Front high speakers

Black96Z
Black96Z Posts: 5
edited December 2010 in Speakers
I dont have the room to do a 7.1 set-up so i was thinking about adding front high speakers. My set-up consist of;

Pioneer 1020 receiver
Polk Audio CS2
Polk Audio Monitor 70's fronts
Polk Audio Monitor 40's rears
Dual ED A5-350's
PS3
XBOX360
Wii

Would Polk Audio Monitor 30's be a good choise for the front highs?
Also would the front highs work with all blu-rays or just some? I dont know much about the front high set-up.

Thanks!
42 inch LCD LG TV
Receiver - Pioneer VSX-1020
Center - Polk Audio CS2
Fronts - Polk Audio Monitor 70's
Rears - Polk Audio Monitor 40's
Dual Ed A5-350
XBOX360
PS3
Wii
Post edited by Black96Z on

Comments

  • tonyb
    tonyb Posts: 33,019
    edited December 2010
    Personally, I wouldn't. Most blu-rays are 5.1 with a few being 7.1 for starts. The receiver does the vodoo processing for the height channels. Keep in mind though, if you want to run 7 speakers instead of 5, your giving all 7 speakers less wattage than you would in 5, running off a receiver such as yours.
    HT SYSTEM-
    Sony 850c 4k
    Pioneer elite vhx 21
    Sony 4k BRP
    SVS SB-2000
    Polk Sig. 20's
    Polk FX500 surrounds

    Cables-
    Acoustic zen Satori speaker cables
    Acoustic zen Matrix 2 IC's
    Wireworld eclipse 7 ic's
    Audio metallurgy ga-o digital cable

    Kitchen

    Sonos zp90
    Grant Fidelity tube dac
    B&k 1420
    lsi 9's
  • BorisBoris
    BorisBoris Posts: 23
    edited December 2010
    Didn't notice any improvement with front highs either.. adding them to the back has made a nice improvement though

    PS3 will do 7.1 for most games/blu-rays, while with the 360 the flag will still be 5.1, you'll need to enable the 7.1 with Prologic IIz, etc
  • kuntasensei
    kuntasensei Posts: 3,263
    edited December 2010
    Monitor 30s will work nicely as height channels. In fact, I ran them that way for a while before I found a matching set of speakers for my system.

    The effect of height channels will depend on which method you use to derive them. If you use Dolby Pro-Logic IIz, the height channels are basically the out-of-phase ambient sound in the surrounds compared to the directional audio in the surrounds to create slightly directional ambient audio. In the theater, this is done by the mixer simply placing the audio out of phase in the side surrounds, and because of the large space in the theater, it sounds generally above you. However, the home space doesn't have that advantage, so the addition of height channels can simulate that effect in a smaller area.

    Audyssey's DSX processing derives the height information in a slightly different manner, using acoustic models they've developed to calculate ceiling reflections. This method sounds a little more aggressive than DPL-IIz. In short, DPL-IIz is better for room-filling ambience and DSX is better for actual vertical placement of sounds across the front soundstage. Both sound pretty good with ambient noise such as thunder, wind, etc., but which you will prefer will be completely up to you.

    Because both methods are designed to work with current mixing standards, there's no "voodoo processing" going on to derive this information, and neither method actually adds sound that wasn't there (the way Yamaha's front presence speakers do). Therefore, it should work with anything you throw at it. I run a 9.2 setup (using DPL-IIx Movie + DSX) and I never turn off the height channels.

    Now, as to whether you'll notice a big difference, that depends on your expectations. Don't expect it to be as big of a jump as stereo-to-5.1 was. What you should expect to hear is a larger front soundstage, as if your speakers extend from floor to ceiling. Occasionally, you will hear sounds that very obviously benefit from the height channels, i.e. plane flyovers, thunder, wind, rain, etc. In some movies, you can actually hear precise vertical placement (i.e. when Wall-E goes up the diagonal ramp, you actually hear it move up across the front soundstage). For video games, there's an even larger benefit. For instance, in Halo: Reach, you can fire shots up at the ceiling and tilt your view down quickly and the resulting explosion sounds as if it was above you. It's a very cool effect.

