Help in refreshing Monitor 5B crossover?
StuartB
Posts: 87
I just picked up a nice pair of 5B speakers. They appear to be all stock with Peerless tweeters. The sound is a little boxy or boomy in lower mids. I was thinking that I may try to upgrade the crossovers to improve the sound. Anyone willing to advise me on doing this? Totally a newby in this area. Would need to start with pulling the crossovers and selecting the right components to replace
Thanks in advance for thenassistance.
Stuart
Thanks in advance for thenassistance.
Stuart
Post edited by StuartB on
Comments
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Welcome to the club Stuart!
If you use search function, you can see 100's of threads on crossover upgrade.
Here is one for you: http://www.polkaudio.com/forums/showthread.php?89117-Monitor-5-x-over-upgrade
Klipsch RB81, KG3.5, B&W DM602.5, Polk.
Subwoofers: Klipsch RW10, Triad ProSub Bronze. -
Migjt be able to resuce tje bopm by dynamating the drivers. It did wonders to my 5jr+ and i used the Clarity SA's in the cap mod and tjey did wonderful things for them. But start woth the dynamat amd go from there.Main Rig:
Krell KAV 250a biamped to mid/highs
Parasound HCA1500A biamped to lows
Nakamichi EC100 Active xover
MIT exp 1 ic's
Perreaux SA33 class A preamp
AQ kingcobra ic's
OPPO 83 CDP
Lehmann audio black cube SE phono pre, Audioquest phono wire (ITA1/1)
Denon DP-1200 TT. AToc9ML MC cart.
Monster HTS 3600 power conditioner
ADS L1590/2 Biamped
MIT exps2 speaker cable -
Boxy and boomy are terms I usually don't associate with the Monitor 5's. My 5A's tend to be a little lacking in bass while my 5B's are nice and tight. I wonder if the Daycron batting may have slipped down out of place. It should be positioned behind the mid-woofers and, typically, not behind the passive radiators.
Another thing you might try is different placement. While I don't know how you have them placed, try moving them out from the back and side walls if possible.Stan
Main 2ch:
Polk LSi15 (DB840 upgrade), Parasound: P/LD-1100, HCA-1000A; Denon: DVD-2910, DRM-800A; Benchmark DAC1, Monster HTS3600-MKII, Grado SR-225i; Technics SL-J2, Parasound PPH-100.
HT:
Marantz SR7010, Polk: RTA11TL (RDO198-1, XO and Damping Upgrades), S4, CS250, PSW110 , Marantz UD5005, Pioneer PL-530, Panasonic TC-P42S60
Other stuff:
Denon: DRA-835R, AVR-888, DCD-660, DRM-700A, DRR-780; Polk: S8, Monitor 5A, 5B, TSi100, RM7, PSW10 (DXi104 upgrade); Pioneer: CT-6R; Onkyo CP-1046F; Ortofon OM5E, Marantz: PM5004, CD5004, CDR-615; Parasound C/PT-600, HCA-800ii, Sony CDP-650ESD, Technics SA 5070, B&W DM601 -
I wonder if the Daycron batting may have slipped down out of place. It should be positioned behind the mid-woofers and, typically, not behind the passive radiators.
Would the positioning of the Daycron apply to all Polks with PRs ? The Daycron extends upward behind the Tweets, too . . . right?
Thanks,
GAC Regenerator PS Audio PerfectWave Power Plant 10
Source Lumin U1 Mini into Lampizator Baltic 4 DAC
Pre Cary SLP-05
Power Rogue M180 Dark monos
Mains Salk HT2-TL
Rythmik F12 -
Boxy and boomy are NOT descriptors I would ever use to describe Monitor 5B's. A crossover refresh with modern poly caps and Mills resistors will do wonders, but I have to ask about placement and gear choices. What are you using and how are they set-up?
I use a 30wpc push/pull tube integrated in a smaller room and they are as open and natural as can be as well as having the ability to rattle the handles on a couple cabinet drawers and vibrate a sliding closet door. All with zero tone controls so I know they are capable of pretty solid bass too.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
Would the positioning of the Daycron apply to all Polks with PRs ? The Daycron extends upward behind the Tweets, too . . . right?
