How many WATTS of power do we really need for amplifier / receiver?

KayMan2
KayMan2 Posts: 16
edited February 2012 in Electronics
Hi everyone,
.
I have been shopping around for a receiver to drive my massive-sized RTi12 / CSi5 / Surrounds home-theater. After auditioning multiple receivers in **this thread** , I was perplexed by the variety in wattage. Denon topped the chart at 140 watts per channel, while Arcam was the bottom at 75 wpc: why such a huge difference in comparable products? If these were cars, it would be as if a 458 horse-power Ferrari engine costs the same as a 250 hp Nissan engine.

It didn't make any sense, so I set out to calculate exactly how many watts do we need. Here is a simplified calculation that you can follow along and adjust for YOUR own setup:

.
1) Setting a Target:
We need to select a goal for how loud do we want the listening room to be.
12-gauge shotgun?
Rock concert front-row?
Jet-engine territory?
Well, here are the accepted standards for recommended permissible exposure time for continuous time weighted average noise, according to CDC:
**Acceptable Noise Levels for Safety**

Basically you can watch a movie at 90 decibels, or an audio album at 95 dB without risking long-term hearing loss. I mostly watch movies, so I picked 90 dB as a target loudness level. You are free to pick a higher number... the calculations below will still apply.

.
2) Adjusting Target for Headroom:
To make sure the audio is not distorted when you push the Amplifier to the limit, we need to allow for some headroom.

3 dB is an accepted headroom recommendation at speaker-level by European Broadcasting Union. Here is **a graph** .

So my new target loudness adjusted for headroom is 90 dB + 3 dB = 93 dB.
Make a note of this number, and now we will fork out in a different direction in the calculation.
.
3) Speaker Sensitivity
Polk, Bowers and Wilkins sensitivity = ~90 dB
Klipsch = 100+ dB

"Sensitivity" is how loud a speaker will be, when you apply ONE watt of power and sit ONE meter away from the speaker.

.
4) Adjusting Sensitivity for Distance
Every time listening distance doubles, volume level drops by ~6 dB. Message me if you want a more complicated explanation of this.

So now calculate "Distance adjusted sensitivity" of your speakers: in my case, I am ~4 meters away from the speakers (14 feet), so in my set up the volume will drop be 12 dB.
The distance-adjusted speaker sensitivity will be 90 dB - 12 dB = 78 dB.

.
5) Increasing the volume
Now every time the wattage doubles, loudness goes up 3. So here is a table for Polk speakers:

1 watt per channel of RMS power = 78 dB (This is the baseline number we calculated in step 4)
2 watts = 81 dB
4 watts = 84 dB
...
...
32 watts = 90 dB
64 watts = 93 dB:mrgreen:
128 watts = 96 dB


So we are reaching our target loudness number we calculated in step (2) at just 64 watts! This is after factoring in headroom and room size, so this is the maximum power I will ever need for my set-up.

.
Two special notes:
  1. The biggest factor in loudness levels is room size. When distance doubles, power is reduced by a factor of four! If I had a much larger room to fill, I would personally switch out my Polk speakers with more sensitive Klipsch, instead of buying large mono-block amps. 10 dB more sensitivity for these speakers means that they need 8-times less power to drive!!
  2. If your speakers are positioned within 4 feet of a wall, add +3 dB to the final number in step (4). This is because walls reflect the sound waves, increasing the loudness level in the room.


Hope this helps :-)

K
Retired
Post edited by KayMan2 on

Comments

  • BlueFox
    BlueFox Posts: 15,251
    edited February 2012
    How much money do you really need?
    Lumin X1 file player, Westminster Labs interconnect cable
    Sony XA-5400ES SACD; Pass XP-22 pre; X600.5 amps
    Magico S5 MKII Mcast Rose speakers; SPOD spikes

    Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
    Shunyata Sigma XLR analog ICs, Sigma speaker cables
    Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables

    Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
    Three 20 amp circuits.
  • heiney9
    heiney9 Posts: 25,171
    edited February 2012
    Wow, you can cut and paste from a textbook :rolleyes:
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • KayMan2
    KayMan2 Posts: 16
    edited February 2012
    BlueFox wrote: »
    How much money do you really need?