    Given the low cost of a pair of Monitor 30s, I say try it and see if you like it. That's what I did... and I ended up keeping speakers up there.
    Equipment list:
    Onkyo TX-NR3010 9.2 AVR
    Emotiva XPA-3 amp
    Polk RTi70 mains, CSi40 center, RTi38 surrounds, RTi28 rears and heights
    SVS 20-39CS+ subwoofer powered by Crown XLS1500
    Oppo BDP-93 Blu-ray player
    DarbeeVision DVP5000 video processor
    Epson 8500UB 1080p projector
    Elite Screens Sable 120" CineWhite screen
  • polkfan38
    polkfan38 Posts: 360
    edited December 2010
    How critical is placement of the heights? Directly above the mains or slighly wider?
    Things are more like they are now than they ever will be!
  • Black96Z
    Black96Z Posts: 5
    edited December 2010
    Monitor 30s will work nicely as height channels. In fact, I ran them that way for a while before I found a matching set of speakers for my system.

    The effect of height channels will depend on which method you use to derive them. If you use Dolby Pro-Logic IIz, the height channels are basically the out-of-phase ambient sound in the surrounds compared to the directional audio in the surrounds to create slightly directional ambient audio. In the theater, this is done by the mixer simply placing the audio out of phase in the side surrounds, and because of the large space in the theater, it sounds generally above you. However, the home space doesn't have that advantage, so the addition of height channels can simulate that effect in a smaller area.

    Audyssey's DSX processing derives the height information in a slightly different manner, using acoustic models they've developed to calculate ceiling reflections. This method sounds a little more aggressive than DPL-IIz. In short, DPL-IIz is better for room-filling ambience and DSX is better for actual vertical placement of sounds across the front soundstage. Both sound pretty good with ambient noise such as thunder, wind, etc., but which you will prefer will be completely up to you.

    Because both methods are designed to work with current mixing standards, there's no "voodoo processing" going on to derive this information, and neither method actually adds sound that wasn't there (the way Yamaha's front presence speakers do). Therefore, it should work with anything you throw at it. I run a 9.2 setup (using DPL-IIx Movie + DSX) and I never turn off the height channels.

    Now, as to whether you'll notice a big difference, that depends on your expectations. Don't expect it to be as big of a jump as stereo-to-5.1 was. What you should expect to hear is a larger front soundstage, as if your speakers extend from floor to ceiling. Occasionally, you will hear sounds that very obviously benefit from the height channels, i.e. plane flyovers, thunder, wind, rain, etc. In some movies, you can actually hear precise vertical placement (i.e. when Wall-E goes up the diagonal ramp, you actually hear it move up across the front soundstage). For video games, there's an even larger benefit. For instance, in Halo: Reach, you can fire shots up at the ceiling and tilt your view down quickly and the resulting explosion sounds as if it was above you. It's a very cool effect.

    Given the low cost of a pair of Monitor 30s, I say try it and see if you like it. That's what I did... and I ended up keeping speakers up there.

    I have hurd that about Halo Reach but is it like that with a lot of other games like COD, Killzone, Fear, etc?
    42 inch LCD LG TV
    Receiver - Pioneer VSX-1020
    Center - Polk Audio CS2
    Fronts - Polk Audio Monitor 70's
    Rears - Polk Audio Monitor 40's
    Dual Ed A5-350
    XBOX360
    PS3
    Wii
  • kuntasensei
    kuntasensei Posts: 3,263
    edited December 2010
    polkfan38 wrote: »
    How critical is placement of the heights? Directly above the mains or slighly wider?

