cd players why spend more than 50.00?

soundfreak1
soundfreak1 Posts: 3,414
edited April 2012 in Electronics
I plan on using a cd player as a transport only coming out digitally to a free standing dac. having said that: other than specific features such as remote control multi disc sacd hdcd different formats, virtually everything I have read states that there are basically maybe 3 or 4 different manufacturers. That make up the largest percentage of lazar pick up and swing arms and that most good quality manufacturer seem to use very simular units maybe from the same manufacturer which leads me to my question???? is there any realistic good reason more than 5o
to 100 dollars on the used cd player assuming that it has the digital output of course and the primary convenience features I want. I am speaking primarily sound quality output I have been doing some a/b comparison with several cds I have indifferent cd players connected through the same deck in the same stereo system in the same room some newer some vintage some really cheap and it doesn't seem to be any real difference between um as far as sound quality goes regardless of price paid so my point is why spend several 100 dollars for a used cd player or 100.oo's more for new 1? and I'm not taking into account brand loyalty, ego , or it looks so cool.
Main Rig:
Krell KAV 250a biamped to mid/highs
Parasound HCA1500A biamped to lows
Nakamichi EC100 Active xover
MIT exp 1 ic's
Perreaux SA33 class A preamp
AQ kingcobra ic's
OPPO 83 CDP
Lehmann audio black cube SE phono pre, Audioquest phono wire (ITA1/1)
Denon DP-1200 TT. AToc9ML MC cart.
Monster HTS 3600 power conditioner
ADS L1590/2 Biamped
MIT exps2 speaker cable
Post edited by soundfreak1 on

Comments

  • tonyb
    tonyb Posts: 32,967
    edited April 2012
    When using a digital out, you basically are using the cdp as just a transport. With that, transports vary in quality. You won't see much difference in quality for 50-100 bucks if thats what you mean. Also just because you have a handfull of manufacturers making lasers, transports, they all have a variety of quality at a given price point. Much like AVR'S, a handfull of brands control the market, but they all have different lines with different quality and of coarse different price tags. A good transport will reduce jitter better than a 100 buck cdp will, wether or not you can hear that difference is going to be subjective and wether or not the coin is worth it will also be subjective. Sorry as to not be more help to you, but like all things, quality in, quality out is usually the mantra, one which I personally would subscribe to.
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  • cnh
    cnh Posts: 13,284
    edited April 2012
    +1, The only reason I use a reasonably expensive CDP below is that I "rely" on its internal build quality, transformers, DAC architecture, tube outputs, etc. I "do not" ever use the Toslink out but feed the RCAs out to the RCA in on the Jolida tube amp below. Hence, better quality = better sound.

    If you're NOT going to use the DACs, etc. in the unit. Then the quality of your external DAC unit will be the most important determinant in what you hear (assuming you have decent amplification and speakers).

    You are right about manufacturers, the Jolida below has a Philips transport (not a "cheap" one). Remember just because there are only a few makers of optical drives and transports that does not mean that each manufacturer only produces one VERSION of their transport which will go in a 100 dollar CDP and also a 3000 dollar unit?

    cnh
    Currently orbiting Bowie's Blackstar.!

    Polk Lsi-7s, Def Tech 8" sub, HK 3490, HK HD 990 (CDP/DAC), AKG Q701s
    [sig. changed on a monthly basis as I rotate in and out of my stash]
  • soundfreak1
    soundfreak1 Posts: 3,414
    edited April 2012
    Yep I think you're right damn I justt cant avoid that rabbit hole . I just love this hobby!LMAO.
    Main Rig:
    Krell KAV 250a biamped to mid/highs
    Parasound HCA1500A biamped to lows
    Nakamichi EC100 Active xover
    MIT exp 1 ic's
    Perreaux SA33 class A preamp
    AQ kingcobra ic's
    OPPO 83 CDP
    Lehmann audio black cube SE phono pre, Audioquest phono wire (ITA1/1)
    Denon DP-1200 TT. AToc9ML MC cart.
    Monster HTS 3600 power conditioner
    ADS L1590/2 Biamped
    MIT exps2 speaker cable
  • Face
    Face Posts: 14,340
    edited April 2012
    I wouldn't go crazy on a transport, I haven't found a direct correlation between a transport's price and sound quality.
    "He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
  • tonyb
    tonyb Posts: 32,967
    edited April 2012
    Face wrote: »
    I wouldn't go crazy on a transport, I haven't found a direct correlation between a transport's price and sound quality.

    Personally, I wouldn't either. I think money wise you'd get a better lift in SQ if you put that money elsewhere in your system. Not doggin' seperate transports because I've heard some very good expensive ones. Thing is, they are also almost always connected to expensive associate gear so you never fully get the impact the transport alone makes. Asking someone in a high end shop to take out the 3 g transport and stick in a cheap Sony cdp and they'll ask you to kindly hit the door.
    HT SYSTEM-
    Sony 850c 4k
    Pioneer elite vhx 21
    Sony 4k BRP
    SVS SB-2000
    Polk Sig. 20's
    Polk FX500 surrounds

    Cables-
    Acoustic zen Satori speaker cables
    Acoustic zen Matrix 2 IC's
    Wireworld eclipse 7 ic's
    Audio metallurgy ga-o digital cable

    Kitchen

    Sonos zp90
    Grant Fidelity tube dac
    B&k 1420
    lsi 9's
  • headrott
    headrott Posts: 5,496
    edited April 2012
    I have done a comparison betweena couple Denon CD/DVD players used as a transport and a recently bought Theta Jade CD transport. The Denon CD/DVD players didn't stand up to the Theta Jade (dedicated transport) in comparison. All of these players are more expensive than $50.00 to $100.00 however. The review can be found here if you haven't seen it yet. Despite some people claiming CD/DVD players and transports all sounding the same, don't allow yourself to be drawn into that. Find out for yourself and compare! Ask a dealer to set up some players and transports (in the price range you see fit) and listen for yourself. Or even better, listen in your own system. The biggest difference I found in sound quality was going from the CD/DVD players used as transports to a dedicated transport. It was not subtle. Hope this helps you out.

