Best power amp/pre amp brand for SRS/SDA setups.

cobramatteo
cobramatteo Posts: 43
edited October 2010 in Vintage Speakers
If you were gonna power up 2 sets of SRS 1.2s, what kind of amplification equipment do you think is best and why ?

Please keep total cost under 12k, I am looking for GREAT Audio bargains that can effortlessly drive 1.2s to their maximum potential.
Post edited by cobramatteo on

Comments

  • george daniel
    george daniel Posts: 12,096
    edited September 2010
    me,,, I'd get a belles 350A reference,, and an Audible Illusions,L-1 or L-2,,or maybe a Joule LA 100 MKIII,,and spend the rest on cables,source and music.
    JC approves....he told me so. (F-1 nut)
  • Bobsama
    Bobsama Posts: 526
    edited September 2010
    I'd want a McIntosh MC252 with strapped negs.
    polkaudio Monitor 5 Series II
    polkaudio SDA-1 (with the SL1000)
    TEAC AG-H300 MK III stereo receiver
    beyerdynamic DT-880 Premium (600 Ω) headphones
    SENNHEISER HD-555 headphones
    Little Dot MK IV tube headphone amp
    Little Dot DAC_I balanced D/A converter
  • F1nut
    F1nut Posts: 50,569
    edited September 2010
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • Toolfan66
    Toolfan66 Posts: 17,254
    edited September 2010
  • Schurkey
    Schurkey Posts: 2,102
    edited September 2010
    If you were gonna power up 2 sets of SRS 1.2s, what kind of amplification equipment do you think is best and why ?

    Please keep total cost under 12k, I am looking for GREAT Audio bargains that can effortlessly drive 1.2s to their maximum potential.
    1. What is your room size?

    2. How loud do you like to listen?

    "Maximum potential" will be somewhere in excess of a thousand QUALITY watts into a nominal 6 ohm load (and we all know that the actual impedance varies with frequency response, and in the case of the SDAs, with the signal difference between channels--so you'll want an amp that can handle 3--4 ohm loads with grace and ease.) First Guess: In anything like a "normal" listening room, your ear drums will touch in the middle of your head with that much volume.

    Mind you, I got into deep doo-doo awhile back for suggesting that watts required was related to volume level.
  • Janne
    Janne Posts: 139
    edited September 2010
    Any McIntosh combination.
    HT/2 CH
    McIntosh MX120, MC500, MC206, MEN220
    polkaudio SDA SRS 1.2TL, XO, Inductor, Tweeter, Larry's rings, WBT Binding posts, Moretite and Dynamat mod. Built by Mollie Jones 27:th of February 1991, CS350-LS XO mod, LS-f/x, DSW MicroPro 4000
    MIT Shotgun S3.3 Bi-wire SC, Shotgun S3.3 SC, Shotgun S3.3 Proline IC, Shotgun S3.3 IC, Shotgun S3.3 Sub cable, AVT 1 Optical IC, EXP 3 Speaker interconnect.
  • cobramatteo
    cobramatteo Posts: 43
    edited September 2010
    Schurkey wrote: »
    1. What is your room size?

    2. How loud do you like to listen?

    "Maximum potential" will be somewhere in excess of a thousand QUALITY watts into a nominal 6 ohm load (and we all know that the actual impedance varies with frequency response, and in the case of the SDAs, with the signal difference between channels--so you'll want an amp that can handle 3--4 ohm loads with grace and ease.) First Guess: In anything like a "normal" listening room, your ear drums will touch in the middle of your head with that much volume.

    Mind you, I got into deep doo-doo awhile back for suggesting that watts required was related to volume level.

    I do not own a house yet, I am working overseas as a techical adviser to the US Army, saving up for my house that I will buy in a year.

    I know it will be at least a 3000 sq ft home with a dedicated room of at least 20x20 ft. I may end up going the new construction route.

    Thanks for all of your great equipment recommendations - I am researching alot in my down time here in Afghanistan.
  • F1nut
    F1nut Posts: 50,569
    edited September 2010
    You do not want a square room. A ratio of 2 to 1 is ideal.
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • hearingimpared
    hearingimpared Posts: 21,137
    edited September 2010
    F1nut wrote: »

    :eek::eek::eek: I want that soooo bad. BTW did he mention look no further!!! The kW 500 is a match made in heaven for the big SDAs.
  • Schurkey
    Schurkey Posts: 2,102
    edited September 2010
    F1nut wrote: »
    You do not want a square room. A ratio of 2 to 1 is ideal.
    Two times as long as it is wide??? Also very bad for standing waves. For instance, any standing wave that is reinforced at 10 feet...is also reinforced at 20, 30, 40 feet. Any standing wave at 8 feet is reinforced at 16, 24, 32, etc.

    Ideally, the length, width, and height are NOT multiples/factors of each other. There will still be standing waves, but at least they aren't all at the same frequencies bouncing left and right, top and bottom, and forward and back.

    I've heard of computer programs where you input the dimensions of a room, and speaker locations--and it plots the standing waves; gives you an output of what frequencies are reinforced, and where in the room the peaks and nulls are. A simple version of this program, written in BASIC, was included in some audio magazine (Audio, probably) back in the early nineties. Seems to me that it didn't work as written, and the next month they published the corrected program.

    Once you get suitable dimensions in your room, you can work on Live End--Dead End (LEDE) principles (or not--not everyone agrees with the theory); and of course spend zillions of dollars on pillows and traps and such. All very worthwhile. In fact, the pillows and traps can mellow out the standing waves in a BAD room. They're arguably more useful the worse the room itself is.

    http://stereophile.com/features/38/
  • audio_alan
    audio_alan Posts: 770
    edited October 2010
    F1nut wrote: »
    You do not want a square room. A ratio of 2 to 1 is ideal.

    If you were going to design a room, the following dimensions would be the best to control resonances within the room:

    1 (height) x 1.61 (width) x 2.6 (length).

    Do some research on the Golden Rectangle or Golden Section. Those Greeks were some smart fellas...
  • rombot
    rombot Posts: 15
    edited October 2010
    audio_alan wrote: »
    If you were going to design a room, the following dimensions would be the best to control resonances within the room:

    1 (height) x 1.61 (width) x 2.6 (length).

    Do some research on the Golden Rectangle or Golden Section. Those Greeks were some smart fellas...

    Absolutely. This is the ideal ratio for recording studios as well.
    This post SWMBO approved.