    Haha, I also subscribe to the "more is better" philosophy when it comes to money. But this calculation is intended to help out folks like me who are on a budget. Picking a target saves money in Amp costs, so you don't end up buying more than you need!
    Retired
  • thsmith
    thsmith Posts: 6,082
    edited February 2012
    The Denon 3808 forsale here is fleamarket is a bargain.
    Speakers: SDA-1C (most all the goodies)
    Preamp: Joule Electra LA-150 MKII SE
    Amp: Wright WPA 50-50 EAT KT88s
    Analog: Marantz TT-15S1 MBS Glider SL| Wright WPP100C Amperex BB 6er5 and 7316 & WPM-100 SUT
    Digital: Mac mini 2.3GHz dual-core i5 8g RAM 1.5 TB HDD Music Server Amarra (memory play) - USB - W4S DAC 2
    Cables: Mits S3 IC and Spk cables| PS Audio PCs
  • steveinaz
    steveinaz Posts: 19,538
    edited February 2012
    1. Room size
    2. Desired levels
    3. Speaker efficiency
    4. Speaker nominal Impeadance
    Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2
  • decal
    decal Posts: 3,205
    edited February 2012
    If these were cars, it would be as if a 458 horse-power Ferrari engine costs the same as a 250 hp Nissan engine.

    Not a very good analogy.
    If you can't hear a difference, don't waste your money.
  • obieone
    obieone Posts: 5,077
    edited February 2012
    To paraphrase an old redneck "Sound is a question of money, how fast do you want to go?"
    I refuse to argue with idiots, because people can't tell the DIFFERENCE!
  • kuntasensei
    kuntasensei Posts: 3,263
    edited February 2012
    But... this amp goes to 11...
    Equipment list:
    Onkyo TX-NR3010 9.2 AVR
    Emotiva XPA-3 amp
    Polk RTi70 mains, CSi40 center, RTi38 surrounds, RTi28 rears and heights
    SVS 20-39CS+ subwoofer powered by Crown XLS1500
    Oppo BDP-93 Blu-ray player
    DarbeeVision DVP5000 video processor
    Epson 8500UB 1080p projector
    Elite Screens Sable 120" CineWhite screen
  • madmax
    madmax Posts: 12,434
    edited February 2012
    KayMan2 wrote: »
    The biggest factor in loudness levels is room size. When distance doubles, power is reduced by a factor of four! If I had a much larger room to fill, I would personally switch out my Polk speakers with more sensitive Klipsch, instead of buying large mono-block amps. 10 dB more sensitivity for these speakers means that they need 8-times less power to drive!!
    K

    Funny thinig about this one. I've tried several speakers in both my old small livingroom and my now huge livingroom. I've noticed the much larger room (about 6 times bigger) makes each set of speakers sound much bigger and full sounding than the smaller room, and with less wattage. Both rooms have about the same amount of livelyness. There are probably other factors at play but I have not figured out what they are.
    Vinyl, the final frontier...

    Avantgarde horns, 300b tubes, thats the kinda crap I want... :D
  • KayMan2
    KayMan2 Posts: 16
    edited February 2012
    Found a tool that automates the calculation!!

    http://www.crownaudio.com/apps_htm/designtools/elect-pwr-req.htm


    Edit: And here is a second tool, which factors in multiple speakers and wall reflection energy:

    http://myhometheater.homestead.com/splcalculator.html

    Hope this helps other newbies like me!
    Retired
  • NewHTguy
    NewHTguy Posts: 584
    edited February 2012
    Kayman,

    I think your example might help those who are mostly concerned with not doing damage to their speakers. However, sound quality is what drives my purchases and more power from an amp that has relatively low distortion will usually provide better SQ. I say this as someone who doesn't believe everything I read on a message board. Rather when I first connected my Parasound to my Rti10s, there was an improvement over my Onk 875, which happens to be a fairly capable receiver. Not the sort of improvement you hear when you are in another room, or when the windows are open. But the improvement was there. Was it worth it? For me the answer was definitely yes.

