one more amp question

demaples
demaples Posts: 266
edited April 2008 in Speakers
Would the Aragon 2007 7 Channel THX Ultra2 Amp be a good value for my system at $2000?
Onkyo 805
lsi25 fronts
genesi g-2800 sides
lsi15 rears
lsic center
psw650 sub.

Hitachi 50" Plasma full HD 1080--Onkyo 805 AVR
Rotel RMB-1077 amp--Polk LSic center
Polk LSi25 fronts--Polk LSi 15 rears
Genesis G-2800 sides--Polk PSW 650 sub
APC H15 power conditioner--Netgear digital media player
Napster external hardrive--Linksys Wireless G router
Samsung DVD--Blue Jeans wires
Post edited by demaples on
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Comments

  • zingo
    zingo Posts: 11,258
    edited April 2008
    One over-simplified amp answer: yes.
  • jayman_1975
    jayman_1975 Posts: 672
    edited April 2008
    I've heard that amp is sweet. I'll be green with envy if you buy it.
    Onkyo TX NR 5008 modified by The Upgrade Company
    Oppo BDP 93 modified by The Upgrade Company
    Arcam CD37
    Monitor Audio Gold GS 60
    Revolver Audio Music 5 towers.(surround)
    Vandersteen V2W
  • garnier
    garnier Posts: 116
    edited April 2008
    Did you check on a new Outlaw 7700? It's not Ultra II THX, but is very nice. I am getting it for myself! ;)
  • Midnite Mick
    Midnite Mick Posts: 1,591
    edited April 2008
    I would say no. I had the 2005 and thought it was anemic for ht...although pretty clean, smooth, and laid back for music. I think for 2k you can do better. fwiw I sold my 2005 for around 1k.

    I think 2k is greater than market value.

    good luck,
    Mike
    Modwright SWL 9.0 SE (6Sons Audio Thunderbird PC with Oyaide 004 terminations)
    Consonance cd120T
    Consonance Cyber 800 tube monoblocks (6Sons Audio Thunderbird PC's with Oyaide 004 terminations)
    Usher CP 6311

    Phillips Pronto TS1000 Universal Remote
  • tonyb
    tonyb Posts: 33,068
    edited April 2008
    Agree on the "no". Thought they were somewhat slow.

    I don't get this guy,passes on a Cinova,that does HT in spades,yet is looking at spending 2 g's on a mediocre amp.Maybe he should stick with an AVR and Bose speakers.:rolleyes:
    HT SYSTEM-
    Sony 850c 4k
    Pioneer elite vhx 21
    Sony 4k BRP
    SVS SB-2000
    Polk Sig. 20's
    Polk FX500 surrounds

    Cables-
    Acoustic zen Satori speaker cables
    Acoustic zen Matrix 2 IC's
    Wireworld eclipse 7 ic's
    Audio metallurgy ga-o digital cable

    Kitchen

    Sonos zp90
    Grant Fidelity tube dac
    B&k 1420
    lsi 9's
  • demaples
    demaples Posts: 266
    edited April 2008
    Tony, I passed on the Cinenova because it was 5 channel and I want a seven. I really don't know much about high end equipment and am trying to learn. So instead of criticizing, how about just lending some helpful advice. I simply want a decent 7 channel that will allow me to fully utilize the lsi series speakers without damage. I don't need tons of wpc, just enough to eliminate the fear of damage.
    Thanks
    Dennis

    Hitachi 50" Plasma full HD 1080--Onkyo 805 AVR
    Rotel RMB-1077 amp--Polk LSic center
    Polk LSi25 fronts--Polk LSi 15 rears
    Genesis G-2800 sides--Polk PSW 650 sub
    APC H15 power conditioner--Netgear digital media player
    Napster external hardrive--Linksys Wireless G router
    Samsung DVD--Blue Jeans wires
  • tcrossma
    tcrossma Posts: 1,301
    edited April 2008
    Any 7 channel amp that's at least 100wpc @ 8 ohm from any of the respectable companies usually given on this website (B&K, Rotel, Adcom, Parasound, Sunfire, etc) will drive your speakers without risk of damage. So if that's all you want then just pick one. But what many here are trying to help you do is steer you into something that will also maximize the sound quality and your enjoyment of your system.