Thanks,
G
Polyester batting should be placed from the tweeters down to the lowest MW, no lower. Definitely not at the level of the PR."Science is suppose to explain observations not dismiss them as impossible" - Norm on AA; 2.3TL's w/sonicaps/mills/jantzen inductors, Gimpod's boards, Lg Solen SDA inductors, RD-0198's, MW's dynamatted, Armaflex speaker gaskets, H-nuts, brass spikes, Cardas CCGR BP's, upgraded IC Cable, Black Hole Damping Sheet strips, interior of cabinets sealed with Loctite Power Grab, AI-1 interface with 1000VA A-L transformer -
Placement did make a difference. When I first auditioned them the setting was less than ideal. Once I got them some space and up on 20" stands the sound got much better. Still thinking about upgrading the crossovers since it seems relatively simple. And will try the dynamat. Two questions, what brand of capacitors and resistors do you like for this modest speaker and where do I find the dynamat? Also planning to seal the speakers with Mortite.....I assume I use the Mortite on all three drivers and maybe even the rear box with speak connections?
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drumminman wrote: »Polyester batting should be placed from the tweeters down to the lowest MW, no lower. Definitely not at the level of the PR.
This is generally true. However, my factory original Monitor 5A's both have it going from top to bottom including behind the PR's. I have wondered if this is why they are weaker in the bass department but I didn't want to deviate from the original design.
StanStan
Main 2ch:
Polk LSi15 (DB840 upgrade), Parasound: P/LD-1100, HCA-1000A; Denon: DVD-2910, DRM-800A; Benchmark DAC1, Monster HTS3600-MKII, Grado SR-225i; Technics SL-J2, Parasound PPH-100.
HT:
Marantz SR7010, Polk: RTA11TL (RDO198-1, XO and Damping Upgrades), S4, CS250, PSW110 , Marantz UD5005, Pioneer PL-530, Panasonic TC-P42S60
Other stuff:
Denon: DRA-835R, AVR-888, DCD-660, DRM-700A, DRR-780; Polk: S8, Monitor 5A, 5B, TSi100, RM7, PSW10 (DXi104 upgrade); Pioneer: CT-6R; Onkyo CP-1046F; Ortofon OM5E, Marantz: PM5004, CD5004, CDR-615; Parasound C/PT-600, HCA-800ii, Sony CDP-650ESD, Technics SA 5070, B&W DM601 -
Boxy and boomy are terms I usually don't associate with the Monitor 5's. My 5A's tend to be a little lacking in bass while my 5B's are nice and tight. I wonder if the Daycron batting may have slipped down out of place. It should be positioned behind the mid-woofers and, typically, not behind the passive radiators.
Klipsch RB81, KG3.5, B&W DM602.5, Polk.
Subwoofers: Klipsch RW10, Triad ProSub Bronze. -
Clarity Cap PX are a nice affordable capacitor. A step up would be the Clarity Cap SA. SoniCraft runs some good deals on their SoniCaps from time to time.
Mils or Mundorf resistors are good.Stan
Main 2ch:
Polk LSi15 (DB840 upgrade), Parasound: P/LD-1100, HCA-1000A; Denon: DVD-2910, DRM-800A; Benchmark DAC1, Monster HTS3600-MKII, Grado SR-225i; Technics SL-J2, Parasound PPH-100.
HT:
Marantz SR7010, Polk: RTA11TL (RDO198-1, XO and Damping Upgrades), S4, CS250, PSW110 , Marantz UD5005, Pioneer PL-530, Panasonic TC-P42S60
Other stuff:
Denon: DRA-835R, AVR-888, DCD-660, DRM-700A, DRR-780; Polk: S8, Monitor 5A, 5B, TSi100, RM7, PSW10 (DXi104 upgrade); Pioneer: CT-6R; Onkyo CP-1046F; Ortofon OM5E, Marantz: PM5004, CD5004, CDR-615; Parasound C/PT-600, HCA-800ii, Sony CDP-650ESD, Technics SA 5070, B&W DM601 -
Here is my adventure, documented.
http://www.polkaudio.com/forums/showthread.php?51420-Monitor-5b-s-x-over-upgrade-w-pics&highlight=upgrade
In the beginning I started with Solen caps and then towards the end I swapped the high pass caps for Clarity PX's which were much better, as documented.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
I think OP has 5A's since he mentioned the tweeters are peerless unless 5B's came with peerless.
