The Elcasette
camp21178
Posts: 273
Are there any old guys like me that remember the elcasette format from the 70s? It was made from 1976 to 1980 and was twice as large as the regular cassette and played at twice the speed. I came so close to buying one. Glad I didn't, they disappeared after cassettes started using metal tape and chromium dioxide and improved their sound.
Post edited by camp21178 on
Comments
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Missed that one. I did buy a mini 8 track. Looked and worked just like an 8 track but was half the size and only had two tracks. Pretty much normal cassette tape in a mini 8 track case. I thought that was pretty cool!Vinyl, the final frontier...
Avantgarde horns, 300b tubes, thats the kinda crap I want... -
Elcassettes sucked.
Going back to the late 60's, my first regular stereo cassette deck was a Vivitar, the camera people. It weighed a ton and lasted quite awhile. A top loader it was. The cassette door opened with such force that you had to buffer the opening with your finger. Eventually it was opened enough times without buffering that the door mechanism failed. -
he means the 60's, you know, like 0060..........
he's the man.
RT1 -
reeltrouble1 wrote: »he means the 60's, you know, like 0060..........
he's the man.
RT1
AD or BC? -
careful....very careful.........messing with GG is a finer art than moving dynamite on a rocky road in a covered wagon.
RT1 -
I had no idea such a thing even existed. Evidently it is another one of Sony's "throw it on the wall and see if it sticks" ventures. It didn't. I went from vinyl to 8-track so I could have tunes in the car. In retrospect...it was a terrible medium...but it filled a void at the time. The cassette was like manna from Heaven. It was such an improvement over 8-track...WHEN you made a copy on good tape, from a good source, on a good machine. The prerecorded stuff wasn't much better than the 8-track stuff. At least it didn't have the "clunk". I have some cassettes that I recorded 15-20 years ago that still sound pretty good.
Oh well...sorry for the derail. Carry on."Just because youre offended doesnt mean youre right." - Ricky Gervais
"For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase
"Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson -
I remember the Elcassette...never used one though.Steve Carlson
Von Schweikert VR-33 speakers
Bel Canto eVo2i integrated amp
Bel Canto PL-2 universal disc player
Analysis Plus Oval Nine speaker cables and Copper Oval-In Micro interconnects
VH Audio Flavor 4 power cables
Polk Monitor 10B speakers, retired but not forgotten -
I remember them too. Wanted one but never got one.
As I remember the tape was twice as wide at .25" and traveled at twice the speed at 3.75ips. Performance was reported to be very good with greater frequency response and SNR.Fronts: Polk RTi A7's
Center: Polk CSi A6
Surrounds: Polk TSi500's
Subwoofer:Polk DSW Pro 500, Emotiva Ultra 12
Amplifier: Emotiva XPA-5
Processor/AVR: Emotiva UMC-1
DAC: Emotiva XDA-1
CD player:Emotiva ERC-1
Blu-Ray: Oppo BDP-93
Turntable: Kenwood KD-500
Tonearm: Polk-Mayware Formula 4
Cartridge: Shure M97-XE
Television: Sony KDL-55EX500 -
I remember those, I chose to go the route of recording music on a hi-fi VCR. The particular Panasonic hi-fi I had actually had recording meters and level adjustments, which helped. It worked real nice, and with the high tape/head speed I didn't need any noise reduction. I preferred it's results to my Teac X2000R reel-to-reel. (not to mention tapes were alot cheaper).Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2
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I too remember that POS. Audio sure had it's share of turkeys along the way.HT SYSTEM-
Sony 850c 4k
Pioneer elite vhx 21
Sony 4k BRP
SVS SB-2000
Polk Sig. 20's
Polk FX500 surrounds
Cables-
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Acoustic zen Matrix 2 IC's
Wireworld eclipse 7 ic's
Audio metallurgy ga-o digital cable
Kitchen
Sonos zp90
Grant Fidelity tube dac
B&k 1420
lsi 9's -
My friends father had one when I was in Junior High. Never owned one myself.
