Best power amp/pre amp brand for SRS/SDA setups.
cobramatteo
Posts: 43
If you were gonna power up 2 sets of SRS 1.2s, what kind of amplification equipment do you think is best and why ?
Please keep total cost under 12k, I am looking for GREAT Audio bargains that can effortlessly drive 1.2s to their maximum potential.
Please keep total cost under 12k, I am looking for GREAT Audio bargains that can effortlessly drive 1.2s to their maximum potential.
Post edited by cobramatteo on
Comments
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me,,, I'd get a belles 350A reference,, and an Audible Illusions,L-1 or L-2,,or maybe a Joule LA 100 MKIII,,and spend the rest on cables,source and music.JC approves....he told me so. (F-1 nut)
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I'd want a McIntosh MC252 with strapped negs.polkaudio Monitor 5 Series II
polkaudio SDA-1 (with the SL1000)
TEAC AG-H300 MK III stereo receiver
beyerdynamic DT-880 Premium (600 Ω) headphones
SENNHEISER HD-555 headphones
Little Dot MK IV tube headphone amp
Little Dot DAC_I balanced D/A converter -
Look no further, http://www.audiogon.com/cgi-bin/cls.pl?intatran&1288230316&/Musical-Fidelity-kW-500-integrPolitical Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
Jesse don't tempt me...:cool: -
cobramatteo wrote: »If you were gonna power up 2 sets of SRS 1.2s, what kind of amplification equipment do you think is best and why ?
Please keep total cost under 12k, I am looking for GREAT Audio bargains that can effortlessly drive 1.2s to their maximum potential.
2. How loud do you like to listen?
"Maximum potential" will be somewhere in excess of a thousand QUALITY watts into a nominal 6 ohm load (and we all know that the actual impedance varies with frequency response, and in the case of the SDAs, with the signal difference between channels--so you'll want an amp that can handle 3--4 ohm loads with grace and ease.) First Guess: In anything like a "normal" listening room, your ear drums will touch in the middle of your head with that much volume.
Mind you, I got into deep doo-doo awhile back for suggesting that watts required was related to volume level. -
Any McIntosh combination.HT/2 CH
McIntosh MX120, MC500, MC206, MEN220
polkaudio SDA SRS 1.2TL, XO, Inductor, Tweeter, Larry's rings, WBT Binding posts, Moretite and Dynamat mod. Built by Mollie Jones 27:th of February 1991, CS350-LS XO mod, LS-f/x, DSW MicroPro 4000
MIT Shotgun S3.3 Bi-wire SC, Shotgun S3.3 SC, Shotgun S3.3 Proline IC, Shotgun S3.3 IC, Shotgun S3.3 Sub cable, AVT 1 Optical IC, EXP 3 Speaker interconnect. -
1. What is your room size?
2. How loud do you like to listen?
"Maximum potential" will be somewhere in excess of a thousand QUALITY watts into a nominal 6 ohm load (and we all know that the actual impedance varies with frequency response, and in the case of the SDAs, with the signal difference between channels--so you'll want an amp that can handle 3--4 ohm loads with grace and ease.) First Guess: In anything like a "normal" listening room, your ear drums will touch in the middle of your head with that much volume.
Mind you, I got into deep doo-doo awhile back for suggesting that watts required was related to volume level.
I do not own a house yet, I am working overseas as a techical adviser to the US Army, saving up for my house that I will buy in a year.
I know it will be at least a 3000 sq ft home with a dedicated room of at least 20x20 ft. I may end up going the new construction route.
Thanks for all of your great equipment recommendations - I am researching alot in my down time here in Afghanistan. -
You do not want a square room. A ratio of 2 to 1 is ideal.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
:eek::eek::eek: I want that soooo bad. BTW did he mention look no further!!! The kW 500 is a match made in heaven for the big SDAs. -
You do not want a square room. A ratio of 2 to 1 is ideal.
Ideally, the length, width, and height are NOT multiples/factors of each other. There will still be standing waves, but at least they aren't all at the same frequencies bouncing left and right, top and bottom, and forward and back.
I've heard of computer programs where you input the dimensions of a room, and speaker locations--and it plots the standing waves; gives you an output of what frequencies are reinforced, and where in the room the peaks and nulls are. A simple version of this program, written in BASIC, was included in some audio magazine (Audio, probably) back in the early nineties. Seems to me that it didn't work as written, and the next month they published the corrected program.
Once you get suitable dimensions in your room, you can work on Live End--Dead End (LEDE) principles (or not--not everyone agrees with the theory); and of course spend zillions of dollars on pillows and traps and such. All very worthwhile. In fact, the pillows and traps can mellow out the standing waves in a BAD room. They're arguably more useful the worse the room itself is.
http://stereophile.com/features/38/ -
You do not want a square room. A ratio of 2 to 1 is ideal.
If you were going to design a room, the following dimensions would be the best to control resonances within the room:
1 (height) x 1.61 (width) x 2.6 (length).
Do some research on the Golden Rectangle or Golden Section. Those Greeks were some smart fellas... -
audio_alan wrote: »If you were going to design a room, the following dimensions would be the best to control resonances within the room:
1 (height) x 1.61 (width) x 2.6 (length).
Do some research on the Golden Rectangle or Golden Section. Those Greeks were some smart fellas...
Absolutely. This is the ideal ratio for recording studios as well.This post SWMBO approved.