't have a huge catalog, but are worth checking out. Excellent sound quality.

    http://www.bluecoastrecords.com/about/about-blue-coast-records
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • strider
    strider Posts: 2,568
    edited August 2012
    Cool link, Rich. I'd seen Blue Coast recordings before but never heard of Cookie Marenco. If you go to her personal website there's a link to an article she wrote in Positive Feedback Online that's interesting as well.

    Here's the link:

    http://cookiemarenco.com/images/pdf_articles/Positive-Feedback-59.pdf
    Wristwatch--->Crisco
  • tonyb
    tonyb Posts: 32,981
    edited August 2012
    You can start an endless discussion on which file format sounds the best. Use any lossless format and your good to go. To these ears, a well recorded redbook or SACD still trumps digital files, but not by much. As with any format, there's good and bad recorded music in all of them, even vinyl. Guess it comes down to how discerning of an ear one has.

    My thing with going digital was that I was tired of changing cd's so often because I may only like 2 or 3 songs on the cd and I wanted the convenience of making my own playlists and go wireless from the palm of my hand. The convenience factor and ease of use is off the charts with these SB/Sonos units. So much so, the wife would get rid of me before she gave up her Sonos. They really take music and make it an enjoyable family affair again, plus your friends and guests will dig them too.
    HT SYSTEM-
    Sony 850c 4k
    Pioneer elite vhx 21
    Sony 4k BRP
    SVS SB-2000
    Polk Sig. 20's
    Polk FX500 surrounds

    Cables-
    Acoustic zen Satori speaker cables
    Acoustic zen Matrix 2 IC's
    Wireworld eclipse 7 ic's
    Audio metallurgy ga-o digital cable

    Kitchen

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    Grant Fidelity tube dac
    B&k 1420
    lsi 9's
  • CoolJazz
    CoolJazz Posts: 570
    edited August 2012
    Interesting that it can now be reported here from Cookie, some of the magazine writers and others that they hear differences in FLAC. Some wanted to string me up by my toe nails with Lowe's zip cord a few months ago for me simply saying that it was being reported as not always sounding the same as Waves.

    While I haven't done a careful comparison, I just always used wave and don't worry about it, I have noticed a big diff between MediaMonkey and JRiver in favor of the JRiver. Makes we want to try the JPlay and see if it really sounds as much better yet as some say....

    CJ
    A so called science type proudly says... "I do realize that I would fool myself all the time, about listening conclusions and many other observations, if I did listen before buying. That’s why I don’t, I bought all of my current gear based on technical parameters alone, such as specs and measurements."

    More amazing Internet Science Pink Panther wisdom..."My DAC has since been upgraded from Mark Levinson to Topping."
  • heiney9
    heiney9 Posts: 25,194
    edited August 2012
    How do you tag WAV files? Must be a PITA to manage a very large library of music.

    FTR, I hear absolutely ZERO difference between WAV and FLAC and prefer FLAC.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • CoolJazz
    CoolJazz Posts: 570
    edited August 2012
    I'm trying to remember when I installed the JRiver what it counted. Kind of surprised me it was like 60 or 70,000 cuts.

    Never gave any thought to it being any issue to find anything with that quantity. Folder with artist name, sub with album name and then the individual files by cut name under that. Seems no issue to me to work with. I've just never gotten any buzz from the tag thing as being any issue for me....

    If I select a CD from the shelf, I do the same level of sort and look for as from the computer.

    To me what's important is to not have to ever re-rip or lose anything ever. I'll never do some proprietary format for that reason.

    CJ
    A so called science type proudly says... "I do realize that I would fool myself all the time, about listening conclusions and many other observations, if I did listen before buying. That’s why I don’t, I bought all of my current gear based on technical parameters alone, such as specs and measurements."

    More amazing Internet Science Pink Panther wisdom..."My DAC has since been upgraded from Mark Levinson to Topping."
  • stretchl
    stretchl Posts: 1,334
    edited August 2012
    SCompRacer wrote: »
    I do flac here, even my hi-res vinyl rips, and it sounds real good.

    SComp, what hardware/software to you use to rip your vinyl?
    “Anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that 'my ignorance is just as good as your knowledge.'
    - Isaac Asimov

    Hi-Fi
    Apple Lossless --> Squeezebox Touch --> Joule Electra LA-100 Mark iii --> Odyssey Khartargo Mono Plus --> LSiM-705's
    Cabling by Groneberg
    Visuals
    https://media.illinois.edu/journalism/ledford-charles-stretch
    bit.ly/stretchonphotojournalism
    http://Vimeo.com/channels/stretchphoto
  • EndersShadow
    EndersShadow Posts: 17,593
    edited August 2012
    CJ: That works great if you have the computer in front of you, but if you dont your screwed :smile:.

