Planar-magnetic drivers, and SDA?

nooshinjohn
nooshinjohn Posts: 25,877
edited April 2012 in DIY, Mods & Tweaks
Just in the planning stages for my first DIY speaker project, and have been kicking around the idea if using planar-magnetic drivers for midbass, a 6 foot tall ribbon tweeter, and a powered sub for the bass. The general concept has two mid-bass panels per speaker, one on each side of the ribbon tweeter. Think Carver AL III with Magnepan serving up the midbass. The outside panel would be the dimentional array... I realize I have much to learn here and these are just a thought at the moment, but I just cannot get the idea out of my head that if a speaker could give you that open, transparent sound you get from a Maggie, with the three-dimentional presentation and authorative bass and soundstage from the SDA, it may just be a perfect speaker.:cool:

There is much talking out my **** in this post, but that is where all ideas start... what do you guys see as problems with the concept and how whould I overcome them?
The Gear... Carver "Statement" Mono-blocks, Mcintosh C2800 Arcam AVR20, Oppo UDP-203 4K Blu-ray player, Sony XBR70x850B 4k, Polk Audio Legend L800 with height modules, L400 Center Channel Polk audio AB800 "in-wall" surrounds. Marantz MM7025 stereo amp. Simaudio Moon 680d DSD

“When once a Republic is corrupted, there is no possibility of remedying any of the growing evils but by removing the corruption and restoring its lost principles; every other correction is either useless or a new evil.”— Thomas Jefferson


How many flies need to be buzzing a dead horse before you guys stop beating it?
Post edited by nooshinjohn on

Comments

  • heiney9
    heiney9 Posts: 25,396
    edited April 2012
    Since you don't have any experience building speakers nor are you an engineer nor do you have proprietary info about SDA's, you will end up just pissing in the wind. Ben60626 comes to mind.

    Good luck

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Puritan Audio PSM136 Pwr Condtioner & Classic PC's | Legend L600 | Roon Nucleus 1 w/LPS - Tubes add soul!
  • nooshinjohn
    nooshinjohn Posts: 25,877
    edited April 2012
    That was my thought as well Brock... for me it is still an interesting question though.
    The Gear... Carver "Statement" Mono-blocks, Mcintosh C2800 Arcam AVR20, Oppo UDP-203 4K Blu-ray player, Sony XBR70x850B 4k, Polk Audio Legend L800 with height modules, L400 Center Channel Polk audio AB800 "in-wall" surrounds. Marantz MM7025 stereo amp. Simaudio Moon 680d DSD

    “When once a Republic is corrupted, there is no possibility of remedying any of the growing evils but by removing the corruption and restoring its lost principles; every other correction is either useless or a new evil.”— Thomas Jefferson


    How many flies need to be buzzing a dead horse before you guys stop beating it?
  • heiney9
    heiney9 Posts: 25,396
    edited April 2012
    Certainly theoretical discussion and ideas can't hurt, but that's a far cry from actually assembling and making it work.
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Puritan Audio PSM136 Pwr Condtioner & Classic PC's | Legend L600 | Roon Nucleus 1 w/LPS - Tubes add soul!
  • skrol
    skrol Posts: 3,437
    edited April 2012
    "Ben" ... Now, that's a name I've not heard in a long time. A long time.
    Luke: I think my uncle knows him. He said he was dead.
    Obi-Wan: Oh, he's not dead... Not yet.
    Luke: You know him? ...
    Stan

    Main 2ch:
    Polk LSi15 (DB840 upgrade), Parasound: P/LD-1100, HCA-1000A; Denon: DVD-2910, DRM-800A; Benchmark DAC1, Monster HTS3600-MKII, Grado SR-225i; Technics SL-J2, Parasound PPH-100.

    HT:
    Marantz SR7010, Polk: RTA11TL (RDO198-1, XO and Damping Upgrades), S4, CS250, PSW110 , Marantz UD5005, Pioneer PL-530, Panasonic TC-P42S60

    Other stuff:
    Denon: DRA-835R, AVR-888, DCD-660, DRM-700A, DRR-780; Polk: S8, Monitor 5A, 5B, TSi100, RM7, PSW10 (DXi104 upgrade); Pioneer: CT-6R; Onkyo CP-1046F; Ortofon OM5E, Marantz: PM5004, CD5004, CDR-615; Parasound C/PT-600, HCA-800ii, Sony CDP-650ESD, Technics SA 5070, B&W DM601
  • tonyb
    tonyb Posts: 33,065
    edited April 2012
    You sure aim high for a first time speaker build. Your going to need some kind of help getting all that to work together. I'm thinking pace first. Maybe have a chat with others on a DIY forum who might have tackled complicated builds before. I would aim alittle lower and concentrate more on quality parts that combining different sounds.