    You say that if you had a larger room you would switch to Klipsch. Frankly I couldn't listen to Klipsch in any size room because they are too bright for me. You seem to think that decibels are all that matter. If that is the case, you could have saved some money by buying lower quality speakers.
    MAIN: Polk Lsi9s; Polk PSW505; Lsic (in box); Onkyo SR-875; Parasound 2250; Cambridge Audio 740C; LG BD370
    OFFICE: Polk Lsi7; REL T3; HK 3490; CA 840W; Onkyo C-S5VL
    BENCHED: CS20; OWM3s
  • Joe08867
    Joe08867 Posts: 3,919
    edited February 2012
    200 watts is all you need. :lol:
  • KayMan2
    KayMan2 Posts: 16
    edited February 2012
    NewHTguy wrote: »
    Kayman,

    I think your example might help those who are mostly concerned with not doing damage to their speakers. However, sound quality is what drives my purchases and more power from an amp that has relatively low distortion will usually provide better SQ. I say this as someone who doesn't believe everything I read on a message board. Rather when I first connected my Parasound to my Rti10s, there was an improvement over my Onk 875, which happens to be a fairly capable receiver. Not the sort of improvement you hear when you are in another room, or when the windows are open. But the improvement was there. Was it worth it? For me the answer was definitely yes.

    You say that if you had a larger room you would switch to Klipsch. Frankly I couldn't listen to Klipsch in any size room because they are too bright for me. You seem to think that decibels are all that matter. If that is the case, you could have saved some money by buying lower quality speakers.

    Couldn't agree with you more - loudness does not correlate with tonality, detail, and other subjective sound measures. There is no instrument as good as one's own ears.

    I posted my calculations because I was not sure if a 75-watt receiver will be able to drive RTi12s. This number crunching was just a way to verify this.
    Retired
  • Drenis
    Drenis Posts: 2,871
    edited February 2012
    1 watt is all you safely need. :)
  • heiney9
    heiney9 Posts: 25,171
    edited February 2012
    KayMan2 wrote: »
    Found a tool that automates the calculation!!

    http://www.crownaudio.com/apps_htm/designtools/elect-pwr-req.htm


    Edit: And here is a second tool, which factors in multiple speakers and wall reflection energy:

    http://myhometheater.homestead.com/splcalculator.html

    Hope this helps other newbies like me!
    KayMan2 wrote: »
    Couldn't agree with you more - loudness does not correlate with tonality, detail, and other subjective sound measures. There is no instrument as good as one's own ears.

    I posted my calculations because I was not sure if a 75-watt receiver will be able to drive RTi12s. This number crunching was just a way to verify this.

    The numbers and specs really mean nothing and are useless since there are many more variables to consider which aren't accounted for in you calculations. As for the theory, it's solid.....but translation into a real world setting, with a real live rig, with real a music source, it means very little.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • KayMan2
    KayMan2 Posts: 16
    edited February 2012
    heiney9 wrote: »
    The numbers and specs really mean nothing and are useless since there are many more variables to consider which aren't accounted for in you calculations. As for the theory, it's solid.....but translation into a real world setting, with a real live rig, with real a music source, it means very little.

    H9

    Sure - this post was meant to be a watts-to-loudness calculation only, not a quality assessment of amps. To give an analogy, I can probably sing as loud as Justin Bieber :eek:, but who sounds better is a subjective thing!

    That is why I am showroom hopping for past few days and listening to different receivers (captured in a separate thread).
    Retired
  • pitdogg2
    pitdogg2 Posts: 25,453
    edited February 2012
    KayMan2 wrote: »
    I posted my calculations because I was not sure if a 75-watt receiver will be able to drive RTi12s. This number crunching was just a way to verify this.

