UHQR Sgt Peppers viny rip
Fongolio
Posts: 3,516
I just listened to the UHQR MFSL vinyl rip of Sgt. Peppers and have to say it's the best version of Sgt. Peppers I've heard yet. Even though the stereo mix is bizzare to say the least the SDA-1C's presented such a wide tall and 3D soundstage it was a total experience. The clarity of this pressing is second to none including the new remastered version.
I could never quite understand why these Beatles stereo mixes always had Ringo's drums and many of the vocals hard panned to the left or right. Wouldn't the drums be in the middle live?
Anyway if you ever get you hands on this extremely rare vinyl pressing the sound quality will blow you away.
I could never quite understand why these Beatles stereo mixes always had Ringo's drums and many of the vocals hard panned to the left or right. Wouldn't the drums be in the middle live?
Anyway if you ever get you hands on this extremely rare vinyl pressing the sound quality will blow you away.
SDA-1C (full mods)
Carver TFM-55
NAD 1130 Pre-amp
Rega Planar 3 TT/Shelter 501 MkII
The Clamp
Revox A77 Mk IV Dolby reel to reel
Thorens TD160/Mission 774 arm/Stanton 881S Shibata
Nakamichi CR7 Cassette Deck
Rotel RCD-855 with modified tube output stage
Cambridge Audio DACmagic Plus
ADC Soundshaper 3 EQ
Ben's IC's
Nitty Gritty 1.5FI RCM
Carver TFM-55
NAD 1130 Pre-amp
Rega Planar 3 TT/Shelter 501 MkII
The Clamp
Revox A77 Mk IV Dolby reel to reel
Thorens TD160/Mission 774 arm/Stanton 881S Shibata
Nakamichi CR7 Cassette Deck
Rotel RCD-855 with modified tube output stage
Cambridge Audio DACmagic Plus
ADC Soundshaper 3 EQ
Ben's IC's
Nitty Gritty 1.5FI RCM
Post edited by Fongolio on
Comments
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Yes, I have to agree that the MFSL UHQR vinyl rip to CD is the best version of of all of the Beatles on CD (IMO). The dynamics, stereo separation, tone and clarity are absolutely astounding!
The reason they mixed the album as they did (Ringo's drums on one channel, vocal sometimtes on one channel, etc.) is because they only had 4 tracks to use when recording. I realise now they have over 200 tracks that they can record to, but this was not the case in 1966-67. As a consequence of having 4 tracks, the Beatles (all 4) would all play live in the studio (many times) to only use one track for all the basic instrument tracks. Then, they would go back and record the vocals, and instrument overdubs. Then, when mixing the album, to do a stereo vocal for example it would take up two tracks to add the vocals to both channels. Being as when they mix to stereo, they mix it to a 2 track master tape. When going from only 4 tracks to 2 tacks, you cannot do much 2 channel (vocals, drums on both channels) for the stereo mix because you have to mix from 4 tracks to 2 tracks. I hope that made sense as my blood sugar is low. Gotta go eat/drink something.
Greg
Taken from a recent Audioholics reply regarding "Club Polk" and Polk speakers:
"I'm yet to hear a Polk speaker that merits more than a sentence and 60 seconds discussion."
My response is: If you need 60 seconds to respond in one sentence, you probably should't be evaluating Polk speakers.....
"Green leaves reveal the heart spoken Khatru"- Jon Anderson
"Have A Little Faith! And Everything You'll Face, Will Jump From Out Right On Into Place! Yeah! Take A Little Time! And Everything You'll Find, Will Move From Gloom Right On Into Shine!"- Arthur Lee -
I had all eight UHQR's with doubles of "I Robot" and "Finger Paintings" before they were stolen (these thieves knew their ****) and they are absotely stellar recordings. They didn't get the doubles so at least I still have them. They also got several other rare and irreplacable LPs & CDs. Sounds like and inside job, no?
As far as the Beatles mixes go, George Martin was goofy at the time. All the old Beatle recordings had the instruments coming out of one channel and vocals the other.