    I think thats why tag info is helpful, for those of us using files stored on the computer while listening in another room. Think Logitech Squeezebox or Sonos and you'll see what it might be important :smile:
    "....not everything that can be counted counts, and not everything that counts can be counted." William Bruce Cameron, Informal Sociology: A Casual Introduction to Sociological Thinking (1963)
  • steveinaz
    steveinaz Posts: 19,538
    edited August 2012
    Many bit-for-bit analysis has been done comparing flac to the original file, and flac was found to be bit perfect time & time again. I think peoples imaginations are not bit perfect.
    Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2
  • CoolJazz
    CoolJazz Posts: 570
    edited August 2012
    I played with streaming the JRiver output to an Oppo player with a screen attached. It displayed everything needed perfectly including album covers! I have "background"' noise all day, so when I listen to music at home it's for me while setting, not mood music. I differ from others I'm sure in that way.

    Never played with or really have any interest in those other things that you mention, Dan at all.

    BTW...the song info displays beautifully on a smart phone for remote control of JRiver very nicely too!

    CJ

    PS....bits isn't the issue. Like with all digital playback...It's the timing of those bits.
    A so called science type proudly says... "I do realize that I would fool myself all the time, about listening conclusions and many other observations, if I did listen before buying. That’s why I don’t, I bought all of my current gear based on technical parameters alone, such as specs and measurements."

    More amazing Internet Science Pink Panther wisdom..."My DAC has since been upgraded from Mark Levinson to Topping."
  • EndersShadow
    EndersShadow Posts: 17,593
    edited August 2012
    Cool, thanks for letting me know CJ. Haven't played with JRiver before so its good to know it works like that :smile:.

    To quote someone on another forum "It only matters how it sounds to you" :wink:
    "....not everything that can be counted counts, and not everything that counts can be counted." William Bruce Cameron, Informal Sociology: A Casual Introduction to Sociological Thinking (1963)
  • SCompRacer
    SCompRacer Posts: 8,504
    edited August 2012
    strider wrote: »
    If you go to her personal website ....

    I got a crush on her....we shared emails for a while.:cheesygrin: She has some nice gear. If she says WAV sounds better than flac, I believe she means it. It may well be true. I don't get those results here though.
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • SCompRacer
    SCompRacer Posts: 8,504
    edited August 2012
    stretchl wrote: »
    SComp, what hardware/software to you use to rip your vinyl?

    Heavy plinth, heavy platter Lenco idler drive turntable, MG-1 linear tracking air bearing arm, Dynavector Karat 17D3 via tape outs of a ModWright SWLP 9.0 Signature Edition (built in phono stage, high current extremely low distortion tube gear) to a Dell laptop running on battery. Software used is Audacity. I'll reverse the tracks and run click repair at a moderate setting if it is a poor condition LP with pops and clicks (digital seems to emphasize them, making them louder or more noticable than in the actual analog playback).

    I also have Sonic Foundry Vegas 4.0 but never tried it with the vinyl rips.
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • stretchl
    stretchl Posts: 1,334
    edited August 2012
    You're using Audacity? Wow. I'd have thought something more complex, but everything I've done with sound editing has been geared toward multimedia journalism and we have entirely different needs. I usually use Final Cut Pro, but also Soundtrack Pro once in a while.

    Is Click Repair a filter built into Audacity?

    What do you mean when you say you "reverse the tracks?" Do you mean the order of the tracks in the Audacity window, or actually running the files backwards?

    I'm enjoying my vinyl while I'm waiting the arrival of my SB Touch, but these pops and clicks are killing me. Not to mention the needle getting stuck, getting stuck, getting stuck, getting stuck... occasionally. ;)

    Thanks.
    “Anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that 'my ignorance is just as good as your knowledge.'
    - Isaac Asimov

    Hi-Fi
    Apple Lossless --> Squeezebox Touch --> Joule Electra LA-100 Mark iii --> Odyssey Khartargo Mono Plus --> LSiM-705's
    Cabling by Groneberg
    Visuals
    https://media.illinois.edu/journalism/ledford-charles-stretch
    bit.ly/stretchonphotojournalism
    http://Vimeo.com/channels/stretchphoto
  • SCompRacer
    SCompRacer Posts: 8,504
    edited August 2012
    Audacity works great considering it is free. No expensive soundcard either. As they say the proof is in the pudding, and my vinyl rips are quiet and sound very good. I wish I had more time to devote to it. I am software challenged as it is, and better programs are usually more difficult to learn and expensive so I stay with what I know.