I believe they are 5Bs. The tag on the rear says 5B but I am guessing they are early production the SNs are 1733 and 1750. -
If they have peerless tweets (from the factory) and fuses they are 5's or could be 5A's. 5B's have the sl2000 tweets and early 5B's have a tweeter fuse, later 5B's have a polyswitch in the x-over.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
Well they say 5B on the back on the tag with the SN, they have fuses and they have the Peerless tweeter....black fabric with a small hole in the center of the dome.
The components on the cross over include 12 and 34 capacitors and a 2.7 resistor.
Kind of an odd mix of models it sounds.....but it sure appears to be all stock. -
If they have both fuses chances are they are 5A's, but we all know Polk used all different kinds of parts across the transitional models.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
It is possible if you aren't the original owner that someone put peerless tweets in them. Always check the x-over and driver parts numbers, never assume your's is exactly the same as a posted schematic.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
It is possible if you aren't the original owner that someone put peerless tweets in them. Always check the x-over and driver parts numbers, never assume your's is exactly the same as a posted schematic.
H9
I have opened up both speakers and they have the same crossover components...and I believe they are the same values as the early schematic....now I need to figure out which parts to buy and then start bugging you to guide me through the process! -
Do they have a year stamped on the mid-woofer? My 5A's w/ Peerless are from 1983 and my 5B's w/ SL-2000 are from 1984. Both my 5A's and 5B's have fuses on the tweeter only.
The first pic is the Monitor 5A and the second is the 5B.
Stan
Main 2ch:
Polk LSi15 (DB840 upgrade), Parasound: P/LD-1100, HCA-1000A; Denon: DVD-2910, DRM-800A; Benchmark DAC1, Monster HTS3600-MKII, Grado SR-225i; Technics SL-J2, Parasound PPH-100.
HT:
Marantz SR7010, Polk: RTA11TL (RDO198-1, XO and Damping Upgrades), S4, CS250, PSW110 , Marantz UD5005, Pioneer PL-530, Panasonic TC-P42S60
Other stuff:
Denon: DRA-835R, AVR-888, DCD-660, DRM-700A, DRR-780; Polk: S8, Monitor 5A, 5B, TSi100, RM7, PSW10 (DXi104 upgrade); Pioneer: CT-6R; Onkyo CP-1046F; Ortofon OM5E, Marantz: PM5004, CD5004, CDR-615; Parasound C/PT-600, HCA-800ii, Sony CDP-650ESD, Technics SA 5070, B&W DM601 -
This is generally true. However, my factory original Monitor 5A's both have it going from top to bottom including behind the PR's. I have wondered if this is why they are weaker in the bass department but I didn't want to deviate from the original design.
Stan
The batting should definitely not be behind the PR - it kills the output. Position it properly and listen - I bet your bass will be more pronounced and tighter - better quality. If you don't like it it's easy to put it back the way it was.
When I got inside myMy RTA 12C's (which I purchased new in 1984) to perform some mods the batting had fallen down to the bottom of the cabinet. I put in a strip of Black Hole 5 and repositioned the batting - bass output much improved!"Science is suppose to explain observations not dismiss them as impossible" - Norm on AA; 2.3TL's w/sonicaps/mills/jantzen inductors, Gimpod's boards, Lg Solen SDA inductors, RD-0198's, MW's dynamatted, Armaflex speaker gaskets, H-nuts, brass spikes, Cardas CCGR BP's, upgraded IC Cable, Black Hole Damping Sheet strips, interior of cabinets sealed with Loctite Power Grab, AI-1 interface with 1000VA A-L transformer -
So would the consensus be that I use Clarity caps on the high pass (12 uF) and Solen on the low pass (34 uF) and then Mills or Mundorf on the resistor (2.7 or greater). I am thinking I might go higher than2.7 on the resistor to take a little of the edge off the tweeter.
