Near Reference Concert Listening with Blu-Ray and Polk
SRTer
Posts: 372
Well Polk fans, today I listened to a concert on Blu-Ray. I'm sure this is not most people favortie music for critical listening. Nevertheless, I thought it would be good considering the money behind the concert and it venue.
Justin Timberlake's, Futuresex/Loveshow, Live from Madision Square Garden.
Recorded in
Dolby Digital 5.1 Surround Sound (640 kbps)
PCM (uncompressed) 5.1 Surround Sound (48kHz/24-bit)
Listening to the concert at -9dB to -7dB, I found that this recording is sounded best with THX settings (80Hz crossover on all speakers) with THX Music selected.
I normally run my towers full range (LARGE), and it does sound good. However, the bass seemed to be recorded lower that the other frequencies. I could get a better response having the sub play all the lower bass frequencies after raising the volume on the sub.
This is the loudest I have ran my system at extended time. I was impressed by the SC-35 ability not to shut off or distort near reference. If I would have went any louder, I whould have risked damaging my hearing.
I think I will try a few more different types of music concerts on Blu-Ray in lossless before I by a separate amp.
I have been looking at some Macintosh, ATi, Parasound, and Wyerd 4 Sound ICE powered amps.
I'm not sure if I'm missing anything in sound with my setup. Since I'm not getting rid of the RTi's yet. Therefore, we will see if I can take it to the next level. Just got to make sure I'm going to get my monies worth in the addition of a amp.
I really felt as if I was front row with the volume near reference. Now I want to move right down on the stage with the sound.
I'm thinking of some of the amps that are bridgeable to 250-300 watts @ 8 ohms or none bridged at 250-300 watts @ 8 ohms in 2 channel because I think the Pio SC-35 can handle the RTi A7's and CSi A6 without a problem, especially with the RTi A9's out of the equation.
I still have alot to learn about amps. I'm trying to find the right combination of watts, damping, and slew rate.
Justin Timberlake's, Futuresex/Loveshow, Live from Madision Square Garden.
Recorded in
Dolby Digital 5.1 Surround Sound (640 kbps)
PCM (uncompressed) 5.1 Surround Sound (48kHz/24-bit)
Listening to the concert at -9dB to -7dB, I found that this recording is sounded best with THX settings (80Hz crossover on all speakers) with THX Music selected.
I normally run my towers full range (LARGE), and it does sound good. However, the bass seemed to be recorded lower that the other frequencies. I could get a better response having the sub play all the lower bass frequencies after raising the volume on the sub.
This is the loudest I have ran my system at extended time. I was impressed by the SC-35 ability not to shut off or distort near reference. If I would have went any louder, I whould have risked damaging my hearing.
I think I will try a few more different types of music concerts on Blu-Ray in lossless before I by a separate amp.
I have been looking at some Macintosh, ATi, Parasound, and Wyerd 4 Sound ICE powered amps.
I'm not sure if I'm missing anything in sound with my setup. Since I'm not getting rid of the RTi's yet. Therefore, we will see if I can take it to the next level. Just got to make sure I'm going to get my monies worth in the addition of a amp.
I really felt as if I was front row with the volume near reference. Now I want to move right down on the stage with the sound.
I'm thinking of some of the amps that are bridgeable to 250-300 watts @ 8 ohms or none bridged at 250-300 watts @ 8 ohms in 2 channel because I think the Pio SC-35 can handle the RTi A7's and CSi A6 without a problem, especially with the RTi A9's out of the equation.
I still have alot to learn about amps. I'm trying to find the right combination of watts, damping, and slew rate.
