HDTracks 176k format Worth It?

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Posts: 146
edited July 2011 in Music & Movies
I primarily listen to vinyl but wonder if anyone uses the HDtracks recordings at 96k and 176k and even 196k?
Post edited by saemark30 on

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  • Posts: 11,728
    edited July 2011
    I have several 96k recordings and they're very well done, worth it for as I have a DAC that'll handle those
  • Posts: 146
    edited July 2011
    I just use a soundcard, then there is a choice of 96k or the highest 196k on a few recordings.
  • Posts: 11,728
    edited July 2011
    The 96K is more universally supported. My soundcard will handle 196 but none of my DACs will, so I always purchase everything in 96K from them so that i have more options of where to play it.

    I have compared 96 and 196 and on my equipment cannot hear a difference.
  • Posts: 11,258
    edited July 2011
    HDtracks is as good as they come IMO for sound quality and availability for downloads. I usually try to stick to the 24/96 tracks as it is a bit rate that almost all equipment supports. I have noticed a small difference between 96 and 192, but not enough for me to regularly use that bit rate as it is not supported by as much equipment.
  • Posts: 146
    edited July 2011
    I'm sure they can be down converted to 96k with relatively simple PC audio software.
    My thoughts are to buy the best and let the equipment catch up.
  • Posts: 11,728
    edited July 2011
    Then why did you ask?
  • Posts: 1,607
    edited July 2011
    I know that for most tracks, there is a choice between 88.2 / 176 and 96 / 192. The SB Touch, for instance, downsamples 176 & 192 by 1/2. One thing I've noticed though, is that the bitrate tends to be pretty low in comparison to a native 24/96 track. For that reason, I either stick w/ the 24/96 tracks or I use dbpoweramp's ssrc downsampling plugin.

    I'd say subjectively, I haven't been able to tell the difference b/t 96 and 192 tracks..
    Dali Optikon 1Mk2
    NAD D3020 V2
    Schiit Bifrost 2/64

    ..the rest are headphone setups.
  • Posts: 11,728
    edited July 2011
    I can pick out the difference between redbook and 24/96 on most recordings on my gear, I can't hear the difference between 96 and 192, and I have a good ear.

    Better equipment may reveal a difference, but I don't anticipate stepping into equipment in that price range in my lifetime, so it's a non issue for me.

    If they were the same price I'd say buy the 192 and downconvert, but the 192 albums are around 40% more expensive, I'm not willing to pay that premium for something that I'll never hear.
  • Posts: 51,323
    edited July 2011
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • Posts: 5,703
    edited July 2011
    F1nut wrote: »

    What a bunch of s*** heads over on hdtracks for punting this garbage . Great article and it makes me now think there is no point buying old music above the 16 sample rates
  • Posts: 146
    edited July 2011
    F1nut wrote: »

    Thank you F1nut and other contributors. This is exactly the reason why I asked this question:
    "And it gets worse when you think that customers can spend an additional $10 for the 176.4 kHz versions. Keith's conclusion, "the $10 premium for the 176.4 version buys you, effectively, nothing."
  • Posts: 146
    edited July 2011
    Darn... I was hopping to buy one copy of Let It Bleed at 176k and not spend any more $$$ in the future. If all they do is upsample then I can do that myself.

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