    Another thing to consider is that posted specs at most are a dream of some manufactures. Denon's 140 watts may only be 50wpc in 5 ch. during lots of sound activity. where Arcam may well be much higher current(amps) and a true 75 watts x 5. NAD list some of their AVR's as 65w.p.c. but in 2 channel they are 165w.p.c. catchy the drifty;)
  • heiney9
    heiney9 Posts: 25,171
    edited February 2012
    Watts -to- loudness means nothing based on rudimentary calculations. Again, they don't take into account all the differening (real) environments. Nothing subjective at all about my earlier post.

    Your formula relys on all values of the equation to be constant in order to produce the outcome. Nothing about sound is constant in the real world. Certainly a very loose guide but hardly concrete when sitting down to listen the exact same rig in different environments. Do you listen to a constant test tone? I know I don't, so the values in the formula's don't correlate to anything in reality. Of course, unless you listen to test tones.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • heiney9
    heiney9 Posts: 25,171
    edited February 2012
    I do agree that watts does equal loudness as it can be shown mathematically as watts increase so does the loudness. But it's like saying horsepower equals speed, without knowing any of the other constants involved.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • cnh
    cnh Posts: 13,284
    edited February 2012
    Welcome to Club Polk!

    What everyone said above, +1!

    However, if you "really" want everybody to hear your set up (past, present and future). You have to have,

    1.21 Jigawatts per channel! That'll do ya!

    cnh
    Currently orbiting Bowie's Blackstar.!

    Polk Lsi-7s, Def Tech 8" sub, HK 3490, HK HD 990 (CDP/DAC), AKG Q701s
    [sig. changed on a monthly basis as I rotate in and out of my stash]
  • F1nut
    F1nut Posts: 50,572
    edited February 2012
    This thread should be titled, "How not to shop for gear."
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • nooshinjohn
    nooshinjohn Posts: 25,421
    edited February 2012
    I can't remember who was responsible for the study, but I do remember that it took some 2700 watts to accurately reproduce the "snip" sound of a pair of scissors.
    The Gear... Carver "Statement" Mono-blocks, Mcintosh C2300 Arcam AVR20, Oppo UDP-203 4K Blu-ray player, Sony XBR70x850B 4k, Polk Audio Legend L800 with height modules, L400 Center Channel Polk audio AB800 "in-wall" surrounds. Marantz MM7025 stereo amp. Simaudio Moon 680d DSD

    “When once a Republic is corrupted, there is no possibility of remedying any of the growing evils but by removing the corruption and restoring its lost principles; every other correction is either useless or a new evil.”— Thomas Jefferson
  • kawizx9r
    kawizx9r Posts: 5,150
    edited February 2012
    cnh wrote: »
    Welcome to Club Polk!

    What everyone said above, +1!

    However, if you "really" want everybody to hear your set up (past, present and future). You have to have,

    1.21 Jigawatts per channel! That'll do ya!

    cnh

    I'm still waiting for you to send me that flux capacitor!
    Truck setup
    Alpine 9856
    Phoenix Gold RSD65CS

    For Sale
    Polk SR6500
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    Polk SR104


    heiney9 wrote: »
    Any clue how to use the internet? Found it in about 10 sec.
  • mhardy6647
    mhardy6647 Posts: 33,808
    edited February 2012
    I need three and a half, per channel.

    If you have speakers that are ca. 104 dB/watt @ 1 meter; you probably do, too.

    newamp.jpg
  • mrbigbluelight
    mrbigbluelight Posts: 9,732
    edited February 2012
    You know, you really oughta get rid of all that old fashioned junk; throw it away, kharma, or maybe even .... kharma ? Just thinking out loud.
    Lasareath wrote: »
    That's why my amp puts out 96Amps peak to peak current.

    Well, if you want to cheat the specs, sure, go with P-P. Me & my Onkyo will stick with RMS. Sounds better. :wink:
    Sal Palooza