    Dolby says directly above the mains, angled down. Audyssey says slightly further apart than the mains. In my case, my mains are pretty widely spaced already because of my projector screen, so I went with directly above the mains. It seems to work just as well for either DPL-IIz or DSX though, so I wouldn't get too hung up on placement.
    Equipment list:
    Onkyo TX-NR3010 9.2 AVR
    Emotiva XPA-3 amp
    Polk RTi70 mains, CSi40 center, RTi38 surrounds, RTi28 rears and heights
    SVS 20-39CS+ subwoofer powered by Crown XLS1500
    Oppo BDP-93 Blu-ray player
    DarbeeVision DVP5000 video processor
    Epson 8500UB 1080p projector
    Elite Screens Sable 120" CineWhite screen
  • kuntasensei
    kuntasensei Posts: 3,263
    edited December 2010
    Black96Z wrote: »
    I have hurd that about Halo Reach but is it like that with a lot of other games like COD, Killzone, Fear, etc?

    CoD: Black Ops has some nice effects in the heights. But generally, it will just make games sound fuller overall. I know that Reach seems to almost have discrete placement in the heights, but I haven't really experimented that much with other games. I just know it sounds AWESOME. :biggrin:
    Equipment list:
    Onkyo TX-NR3010 9.2 AVR
    Emotiva XPA-3 amp
    Polk RTi70 mains, CSi40 center, RTi38 surrounds, RTi28 rears and heights
    SVS 20-39CS+ subwoofer powered by Crown XLS1500
    Oppo BDP-93 Blu-ray player
    DarbeeVision DVP5000 video processor
    Epson 8500UB 1080p projector
    Elite Screens Sable 120" CineWhite screen
  • ibewbrother
    ibewbrother Posts: 186
    edited December 2010
    I think my heights add much to the front soundstage. Mine are about a foot outside the mains and about a foot down from the ceiling on center. Only problem is my avr ..have to figure out how to get a power amp on them.

    Long story short.....heights improve my set-up...
    "Making life enjoyable through expensive electronics." BillD

    Pioneer Elite SC-57
    M70 series 2 mains
    CS2 center
    M40 surround
    M30 front height
    SVS PB 12 NSD

    Carver TFM-45 (mains)
    Carver A753x (center, surround)

    320GB PS3, 42" Panasonic G10,

    M60's as a Zone 2 off of the Pioneer in the living room

    R.I.P. Onkyo TX-NR807
  • polkfan38
    polkfan38 Posts: 360
    edited December 2010
    Dolby says directly above the mains, angled down. Audyssey says slightly further apart than the mains. In my case, my mains are pretty widely spaced already because of my projector screen, so I went with directly above the mains. It seems to work just as well for either DPL-IIz or DSX though, so I wouldn't get too hung up on placement.

    Cool. Thanks!
    Things are more like they are now than they ever will be!
  • dudeinaroom
    dudeinaroom Posts: 3,609
    edited December 2010
    ......that depends on your expectations. Don't expect it to be as big of a jump as stereo-to-5.1 was.

    If you own SDAs 5.1 is not much of a difference at all.
  • kuntasensei
    kuntasensei Posts: 3,263
    edited December 2010
    If you own SDAs 5.1 is not much of a difference at all.
    Troll.jpg
    :biggrin:
    Equipment list:
    Onkyo TX-NR3010 9.2 AVR
    Emotiva XPA-3 amp
    Polk RTi70 mains, CSi40 center, RTi38 surrounds, RTi28 rears and heights
    SVS 20-39CS+ subwoofer powered by Crown XLS1500
    Oppo BDP-93 Blu-ray player
    DarbeeVision DVP5000 video processor
    Epson 8500UB 1080p projector
    Elite Screens Sable 120" CineWhite screen
  • Face
    Face Posts: 14,340
    edited December 2010
    If you own SDAs 5.1 is not much of a difference at all.
    If your 5.1 is set up poorly, maybe.
    "He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
  • dudeinaroom
    dudeinaroom Posts: 3,609
    edited December 2010
    If your SDAs are set up properly you have sound all around, with the exception being directly behind you. And no, I'm not trolling, not looking to start any drama.