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Do they have a year stamped on the mid-woofer? My 5A's w/ Peerless are from 1983 and my 5B's w/ SL-2000 are from 1984. Both my 5A's and 5B's have fuses on the tweeter only.
The first pic is the Monitor 5A and the second is the 5B.
They did but I forget the year! I bought some Armaflex and will track down some Dynamat. When I pull the speakers to treat them I will post the assembly date. -
For low pass, Jentzen is also good.Stan
Main 2ch:
Polk LSi15 (DB840 upgrade), Parasound: P/LD-1100, HCA-1000A; Denon: DVD-2910, DRM-800A; Benchmark DAC1, Monster HTS3600-MKII, Grado SR-225i; Technics SL-J2, Parasound PPH-100.
HT:
Marantz SR7010, Polk: RTA11TL (RDO198-1, XO and Damping Upgrades), S4, CS250, PSW110 , Marantz UD5005, Pioneer PL-530, Panasonic TC-P42S60
Other stuff:
Denon: DRA-835R, AVR-888, DCD-660, DRM-700A, DRR-780; Polk: S8, Monitor 5A, 5B, TSi100, RM7, PSW10 (DXi104 upgrade); Pioneer: CT-6R; Onkyo CP-1046F; Ortofon OM5E, Marantz: PM5004, CD5004, CDR-615; Parasound C/PT-600, HCA-800ii, Sony CDP-650ESD, Technics SA 5070, B&W DM601 -
Anyone care to advise on the impacts that "Larry's Rings" would have on these speakers as I consider rebuilding the crossovers, adding Dynamat and Armaflex ..etc. will I start to exceed the cost/benefit threshold. Right now I have about $80 in the stock speakers with Peerless drivers.
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Anyone care to advise on the impacts that "Larry's Rings" would have on these speakers as I consider rebuilding the crossovers, adding Dynamat and Armaflex ..etc. will I start to exceed the cost/benefit threshold. Right now I have about $80 in the stock speakers with Peerless drivers.
Did you read the link I provided? It says in there what impact the rings have as well as a tutorial for installing them. I would also leave the resistor values alone. You have the peerless tweets? If not, get the RD0's.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
I am about ready to order the parts to upgrade the crossover and speaker. Based on the recommendations on this board, I am thinking I will use a Clarity PX 12uf for the tweeter and a Solen 35uf for the woofer. They can be purchased from Madisound for $9.35 and $12.75 respectively. The only other option would be to use Dayton caps from Parts-Express (12uf for $8.87 and 33uf for $10.14). Any final recommendations on caps between those options? Also, the original woofer cap is 34uf. Am I OK using either 33 or 35uf?
The only place I have found the Mills resistors is Partsconnexion. The 2.7ohm 12 watt resistor is $5.50. Is there any one place to get all these components and not have mess with multiple orders? Partsconnexion does not carry the PX Clarity caps, and their cost for Solen caps is somewhat higher than Madisound.
Finally, since I am going to take everything apart, I am planning on getting a set of "Larrys Rings" and then add Armaflex and Dynamat to the speakers. BY that time I will have done just about everything I think you can do to a set of 5B Peerless speakers. I will probably end up spending more on the tweaks and upgrades than I did on the speakers themselves. I hope I am not going way beyond that cost/diminishing returns threshold. but this will certainly be a learning experience.
Thanks for all the help and assistance thus far. -
I am about ready to order the parts to upgrade the crossover and speaker. Based on the recommendations on this board, I am thinking I will use a Clarity PX 12uf for the tweeter and a Solen 35uf for the woofer. They can be purchased from Madisound for $9.35 and $12.75 respectively. The only other option would be to use Dayton caps from Parts-Express (12uf for $8.87 and 33uf for $10.14). Any final recommendations on caps between those options? Also, the original woofer cap is 34uf. Am I OK using either 33 or 35uf?
The only place I have found the Mills resistors is Partsconnexion. The 2.7ohm 12 watt resistor is $5.50. Is there any one place to get all these components and not have mess with multiple orders? Partsconnexion does not carry the PX Clarity caps, and their cost for Solen caps is somewhat higher than Madisound.