Fronts: Polk RTi A9
Center: Polk CSI A6
Rears: Polk RTi A7
Receiver: Pioneer Elite SC-35 (140 watts x 7)
Amplifier: Adcom GFA-555 Mk.II (200 watt @ 8 ohms)
Sub: Polk DSW PRO 500 (10 inch, 200 Watt)
TV: Samsung 59 inch 3D Plasma 600 Hz PN59D7000
Sources: Samsung BD-D6700 3D Blu-ray Player, DirecTV, PS3, iPhone 4 and IPod Classic with Apple Lossless Tracks
Center: Polk CSI A6
Rears: Polk RTi A7
Receiver: Pioneer Elite SC-35 (140 watts x 7)
Amplifier: Adcom GFA-555 Mk.II (200 watt @ 8 ohms)
Sub: Polk DSW PRO 500 (10 inch, 200 Watt)
TV: Samsung 59 inch 3D Plasma 600 Hz PN59D7000
Sources: Samsung BD-D6700 3D Blu-ray Player, DirecTV, PS3, iPhone 4 and IPod Classic with Apple Lossless Tracks
Post edited by SRTer on
Comments
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Tom Petty released Mojo on Bluray, music only - no video, at 48K/24 bit PCM, and 5.1 DTS lossless. It sounds great.Lumin X1 file player, Westminster Labs interconnect cable
Sony XA-5400ES SACD; Pass XP-22 pre; X600.5 amps
Magico S5 MKII Mcast Rose speakers; SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits. -
Tom Petty released Mojo on Bluray, music only - no video, at 48K/24 bit PCM, and 5.1 DTS lossless. It sounds great.
I will check Amazon to see the track listing.
"let's get, to the point, let roll, another joint". Tom Petty
He had some special lyrics. I use to spend alot of time in a pool hall playing people for braging rites and money. They would play Tom Petty all night.
Last Dance with Mary Jane, every hour and a half without fail. Also Eric Clapton, Cocaine.Fronts: Polk RTi A9
Center: Polk CSI A6
Rears: Polk RTi A7
Receiver: Pioneer Elite SC-35 (140 watts x 7)
Amplifier: Adcom GFA-555 Mk.II (200 watt @ 8 ohms)
Sub: Polk DSW PRO 500 (10 inch, 200 Watt)
TV: Samsung 59 inch 3D Plasma 600 Hz PN59D7000
Sources: Samsung BD-D6700 3D Blu-ray Player, DirecTV, PS3, iPhone 4 and IPod Classic with Apple Lossless Tracks -
A piece that I like to use for reference is a bootleg recording of Led Zeppelin titled, Destroyer. Recorded at the Richfield Coliseum in Cleveland, 1977, IIRC. The sound quality, even though it's a bootleg is excellent and worth hunting down, if you can find it.
Is this recording like the one from "The Circle"... after you hear it, you die?
I have heard about this recording, but have never heard it, and those that had it all seem to disappear. I would love to get my listen on and find out for myself.:cool:The Gear... Carver "Statement" Mono-blocks, Mcintosh C2300 Arcam AVR20, Oppo UDP-203 4K Blu-ray player, Sony XBR70x850B 4k, Polk Audio Legend L800 with height modules, L400 Center Channel Polk audio AB800 "in-wall" surrounds. Marantz MM7025 stereo amp. Simaudio Moon 680d DSD
“When once a Republic is corrupted, there is no possibility of remedying any of the growing evils but by removing the corruption and restoring its lost principles; every other correction is either useless or a new evil.”— Thomas Jefferson -
A piece that I like to use for reference is a bootleg recording of Led Zeppelin titled, Destroyer. Recorded at the Richfield Coliseum in Cleveland, 1977, IIRC. The sound quality, even though it's a bootleg is excellent and worth hunting down, if you can find it.
This one is a good one. Great sound and performance.
Greg
Taken from a recent Audioholics reply regarding "Club Polk" and Polk speakers:
"I'm yet to hear a Polk speaker that merits more than a sentence and 60 seconds discussion."
My response is: If you need 60 seconds to respond in one sentence, you probably should't be evaluating Polk speakers.....
"Green leaves reveal the heart spoken Khatru"- Jon Anderson
"Have A Little Faith! And Everything You'll Face, Will Jump From Out Right On Into Place! Yeah! Take A Little Time! And Everything You'll Find, Will Move From Gloom Right On Into Shine!"- Arthur Lee -
This one is a good one. Great sound and performance.