    I personally think a 5 channel + 2 channel (if you find it necessary) is a better route for you to take, but it's your choice.
    Speakers: Polk LSi15
    Pre: Adcom GFP-750 with HT Bypass
    Amp: Pass Labs X-150
    CD/DVD Player: Classe CDP-10
    Interconnects: MIT Shortgun S3 Pro XLR
    Speaker cables: MIT MH-750 bi-wire
    TT:Micro Seiki DD-35
    Cartridge:Denon DL-160
    Phono Pre:PS Audio GCPH
  • demaples
    demaples Posts: 266
    edited April 2008
    How about the ROTEL RMB-1077 CLASS D 7 CHANNEL POWER AMPLIFIER?

    Hitachi 50" Plasma full HD 1080--Onkyo 805 AVR
    Rotel RMB-1077 amp--Polk LSic center
    Polk LSi25 fronts--Polk LSi 15 rears
    Genesis G-2800 sides--Polk PSW 650 sub
    APC H15 power conditioner--Netgear digital media player
    Napster external hardrive--Linksys Wireless G router
    Samsung DVD--Blue Jeans wires
  • demaples
    demaples Posts: 266
    edited April 2008
    I understand on the 5 channel and 2 channel combo however I have a space issue and I'm not the expert that you all are at the "slow, flat" indicaters, so in my eyes a single decent 7 channel will do the trick for me. So taking that all into consideration with say a $2500 budget for new or used what is optimal?

    Hitachi 50" Plasma full HD 1080--Onkyo 805 AVR
    Rotel RMB-1077 amp--Polk LSic center
    Polk LSi25 fronts--Polk LSi 15 rears
    Genesis G-2800 sides--Polk PSW 650 sub
    APC H15 power conditioner--Netgear digital media player
    Napster external hardrive--Linksys Wireless G router
    Samsung DVD--Blue Jeans wires
  • tcrossma
    tcrossma Posts: 1,301
    edited April 2008
    Ok, well i'm very partial to my B&K Ref 200.5 so i'll give a +1 to a B&K 200.7. If you can find one used you should be able to get one in the $1300-1500 range.
    Speakers: Polk LSi15
    Pre: Adcom GFP-750 with HT Bypass
    Amp: Pass Labs X-150
    CD/DVD Player: Classe CDP-10
    Interconnects: MIT Shortgun S3 Pro XLR
    Speaker cables: MIT MH-750 bi-wire
    TT:Micro Seiki DD-35
    Cartridge:Denon DL-160
    Phono Pre:PS Audio GCPH
  • demaples
    demaples Posts: 266
    edited April 2008
    What about the ROTEL RMB-1077 CLASS D 7 CHANNEL POWER AMPLIFIER? I'm reading very good reviews online and it "fits" my setup and space? I can get one for around $2000.

    Hitachi 50" Plasma full HD 1080--Onkyo 805 AVR
    Rotel RMB-1077 amp--Polk LSic center
    Polk LSi25 fronts--Polk LSi 15 rears
    Genesis G-2800 sides--Polk PSW 650 sub
    APC H15 power conditioner--Netgear digital media player
    Napster external hardrive--Linksys Wireless G router
    Samsung DVD--Blue Jeans wires
  • Gaara
    Gaara Posts: 2,415
    edited April 2008
    Most of the reviews I read on it were mixed, there is no way I would spend that much on it. You can get the 5ch version which is supposed to be much better for $1199, pair it with a nice 2ch amp and you would be doing a hell of a lot better for the same amount of $ if not less. If you really want a 7ch icepower amp go with a Wyred 4 Sound, they get rave reviews and you can get 100x7 using the 200asc modules for $2k.

    If you want recommendations I can give plenty, my #1 will be a Earthquake Cinenova Grande. If you need 7ch you could get a Sunfire Cinema Grand, B&K 200.7, ATI 1807/2007, Cinenova Grande 7, etc.
  • Sami
    Sami Posts: 4,634
    edited April 2008
    I have Aragon 2004 two channel amp and would love to hear how the 2007 plays. Can't really give advice based on the 2 channel amp, but if this 2007 is anywhere close the performer the 2004 is, I'd buy it in a heartbeat.