Finally, since I am going to take everything apart, I am planning on getting a set of "Larrys Rings" and then add Armaflex and Dynamat to the speakers. BY that time I will have done just about everything I think you can do to a set of 5B Peerless speakers. I will probably end up spending more on the tweaks and upgrades than I did on the speakers themselves. I hope I am not going way beyond that cost/diminishing returns threshold. but this will certainly be a learning experience.
Thanks for all the help and assistance thus far.
I haven't modded 5B's, but I've done two other sets of vintage Polks. I found the improvement to be substantial. I'd be shocked :eek: if, after the caps and resistors burned in, you didn't hear a large improvement in smoothness, clarity, bass response, imaging.
I haven't spent time with the 5B's either, but many here at CP seem to think that those and the 7's are the best of the Polk monitor series. Of course I'd put the RTA 12C's up above those. . . .:cheesygrin:"Science is suppose to explain observations not dismiss them as impossible" - Norm on AA; 2.3TL's w/sonicaps/mills/jantzen inductors, Gimpod's boards, Lg Solen SDA inductors, RD-0198's, MW's dynamatted, Armaflex speaker gaskets, H-nuts, brass spikes, Cardas CCGR BP's, upgraded IC Cable, Black Hole Damping Sheet strips, interior of cabinets sealed with Loctite Power Grab, AI-1 interface with 1000VA A-L transformer -
+1 drumminman, i was schocked with the 5jr+ they went up in all catogorys with the mods
A truly supperior bookshelf speaker. Bit i really dont include the rta in the monitor series, i lnow "tech" they are according to polk but my 12c's are a diff. Animal. And the 7's & 5's i feel are in a class by themself.Main Rig:
Krell KAV 250a biamped to mid/highs
Parasound HCA1500A biamped to lows
Nakamichi EC100 Active xover
MIT exp 1 ic's
Perreaux SA33 class A preamp
AQ kingcobra ic's
OPPO 83 CDP
Lehmann audio black cube SE phono pre, Audioquest phono wire (ITA1/1)
Denon DP-1200 TT. AToc9ML MC cart.
Monster HTS 3600 power conditioner
ADS L1590/2 Biamped
MIT exps2 speaker cable -
soundfreak1 wrote: »+1 drumminman, i was schocked with the 5jr+ they went up in all catogorys with the mods
A truly supperior bookshelf speaker. Bit i really dont include the rta in the monitor series, i lnow "tech" they are according to polk but my 12c's are a diff. Animal. And the 7's & 5's i feel are in a class by themself.
Hey SF1, have you done other mods besides those listed in your signature? If so, which ones?
The RTA 12C's really fly under the radar - an amazing speaker with a little TLC."Science is suppose to explain observations not dismiss them as impossible" - Norm on AA; 2.3TL's w/sonicaps/mills/jantzen inductors, Gimpod's boards, Lg Solen SDA inductors, RD-0198's, MW's dynamatted, Armaflex speaker gaskets, H-nuts, brass spikes, Cardas CCGR BP's, upgraded IC Cable, Black Hole Damping Sheet strips, interior of cabinets sealed with Loctite Power Grab, AI-1 interface with 1000VA A-L transformer -
Based on your input I have ordered 12uf Clarity PX caps,Solen 35uf caps and 2.7 ohm Mills resistors. Should be here early next week. I also have picked up some Armaflex. The only open questions are whether I use Larry's Rings or Hurricane bolts and whether I use Dynamat or something less pricey from Parts Express. Also wondering if I ought to replace the binding posts while I have everything apart.
Once I get everything apart I will post some pictures and the date on the mid/woofer. The tags say 5b, I have Peerless tweeters that are fused, and the Polk tab is on the bottom if the cabinet, not the grill.
I will be looking to get a lot of input from you as I start this project....any input or advice beyond what has already been offered would be much appreciated. -
I've been silently following this thread because I have a pair of Monitor 5 speakers that I'd like to upgrade as well. If you can please post pics of the process as I've never done anything like this myself.
Thanks!