Greg
I really wonder how a bootleg recording turned out to be a proper sounding recording. It seem like it would not be possible without hooking into the sound board.
I must be a hell of a bootleg.Fronts: Polk RTi A9
Center: Polk CSI A6
Rears: Polk RTi A7
Receiver: Pioneer Elite SC-35 (140 watts x 7)
Amplifier: Adcom GFA-555 Mk.II (200 watt @ 8 ohms)
Sub: Polk DSW PRO 500 (10 inch, 200 Watt)
TV: Samsung 59 inch 3D Plasma 600 Hz PN59D7000
Sources: Samsung BD-D6700 3D Blu-ray Player, DirecTV, PS3, iPhone 4 and IPod Classic with Apple Lossless Tracks -
N.I.N has a pretty good concert blu ray.AVR: Onkyo Tx-NR808
Amplifier: Carver A-753x 250 watts x 3
Fronts: Polk RTI A7 (modded by Trey VR3)
Center: CSI A4 (modded by Trey VR3)
Rear: FXI A4
Sub: Polk DSW Pro 660wi
TV: LG Infinia 50PX950 3D
Speaker Cable: AudioQuest Type 8
IC: AudioQuest Black Mamba II -
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I really wonder how a bootleg recording turned out to be a proper sounding recording. It seem like it would not be possible without hooking into the sound board.
I must be a hell of a bootleg.
It is a soundboard recording, but I'm not sure what Mike is comparing it to but I was comparing it to other bootlegs. Destroyer is one of the better ones IMO. Certainly not as good as a "reference" live recording though.
Greg
Taken from a recent Audioholics reply regarding "Club Polk" and Polk speakers:
"I'm yet to hear a Polk speaker that merits more than a sentence and 60 seconds discussion."
My response is: If you need 60 seconds to respond in one sentence, you probably should't be evaluating Polk speakers.....
"Green leaves reveal the heart spoken Khatru"- Jon Anderson
"Have A Little Faith! And Everything You'll Face, Will Jump From Out Right On Into Place! Yeah! Take A Little Time! And Everything You'll Find, Will Move From Gloom Right On Into Shine!"- Arthur Lee -
I just got Eddie Vedder's Water On The Road on Blu-ray... and man, the DTS-HD MA track on that sounds phenomenal. The concert is primarily him solo (though there are a few guest bits), and whoever did the mix did an outstanding job. The bass in his voice and the highs of the acoustic instruments sound like he's in the room with you. Plus, he does an acoustic version of Man Of The Hour that is just beautiful. Definitely worth a listen.Equipment list:
Onkyo TX-NR3010 9.2 AVR
Emotiva XPA-3 amp
Polk RTi70 mains, CSi40 center, RTi38 surrounds, RTi28 rears and heights
SVS 20-39CS+ subwoofer powered by Crown XLS1500
Oppo BDP-93 Blu-ray player
DarbeeVision DVP5000 video processor
Epson 8500UB 1080p projector
Elite Screens Sable 120" CineWhite screen -
You know, I think the Blu-Ray concerts in lossless DD HD or DTS HD Master audio is the best I have heard. I really feel that more people should do concerts in Blu-Ray.