    I've gone through many amps in my setups and the 2004 stays, nothing have beaten it yet and I doubt anything will unless I move into the big name territory; Krell etc.
  • garnier
    garnier Posts: 116
    edited April 2008
    Hi, I am comparing all the mentioned amplifiers with what I have ordered, Outlaw Model 7700, for $1899.00. Comparing it to $2499.00 ROTEL RMB-1077 CLASS D 7 CHANNEL POWER AMPLIFIER for example, I wonder why ROTEL's is so expensive, because it produces 100 wpc @ 8-ohm with 0.03% THD, but Outlaw's produces 200 wpc @8-ohm with 0.03% THD also. Is it because Rotel has a dealer primium whereas Outlaw is internet-based company and can lower their price, or is it because there are other factors that make Rotel's the money's worth compared to Outlaw's Model 7700, for example? Thank you! :)
  • Gaara
    Gaara Posts: 2,415
    edited April 2008
    You got ripped off, the Emotiva MPS-2 can do 200wpc x 7 and is only $1699!
  • garnier
    garnier Posts: 116
    edited April 2008
    Gaara wrote: »
    You got ripped off, the Emotiva MPS-2 can do 200wpc x 7 and is only $1699!

    Yes, I checked theirs too, but Emotiva MPS-2 wouldn't be available until May at the earliest; and it has about 20 dB less S/N ratio. Isn't it better if S/N ratio is high?
  • tcrossma
    tcrossma Posts: 1,301
    edited April 2008
    garnier wrote: »
    Yes, I checked theirs too, but Emotiva MPS-2 wouldn't be available until May at the earliest; and it has about 20 dB less S/N ratio. Isn't it better if S/N ratio is high?

    I can't comment on those particular amps since I have no experience with them, but one thing i've learned over the past year by hanging out on this forum and upgrading all my equipment is that specs aren't everything.
    Speakers: Polk LSi15
    Pre: Adcom GFP-750 with HT Bypass
    Amp: Pass Labs X-150
    CD/DVD Player: Classe CDP-10
    Interconnects: MIT Shortgun S3 Pro XLR
    Speaker cables: MIT MH-750 bi-wire
    TT:Micro Seiki DD-35
    Cartridge:Denon DL-160
    Phono Pre:PS Audio GCPH
  • Sami
    Sami Posts: 4,634
    edited April 2008
    Gaara wrote: »
    You got ripped off, the Emotiva MPS-2 can do 200wpc x 7 and is only $1699!

    Price and power aren't the only things important. We don't know if the Emotiva sounds good or not.

    All you guys got ripped off, I paid $350 for my 5x200wpc Sherbourn... :p
  • Gaara
    Gaara Posts: 2,415
    edited April 2008
    Dontcha know all that matters with amps is specs, none of this subjective "sound quality" crap. Same with speakers, I mean common who buys speakers for sound quality? Its all about frequency response, and impedance, and sensitivity.

    Seriously though I can't understand guys who only focus on specs, especially when they upgrade speakers. I mean cmon compare the RTi6 to the LSi9 specs wise, they are similar, but they don't sound the same do they? Same goes with amps, albeit to a smaller degree.

    Oh well, im out of these amp discussions, one to many for me. If you need info use the search function, or many of these questions can simply be answered with a google search.
  • Ricardo
    Ricardo Posts: 10,636
    edited April 2008
    You got it all wrong. For speakers the key feature is looks.

    Garnier, your Outlaw is a great amp; stop thinking about it; just enjoy it.

    Demaples, make up your mind already; you've been given all the recommendations on which brands to buy.
    _________________________________________________
    ***\\\\\........................... My Audio Journey ............................./////***

    2008 & 2010 Football Pool WINNER
    SOPA
    Thank God for different opinions. Imagine the world if we all wanted the same woman
  • garnier
    garnier Posts: 116
    edited April 2008
    Exactly; no two amps are alike. That's why one can't simply compare two amps, Outlaw and Emotiva, for example, based on their prices! :p
  • cfrizz
    cfrizz Posts: 13,415
    edited April 2008
    I personally wasn't impressed at all with Rotel's 1077. It was the right size & nice & light but too expensive & when compared to the RMB 1095 it didn't even come close. Now their 2 channel digital amp was outstanding, but I was looking for a 5 channel.

