any FXi3 owners out there?????
Just curious to hear your impressions... good and bad.
I understand there is some debate as to whether or not a defusing surround speaker is technically good or not (the argument being that studios do not mix their movie audio using defusing speakers)...
At any rate, would be interested in hearing your impressions...
Thanks!
T
I understand there is some debate as to whether or not a defusing surround speaker is technically good or not (the argument being that studios do not mix their movie audio using defusing speakers)...
At any rate, would be interested in hearing your impressions...
Thanks!
T
Post edited by 27dnast on
Comments
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I love my Fxi3's...
The first time I felt like I was "surrounded" with sound was when I installed mine.
They are the only part of my system I have never contemplated changing... -
I love mine. They work very well in bipole mode for music, and dipole for movies.Turntable: Empire 208
Arm: Rega 300
Cart: Shelter 501 III
Phono Pre: dsachs consulting
Digital: Marantz SACD 30n
Pre: Conrad Johnson ET3 SE
Amp: Conrad Johnson Premier 350
Cables: Cardas Neutral Reference
Speakers: SDA 2.3TL, heavily modified -
Do you have 1 pair? Or 2?
I'm considering some to serve as R/L surrounds.... and smaller bookshelf speakers to serve as the rear surrounds.
Can they be mixed and matched like that? -
I meant... considering using some FXi3's as R/L surrounds and smaller bookshelfs as rear surrounds...
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My FXi3s do a great job with both music & movies.Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2
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Upstatemax wrote: »I love my Fxi3's...They are the only part of my system I have never contemplated changing...
Same here. This sums it up..."If you're mounting the speakers on the side walls in line with your listening position, the dipole mode will create a diffuse, ambient soundfield":cool: -
Love em. You do lose some of the directionality, but the diffused sound gives the rear channels a great sense of presence. Plus the flush mounting is a good look.My System Showcase!
Media Room
Paradigm Studio 60 - Paradigm CC-690 - Paradigm ADP-390 - Epik Empire - Anthem MRX300 - Emotiva XPA-5
Living-room
Paradigm MilleniaOne - Rythmik F12GSE - Onkyo TX-SR805 - Adcom 5400
Headphones
Sennheiser Momentum Over-Ear - Shure SE215 - Fiio E18 Kunlun -
Used as side surrounds in 7.1, I prefer mine set to the bipole position.
Check out Polk's recommended placement for the dipole setting. This may or may not work for you.
http://www.polkaudio.com/education/showanswer.php?question_num=45 -
Just picked up some F/Xia4's... couldn't find A3's at a reasonable price.
At any rate, I talked to a guy at polk tech support... he had an interesting suggestion:
He said that I should mount the FXiA4's as my rear surrounds and leave my bookshelf speakers as my R/L side surrounds.
He said the side sound is typically mixed to be more directional and the rear channels are the ones you want more dispersed.
I have been assuming, I would do the opposite.
My concern becomes the fact that most of the new HD-DTS, etc. blu-rays are only in 5.1 and thus the FX's wouldn't get used if they fell to rear (unless I let my AVR simulate 5.1).
I'm still thinking I may mount them as my side surrounds... -
Yeah, don't listen to whoever gave you that advice. Placing dipoles to the rear means you are no longer in line with the null, meaning you're going to lose any diffusion you might have gotten out of them.
The point of dipoles isn't to reduce directionality so much as it is to mimic the multi-speaker arrays that a theater has on the side walls. They do this by bouncing the sound off the side walls and firing the two sides out of phase so that the sound directly in line with the speakers cancels out, meaning you're primarily hearing the first impulse off the walls. Simple geometry will show you that it's not possible for you to place dipoles behind you in a way that puts you in the null for both speakers unless you angle them for a very specific seating location. Ideally, if you're running them as rears, you would switch them to bipole mode so that they have a 180 degree dispersion pattern, letting each hit a wide section of your listening position and ensuring that neither fires such that certain seating positions would have a null. In the case of rear surrounds, you are already given the necessary diffusion by the fact that you have two speakers behind you, which adequately reproduces the rear array in a theater (and the discrete nature of the newer 7.1 theatrical format from Dolby). The rear surrounds are meant to anchor sounds behind you when the mix calls for it, so diffusing them would be counter-intuitive.
Bottom line: dipoles to the side, direct radiators or bipoles in the rear.
And yes, though most mixes are 5.1, you should run DPL-IIx to create rear surrounds regardless. Most modern mixes are done for 5.1EX, meaning there is rear surround data matrixed into the side surrounds. DPL-IIx Movie will properly steer this audio to the rear surrounds in a way that always puts the audio in more than one speaker, so that it recreates the array effect in the home space. Dolby recommends using DPL-IIx Movie for all DD-EX movies in a 7.1 configuration.Equipment list:
Onkyo TX-NR3010 9.2 AVR
Emotiva XPA-3 amp
Polk RTi70 mains, CSi40 center, RTi38 surrounds, RTi28 rears and heights
SVS 20-39CS+ subwoofer powered by Crown XLS1500
Oppo BDP-93 Blu-ray player
DarbeeVision DVP5000 video processor
Epson 8500UB 1080p projector
Elite Screens Sable 120" CineWhite screen -
That's a very logical and believable response. Totally makes sense. Surprised that the Polk customer tech said the opposite! Thanks!!