Speaker sensitivity
What factors determine a speakers sensitivity?
Things are more like they are now than they ever will be!
Post edited by polkfan38 on
Comments
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Lots of things:
enclosure design (folded horn more efficient than vented or passive radiator more efficient than sealed box),
voice coil structure, magnet structure, size, weight/density of driven material (cone, dome, electrostatic panel, etc.),
stiffness of surrounds, crossover design, . . . I'm sure there's more, but that's what I can think of just off the
top of my head.
Sensitivity is typically measured in db of spl (sound pressure level) averaged over a frequency range and measured
at 1 meter distance from the speaker when driven by 1 watt of signal (db/W at 1m).
It's sometimes specified as db at a particular input voltage, then you may need to know the impedance
to convert to db/W so you're comparing apples to apples.
2.83 volts (actually 2.8284....) with 8 ohm impedance is 1 watt (P = V²/R in this case)
The higher the efficiency of the speaker, the louder it will be when driven by a given amount of power.cristo
NAD C 545BEE cd player, Philips AF877 turntable / Shure V15V-MR with JICO SAS stylus,
Tascam 122 mkIII cassette deck, Harman Kardon 3480 receiver, Terk FM-50 antenna in the attic,
Soundcraftsmen SE550 stereo equalizer, Polk Monitor 10a speakers
(with Sonicraft/Solen/Mills crossover rebuild) -
The only flaw I see in your post is that "vented more sensitive than a sealed box" I have owned and seen many sealed designs with ratings over 100 dB. But I am sure the other components came into play here.Things are more like they are now than they ever will be!
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Yes, these are generalizations. Also, I guess I meant "acoustic suspension" instead of
sealed box, as a passive radiator design (like our beloved Polks) is technically a sealed box
but it acts more like a vented or reflex design.cristo
NAD C 545BEE cd player, Philips AF877 turntable / Shure V15V-MR with JICO SAS stylus,
Tascam 122 mkIII cassette deck, Harman Kardon 3480 receiver, Terk FM-50 antenna in the attic,
Soundcraftsmen SE550 stereo equalizer, Polk Monitor 10a speakers
(with Sonicraft/Solen/Mills crossover rebuild) -
The type & quality of materials used in the crossover can also affect the sensitivity.TNRabbit
NO Polk Audio Equipment :eek:
Sunfire TG-IV
Ashly 1001 Active Crossover
Rane PEQ-15 Parametric Equalizers x 2
Sunfire Cinema Grand Signature Seven
Carver AL-III Speakers
Klipsch RT-12d Subwoofer -
What gets me is that you see some high end stuff with sensitivity ratings in the low 80s. Wouldn't they strive to get it a little higher? For those prices?Things are more like they are now than they ever will be!
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What gets me is that you see some high end stuff with sensitivity ratings in the low 80s. Wouldn't they strive to get it a little higher? For those prices?
It's a balancing act between all the elements. Some of the best sounding speakers in the world are a hard load for many amplifiers (Klipsch Jubilee excepted!). My guess is to get that extra something requires dipping down in the efficiency. I think Apogee Scintillas are @ 80dB (!) efficient & dip to 1 ohm impedance at certain frequencies, but are considered by many to present one of the finest sounds on the planet.TNRabbit
NO Polk Audio Equipment :eek:
Sunfire TG-IV
Ashly 1001 Active Crossover
Rane PEQ-15 Parametric Equalizers x 2
Sunfire Cinema Grand Signature Seven
Carver AL-III Speakers
Klipsch RT-12d Subwoofer -
As far as type & quality of crossover materials, as long as you're keeping the same values,
different brands of resistors and capacitors should not affect sensitivity. Inductors can vary
regarding resistance for a given inductance value depending on wire gauge and construction, and this can affect sensitivity slightly.cristo
NAD C 545BEE cd player, Philips AF877 turntable / Shure V15V-MR with JICO SAS stylus,
Tascam 122 mkIII cassette deck, Harman Kardon 3480 receiver, Terk FM-50 antenna in the attic,
Soundcraftsmen SE550 stereo equalizer, Polk Monitor 10a speakers
(with Sonicraft/Solen/Mills crossover rebuild)