    Dennis, we have given you all the brands that will get the job done & the recommended wattage to make sure that your LSI's run to their full operating potential. Other than that we are simply repeating ourselves.
    Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2
  • demaples
    demaples Posts: 266
    edited April 2008
    Thank you all. I've made my decision. I'll keep you all informed when the system is fine tuned for the time being.
    Dennis

    Hitachi 50" Plasma full HD 1080--Onkyo 805 AVR
    Rotel RMB-1077 amp--Polk LSic center
    Polk LSi25 fronts--Polk LSi 15 rears
    Genesis G-2800 sides--Polk PSW 650 sub
    APC H15 power conditioner--Netgear digital media player
    Napster external hardrive--Linksys Wireless G router
    Samsung DVD--Blue Jeans wires
  • bbeacham
    bbeacham Posts: 141
    edited April 2008
    garnier wrote: »
    Hi, I am comparing all the mentioned amplifiers with what I have ordered, Outlaw Model 7700, for $1899.00. Comparing it to $2499.00 ROTEL RMB-1077 CLASS D 7 CHANNEL POWER AMPLIFIER for example, I wonder why ROTEL's is so expensive, because it produces 100 wpc @ 8-ohm with 0.03% THD, but Outlaw's produces 200 wpc @8-ohm with 0.03% THD also.


    That is INEXPENSIVE. Get a subscription to Stereophile and The Absolute Sound. Then you will see 30W x 2 channel tube amps for $15,000, or more. Speakers go for $20,000, and more, for one speaker.

    When my subscriptions expire on these 2 magazines I am not going to be renewing. They are to stuck in the past with all their 2 channel tube amps and turntables.
  • Face
    Face Posts: 14,340
    edited April 2008
    bbeacham wrote: »
    When my subscriptions expire on these 2 magazines I am not going to be renewing. They are to stuck in the past with all their 2 channel tube amps and turntables.
    Vinyl is making a big comeback. I believe tubes will be here to stay also.
    "He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
  • Ferres
    Ferres Posts: 310
    edited April 2008
    The rmb-1077 is $1,999 now. It's actually a 200watt/channel amp but rotel did not like it's performance at that level so it was downgraded to 100watt/channel.
    http://www.htguide.com/forum/showthread.php4?t=29634

    It requires about a week of break-in time to get the bass out.
    Gear: Rotel RC 1082, Rotel RSP 1068 pre/pro, Rotel RMB1077 amp, Cayin CDT 15a CD player, S301 bluray.

    Speakers: Tannoy DC sensys speakers, Paradigm Servo15 Sub, Velo Spl-1500r

    Conditioner: Isotek :D
  • Hawkeye
    Hawkeye Posts: 1,313
    edited April 2008
    I don't think tubes and turntables are in the past. I have tubes but don't roll, a turntable is in the future because I think vinyl is the future.

    Digital is a step above 8 tracks and cassettes but I don't think it is the top shelf. It seems like every other year there is a "new" format. DD, 5.1, DTS, Neo, etc, etc. I looked at a piece that must have had 50 different "sound processor" modes. Who wants to listen to Tool in the Notre Dame Cathedal?
    I think for HT we chase the latest and greatest and spend enormous amounts of money for that. That's why I gave up on it. My HT is at least 6 years behind the times and I'm happy with it.

    I've decided to spend my money on 2 Channel music. Uncolored, unprocessed and much more enjoyable to me. I grew up with vinyl, I wish I still had all those albums!! It is going to cost a fortune to go forward into the past. I've heard some affordable vinyl rigs and to me there is no comparison.

    Go tubes and vinyl.
    2 Channel -
    Martin Logan Spire, 2 JL Audio F112 subs
    McIntosh C1000 Controller with Tube pre amp, 2 MC501 amplifiers, MD1K Transport & DAC, MR-88 Tuner
    WireWorld Eclipse 6.0 speaker wire and jumpers, Eclipse 5^2 Squared Balanced IC's. Silver Eclipse PCs (5)
    Symposium Rollerblocks 2+ (16)Black Diamond Racing Mk 3 pits (8)
  • tonyb
    tonyb Posts: 33,068
    edited April 2008
    Hawkeye-I dig that Rel sub in your sig,nice.The B&K stuff will always sound good.I have the 307 and see no reason to upgrade yet.Waiting for B&K's new stuff to come out.They are usually slow in keeping up with the latest and greatest,but when they do,sound quality is always top notch.
    HT SYSTEM-
    Sony 850c 4k
    Pioneer elite vhx 21
    Sony 4k BRP
    SVS SB-2000
    Polk Sig. 20's
    Polk FX500 surrounds

    Cables-
    Acoustic zen Satori speaker cables
    Acoustic zen Matrix 2 IC's
    Wireworld eclipse 7 ic's
    Audio metallurgy ga-o digital cable

    Kitchen

    Sonos zp90
    Grant Fidelity tube dac
    B&k 1420
    lsi 9's
  • skykeys
    skykeys Posts: 102
    edited April 2008
    Hawkeye wrote: »
    I don't think tubes and turntables are in the past. I have tubes but don't roll, a turntable is in the future because I think vinyl is the future.