    Greg
    Relayer-Big-O-Poster.jpg
    Taken from a recent Audioholics reply regarding "Club Polk" and Polk speakers:
    "I'm yet to hear a Polk speaker that merits more than a sentence and 60 seconds discussion." :\
    My response is: If you need 60 seconds to respond in one sentence, you probably should't be evaluating Polk speakers.....


    "Green leaves reveal the heart spoken Khatru"- Jon Anderson

    "Have A Little Faith! And Everything You'll Face, Will Jump From Out Right On Into Place! Yeah! Take A Little Time! And Everything You'll Find, Will Move From Gloom Right On Into Shine!"- Arthur Lee
  • VR3
    VR3 Posts: 28,654
    edited April 2012
    If I were to rebuild my 2 channel system and it was going to be CD based, I would start with the best, most expensive CDP I could afford... plain and simple

    Crap in, crap out! It all starts at the source!
    - Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit.
  • thsmith
    thsmith Posts: 6,082
    edited April 2012
    I had a PS3 optical to PS Audio DAC DLIII and Rotel 1072 CDP digital coax to same DAC and the Rotel killed and ate the PS3 for CD playback.
    Speakers: SDA-1C (most all the goodies)
    Preamp: Joule Electra LA-150 MKII SE
    Amp: Wright WPA 50-50 EAT KT88s
    Analog: Marantz TT-15S1 MBS Glider SL| Wright WPP100C Amperex BB 6er5 and 7316 & WPM-100 SUT
    Digital: Mac mini 2.3GHz dual-core i5 8g RAM 1.5 TB HDD Music Server Amarra (memory play) - USB - W4S DAC 2
    Cables: Mits S3 IC and Spk cables| PS Audio PCs
  • F1nut
    F1nut Posts: 50,572
    edited April 2012
    VR3 wrote: »
    If I were to rebuild my 2 channel system and it was going to be CD based, I would start with the best, most expensive CDP I could afford... plain and simple

    Crap in, crap out! It all starts at the source!

    Nail, head, hammer!
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • cstmar01
    cstmar01 Posts: 4,424
    edited April 2012
    Source does IMO make a difference. If your are playing around with 50 to 100 buck players I doubt you will hear much difference. Also will depend on the whole system as well.

    I had a Pionner DVD, CDP, DVD-A, SACD player that was good. I got the Esoteric and heard an improvement. I kept Esoteric as to me it made a big enough difference in SQ that I really enjoyed it. Still got it, won't part with it.
  • steveinaz
    steveinaz Posts: 19,538
    edited April 2012
    While you could opt for a less expensive CD transport, I wouldn't buy a cheap one. You still want a good/stable power supply, a good transport mechanism/damping; the list goes on and on.

    Here's a good example:

    Cambridge 650C and 550C; why pay $200 more for the 650C, when it's only advantage over the 550C is dual DAC's? You're running an external DAC anyway, so that will be by-passed. The power supplies/transport mech are the same on both. Just one of many examples where money can be saved.
    Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2
  • Face
    Face Posts: 14,340
    edited April 2012
    VR3 wrote: »
    If I were to rebuild my 2 channel system and it was going to be CD based, I would start with the best, most expensive CDP I could afford... plain and simple

    Crap in, crap out! It all starts at the source!
    He's talking about using a CDP as a transport only...
    "He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
  • audiocr381ve
    audiocr381ve Posts: 2,588
    edited April 2012
    There's nothing more annoying than a noisy CDP which you might find in the $50-$100 category. Buy something with a nice build and make sure it's QUIET!
  • Face
    Face Posts: 14,340
    edited April 2012
    I've had $1,000 CDP's that were noisy, good luck with that.
    "He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
  • audiocr381ve
    audiocr381ve Posts: 2,588
    edited April 2012
    Face wrote: »
    I've had $1,000 CDP's that were noisy, good luck with that.

    I was speaking as a guy who has only owned CDP's under $300. I thought once you got up in that price range it got better? I'm sitting next to my NAD C541i CDP and it's louder than I'd like it to be for sure.
  • tonyb
    tonyb Posts: 32,967
    edited April 2012
    Louder doesn't necessarily equate to better. 300 is still entry level for a cdp, new anyway. Used is another story but might get you mid level. I think we have a thread here not too long ago with a shoot out of cdp's, maybe worth a look see if that interests you.
    HT SYSTEM-
    Sony 850c 4k
    Pioneer elite vhx 21
    Sony 4k BRP
    SVS SB-2000
    Polk Sig. 20's
    Polk FX500 surrounds

    Cables-
    Acoustic zen Satori speaker cables
    Acoustic zen Matrix 2 IC's
    Wireworld eclipse 7 ic's
    Audio metallurgy ga-o digital cable

    Kitchen

    Sonos zp90
    Grant Fidelity tube dac
    B&k 1420
    lsi 9's