I want to hear Santana do the Supernatural album live again but it lossless Blu-Ray. I have the DVD but it doesn't touch the stuff I have heard on Blu-Ray.Fronts: Polk RTi A9
Center: Polk CSI A6
Rears: Polk RTi A7
Receiver: Pioneer Elite SC-35 (140 watts x 7)
Amplifier: Adcom GFA-555 Mk.II (200 watt @ 8 ohms)
Sub: Polk DSW PRO 500 (10 inch, 200 Watt)
TV: Samsung 59 inch 3D Plasma 600 Hz PN59D7000
Sources: Samsung BD-D6700 3D Blu-ray Player, DirecTV, PS3, iPhone 4 and IPod Classic with Apple Lossless Tracks -
I picked up a U2 blu-ray concert dvd, dts hd master audio sounded excellent, the best I heard in a long time from any format. I think the hd master audio has great potential for music.HT SYSTEM-
Sony 850c 4k
Pioneer elite vhx 21
Sony 4k BRP
SVS SB-2000
Polk Sig. 20's
Polk FX500 surrounds
Cables-
Acoustic zen Satori speaker cables
Acoustic zen Matrix 2 IC's
Wireworld eclipse 7 ic's
Audio metallurgy ga-o digital cable
Kitchen
Sonos zp90
Grant Fidelity tube dac
B&k 1420
lsi 9's -
kuntasensei wrote: »I just got Eddie Vedder's Water On The Road on Blu-ray... and man, the DTS-HD MA track on that sounds phenomenal. The concert is primarily him solo (though there are a few guest bits), and whoever did the mix did an outstanding job. The bass in his voice and the highs of the acoustic instruments sound like he's in the room with you. Plus, he does an acoustic version of Man Of The Hour that is just beautiful. Definitely worth a listen.
A guy named John Burton did that recording (he does all of PJ/EV's live recording). Eddie is phenomenal in a solo setting. He's the real deal.-Kevin
HT: Philips 52PFL7432D 52" LCD 1080p / Onkyo TX-SR 606 / Oppo BDP-83 SE / Comcast cable. (all HDMI)B&W 801 - Front, Polk CS350 LS - Center, Polk LS90 - Rear
2 Channel:
Oppo BDP-83 SE
Squeezebox Touch
Muscial Fidelity M1 DAC
VTL 2.5
McIntosh 2205 (refurbed)
B&W 801's
Transparent IC's -
A guy named John Burton did that recording (he does all of PJ/EV's live recording). Eddie is phenomenal in a solo setting. He's the real deal.
Yeah... audio wise, it sounds better than any of my SACDs. I was blown away by the quality of that recording. And the 5.1 DTS-HD MA mix was actually way better than the 2-channel LPCM track, though both sound amazing. Definitely worth checking out, even if you're not the biggest fan.Equipment list:
Onkyo TX-NR3010 9.2 AVR
Emotiva XPA-3 amp
Polk RTi70 mains, CSi40 center, RTi38 surrounds, RTi28 rears and heights
SVS 20-39CS+ subwoofer powered by Crown XLS1500
Oppo BDP-93 Blu-ray player
DarbeeVision DVP5000 video processor
Epson 8500UB 1080p projector
Elite Screens Sable 120" CineWhite screen -
kuntasensei wrote: »Yeah... audio wise, it sounds better than any of my SACDs. I was blown away by the quality of that recording. And the 5.1 DTS-HD MA mix was actually way better than the 2-channel LPCM track, though both sound amazing. Definitely worth checking out, even if you're not the biggest fan.
I wonder if Blu-Ray concert audio in lossless will move the 2 channel only people to consider putting serious money into a multi-channel setup for music?
It wouldn't be hard for them since they already have 2 serious front speakers with an amp or mono blocks.
I hope to see more live performances or even recorded studio sessions. This would be great. To hear and see the people play and as well as the dude on the mixer board all working in a smokey room with bottles of Jack all around.
Could you image one of those old Eric Clapton jam sessions on Blu-Ray, PRICELESS!Fronts: Polk RTi A9
Center: Polk CSI A6
Rears: Polk RTi A7
Receiver: Pioneer Elite SC-35 (140 watts x 7)
Amplifier: Adcom GFA-555 Mk.II (200 watt @ 8 ohms)
Sub: Polk DSW PRO 500 (10 inch, 200 Watt)
TV: Samsung 59 inch 3D Plasma 600 Hz PN59D7000
Sources: Samsung BD-D6700 3D Blu-ray Player, DirecTV, PS3, iPhone 4 and IPod Classic with Apple Lossless Tracks