    Digital is a step above 8 tracks and cassettes but I don't think it is the top shelf. It seems like every other year there is a "new" format. DD, 5.1, DTS, Neo, etc, etc. I looked at a piece that must have had 50 different "sound processor" modes. Who wants to listen to Tool in the Notre Dame Cathedal?
    I think for HT we chase the latest and greatest and spend enormous amounts of money for that. That's why I gave up on it. My HT is at least 6 years behind the times and I'm happy with it.

    I've decided to spend my money on 2 Channel music. Uncolored, unprocessed and much more enjoyable to me. I grew up with vinyl, I wish I still had all those albums!! It is going to cost a fortune to go forward into the past. I've heard some affordable vinyl rigs and to me there is no comparison.

    Go tubes and vinyl.


    Hello Hawkeye. I want to both agree with you, and respectfully suggest that there is something very good about the new digital audio formats. I will also state up front that - and this perhaps is stating the obvious; listening experiences are very subjective and personal. :)

    I am a musician (and avid music listener). Any guitar player today will tell you that there is still no substitute for a good tube amp. I have no direct experience with tube amps for home stereos, but I will assume that the same sentiment applies and is accurate.

    Vinyl records, particularly the "audiophile" master recorded ones, are very warm and rich sounding and there are some people who still swear by them. I have mixed opinions about this particular issue, but I will agree that good audiophile vinyl discs sound better than some CD recordings. The practical matter of scratches and size also factor in to vinyl for me, so that's where my mixed opinion comes in.

    But, the newer audio formats, SACD and DVD-Audio - with much wider dynamic range and sampling rates than "ordinary" CDs, sound excellent to me.

    Listening to a well recorded true 5 channel mix SACD disc, like Billy Joel's 52nd Street and Elton John's Trumbleweed Connection (which are two discs I happen to have), playing through my 5.1 surround system, sounds fantastic. My 20 year old son agrees. (FYI, I'm 50).

    Add to that the ability to apply some DSP to ordinary CDs (in my case, via a Yamaha RX-V620), and the listening experience is definitely enhanced.

    When it comes to watching/listening to DVD movies, Hi-Def cable, or a concert DVD movie, the digital surround sound experience is really terrific. Factor in the newer "lossless" audio formats that are coming out with the new Hi-Def (Blu-Ray) format, and I have to think that multi-channel digital surround sound has the distinct advantage over traditional analog audio.

    So while I do concur that a vinyl record in pristine condition playing through a high end (tube) stereo system will sound fantastic, I believe digital sound "can" be better - with the proper equipment and a high quality source - like SACD, TrueHD, etc. Use a tube amp with a digital preamp setup, and you could be in sonic heaven. :)

    Regards.
    Speakers:
    . 5.2 surround config:
    . . . In-wall L & R Fronts and Center: Polk LC265i, LCi-RTS-C. In-ceiling L & R rears: Polk LC80i
    . . . Floor Subs: Polk DSWPro 500, Paradigm PDR-10
    . Zone B: very old pair of Polk M 5's
    . In Storage but still favored: Paradigm Monitors

    AVR:
    . Yamaha RX-V863

    Universal DVD:
    . Oppo DV-980H

    TV:
    . Sony Bravia XBR LCD 40" 720P (2005 vintage)
    . Comcast Cable, Motorola box
  • bbeacham
    bbeacham Posts: 141
    edited April 2008
    skykeys wrote: »
    But, the newer audio formats, SACD and DVD-Audio - with much wider dynamic range and sampling rates than "ordinary" CDs, sound excellent to me.

    Listening to a well recorded true 5 channel mix SACD disc, like Billy Joel's 52nd Street and Elton John's Trumbleweed Connection (which are two discs I happen to have), playing through my 5.1 surround system, sounds fantastic. My 20 year old son agrees. (FYI, I'm 50).

    Although I primarily listen to classical now, Pink Floyd's, "The Dark Side Of The Moon", in SACD, is pure sonic bliss. I must have gone through 3-4 copies of that album over the years before I junked vinyl back in the late 80s.