Oddly, it was pretty much a copy of a format RCA released in 1958, almost twenty years earlier:
http://en.wikipedia.org/wiki/RCA_tape_cartridge -
Taping onto hi-fi videotape was cool but had a couple drawbacks. The tapes only seemed to rival "cd" sound if they were played back on the same machine they were recorded on, and I couldn't fit a hi-fi vcr in my dash.
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George Grand wrote: »Taping onto hi-fi videotape was cool but had a couple drawbacks. The tapes only seemed to rival "cd" sound if they were played back on the same machine they were recorded on, and I couldn't fit a hi-fi vcr in my dash.
No? Why not? This guy put a record player in his...
:rolleyes:____________________
This post is a natural product. The slight variations in spelling and grammar enhance its individual character and beauty and in no way are to be considered flaws or defects.
HT:Onkyo 805, Emotiva XPA-5, Mitsu 52" 1080p DLP / polkaudio RTi12, CSIa6, FXi3, uPro4K
2-chnl : Pio DV-46AV (SACD), Dodd ELP, Emotiva XPA-1s, XPA-2, Odyssey Khartago, LSi9, SDA-SRS 2 :cool:, SB Duet, MSB & Monarchy DACs, Yamaha PX3 TT, SAE Tuner...
Pool: Atrium 60's/45's -
George Grand wrote: »Taping onto hi-fi videotape was cool but had a couple drawbacks. The tapes only seemed to rival "cd" sound if they were played back on the same machine they were recorded on, and I couldn't fit a hi-fi vcr in my dash.
If I remember correctly, there was confusion too about "stereo" and "Hi-Fi" VCR's. The stereo VCR's were not true hi-fi; having fixed heads much like a cassette deck for laying down audio, where (I believe) hi-fi audio was recorded using the helical video head--giving far better fidelity. I could be wrong this point...?Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2 -
If I remember correctly, there was confusion too about "stereo" and "Hi-Fi" VCR's. The stereo VCR's were not true hi-fi; having fixed heads much like a cassette deck for laying down audio, where (I believe) hi-fi audio was recorded using the helical video head--giving far better fidelity. I could be wrong this point...?
Correctamundo!Fronts: Polk RTi A7's
Center: Polk CSi A6
Surrounds: Polk TSi500's
Subwoofer:Polk DSW Pro 500, Emotiva Ultra 12
Amplifier: Emotiva XPA-5
Processor/AVR: Emotiva UMC-1
DAC: Emotiva XDA-1
CD player:Emotiva ERC-1
Blu-Ray: Oppo BDP-93
Turntable: Kenwood KD-500
Tonearm: Polk-Mayware Formula 4
Cartridge: Shure M97-XE
Television: Sony KDL-55EX500 -
I remember those, I chose to go the route of recording music on a hi-fi VCR. The particular Panasonic hi-fi I had actually had recording meters and level adjustments, which helped. It worked real nice, and with the high tape/head speed I didn't need any noise reduction. I preferred it's results to my Teac X2000R reel-to-reel. (not to mention tapes were alot cheaper).
I had a Pentax HiFi as the two-channel mastering deck in my little demo studio. Lasted about a year. I had some trouble with dropouts and went with a Sony PCM-2500 pro DAT deck as soon as I could. Nakamichi ruled back then for cassette decks.-Kevin
HT: Philips 52PFL7432D 52" LCD 1080p / Onkyo TX-SR 606 / Oppo BDP-83 SE / Comcast cable. (all HDMI)B&W 801 - Front, Polk CS350 LS - Center, Polk LS90 - Rear
2 Channel:
Oppo BDP-83 SE
Squeezebox Touch
Muscial Fidelity M1 DAC
VTL 2.5
McIntosh 2205 (refurbed)
B&W 801's
Transparent IC's -
Kevin
I almost took the DAT "dive" while stationed in Germany, but decided to go all out on Compact Disc. I had already went the high-end cassette (Teac ZX-7000), R-to-R, then hi-fi VCR route and I was ready to give up on tape media.Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2