    ClickRepair isn't free, check it out here. http://www.clickrepair.net/

    In Audacity 1.3 they added a repair tool, but since I already bought a license for ClickRepair I stayed with it. IIRC someone over at the Steve Hoffman forum turned me on to reversing the track before running ClickRepair. It had something to do with making a transient in the music appearing different and remaining unharmed by the software. Simply reverse the track, do the repair and reverse back to original state. If you don't get too high with the ClickRepair repair settings, you won't harm the recording. Of course if you wish to spend the time you can go over the entire track manually on a surgical search and destroy.
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • SCompRacer
    SCompRacer Posts: 8,504
    edited August 2012
    Speaking of better software just triggered this in memory (I'm old and have been working lots of hours).:cheesygrin:

    http://www.polkaudio.com/forums/showthread.php?112250-Hi-Res-Vinyl-Rips-With-LessisNevermore&highlight=moving+pictures

    CP member LessisNevermore (Duell) brought over his Digidesign's Pro Tools hardware with proprietary software to do a hi-res recording of my best Rush / Moving Pictures album. (Duell is a drummer in a local band). Hardware and software do matter!
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • doctorcilantro
    doctorcilantro Posts: 2,028
    edited August 2012
    FLAC is not proprietary; it's open-source and decodes to WAV.

    Meta-data is the food of life for digital audio; you can do some amazing things with it, especially in JRMC.

    I like to create an album cover view but sorted by artist; using file trees is too 1998 ; ) I can also exclude multi-artist comps in my sorting scheme so it's cleaned up a bit.

    Also, if you are tagging .wav files in JRMC, you are editing the database, but not storing any data in tags. If you move those files to a new disk location using Windows Explorer, and re-import them to JRMC, you will lose the tags.

    There are best practices for a reason...

    Zb8vMl.jpg

    CoolJazz wrote: »
    I'm trying to remember when I installed the JRiver what it counted. Kind of surprised me it was like 60 or 70,000 cuts.

    Never gave any thought to it being any issue to find anything with that quantity. Folder with artist name, sub with album name and then the individual files by cut name under that. Seems no issue to me to work with. I've just never gotten any buzz from the tag thing as being any issue for me....

    If I select a CD from the shelf, I do the same level of sort and look for as from the computer.

    To me what's important is to not have to ever re-rip or lose anything ever. I'll never do some proprietary format for that reason.

    CJ
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  • Lost240
    Lost240 Posts: 176
    edited March 2013
    What is wrong with apple lossless?
    tonyb wrote: »
    Depends on a variety of things. Use flac first off and a bit perfect download program such as DB poweramp, Media Monkey, Jrivers, etc. Once thats done, playing thru a good dac is essential along with a good analog output stage and pre amp. Plenty of threads to dig up on getting good sound from a SB thats on par with a cdp.
  • schwarcw
    schwarcw Posts: 7,339
    edited March 2013
    Lost240 wrote: »
    What is wrong with apple lossless?

    If you like it, then nothing.
    Carl

  • seabeerob213
    seabeerob213 Posts: 1,843
    edited March 2013
    what's the general consensus on WMA lossless?
    2 Channel(work in progress):DAC: Schiit modi 2 uberAmp:Parasound 1200 MK IISub:RBH 1010-SEP Speakers: Monitor 5A peerlesscurrently running some krk rokit 3g since the HK pre outs died and i need to start breaking everything down to move in a couple monthsHeadphones:Source: tidalDAC: schiit modius epre: schiit sysAmp: AQ dragonfly black/ schiit magni2 Cans: Velodyne V-True, Grado SR225i, sennheiser x drop gaming headsetPC:DAC: schiit modius e(over spdif)pre: schiit sysspeakers: prenous eris 5 xtSub: Earthquake Sound MiniMe-P63most of my comments are passing on of info, im a noob, im just trying to help how i can, if im wrong or out of place to comment, dont hesitate to let me know :)"WITH WILLING HEARTS AND SKILLFUL HANDS, THE DIFFICULT WE DO AT ONCE, THE IMPOSSIBLE TAKES A BIT LONGER, WITH COMPASSION FOR OTHERS. WE BUILD - WE FIGHT FOR PEACE WITH FREEDOM"Seabee Memorial, Arlington, VA
  • Gatecrasher
    Gatecrasher Posts: 1,550
    edited March 2013
    I go FLAC on everything and have over 12 TB of lossless audio.

    I can't hear a difference between WAV and FLAC Level 8.
  • thsmith
    thsmith Posts: 6,082
    edited March 2013
    OP, I use XID for bit perfect rips to AIFF. Works great. I coverted a ton of FLAC to AIFF with no issues and great SQ.
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