    Peter over at PBN has a kit I think, with many options and degrees of parts to use. Looks kinda like a Watt Puppy if you ask me. Jim Salk would be a good person to chat with too and is more accessable over at Audio Circles. One things for sure, I wouldn't even take up that task without getting in the heads of some smart speaker builders first.
    HT SYSTEM-
    Sony 850c 4k
    Pioneer elite vhx 21
    Sony 4k BRP
    SVS SB-2000
    Polk Sig. 20's
    Polk FX500 surrounds

    Cables-
    Acoustic zen Satori speaker cables
    Acoustic zen Matrix 2 IC's
    Wireworld eclipse 7 ic's
    Audio metallurgy ga-o digital cable

    Kitchen

    Sonos zp90
    Grant Fidelity tube dac
    B&k 1420
    lsi 9's
  • heiney9
    heiney9 Posts: 25,396
    edited April 2012
    I will say right off because of the extreme directionality of planer and electrostatic type drivers, creating aany sort of wide dispersion pattern will not be possible, aleast passively. Maybe electronically with the right algorithms ala the Surround Bar type of technology.
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Puritan Audio PSM136 Pwr Condtioner & Classic PC's | Legend L600 | Roon Nucleus 1 w/LPS - Tubes add soul!
  • VR3
    VR3 Posts: 29,384
    edited April 2012
    Hmmm, VMPS disagrees with you on that.

    I believe they accomplish it through a waveguide
    - Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit.
  • skrol
    skrol Posts: 3,437
    edited April 2012
    I agree with TonyB. Having designed a built some simple 2-way bookshelf speakers (some ok, some not), it is not easy to get it right. Don't get me wrong. I think that there is much to be said for DIY and I long to DIY more speakers some day. You can learn a lot and it can be very rewarding. You just may want to take it a bit slower.

    Computer programs and calculations can be a guide for the cabinet design but there is much more to making it sound right. Shape matters, materials matter, placement of the drivers matter, etc. Crossovers are more than just high-pass, band-pass and low-pass filters set to specific frequencies. Phase matters. Impedance of the system matters. PSpice programs can help in the design but good luck finding models for the specific drivers. In the end it comes down tweaking the voice of the speaker by a skilled ear.
    Stan

    Main 2ch:
    Polk LSi15 (DB840 upgrade), Parasound: P/LD-1100, HCA-1000A; Denon: DVD-2910, DRM-800A; Benchmark DAC1, Monster HTS3600-MKII, Grado SR-225i; Technics SL-J2, Parasound PPH-100.

    HT:
    Marantz SR7010, Polk: RTA11TL (RDO198-1, XO and Damping Upgrades), S4, CS250, PSW110 , Marantz UD5005, Pioneer PL-530, Panasonic TC-P42S60

    Other stuff:
    Denon: DRA-835R, AVR-888, DCD-660, DRM-700A, DRR-780; Polk: S8, Monitor 5A, 5B, TSi100, RM7, PSW10 (DXi104 upgrade); Pioneer: CT-6R; Onkyo CP-1046F; Ortofon OM5E, Marantz: PM5004, CD5004, CDR-615; Parasound C/PT-600, HCA-800ii, Sony CDP-650ESD, Technics SA 5070, B&W DM601
  • VR3
    VR3 Posts: 29,384
    edited April 2012
    - Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit.
  • heiney9
    heiney9 Posts: 25,396
    edited April 2012
    VR3 wrote: »
    Hmmm, VMPS disagrees with you on that.

    I believe they accomplish it through a waveguide

    Ok, I wasn't clear in my statement, I was referring to a DIY noob, not a professional speaker company with many, many engineers and $$$ and time for R&D. My entire point is to accomplish what Noosh wants is probably not going to be possible since HE really has no background or experience building speakers, let alone something as "outside the box" as what he's describing.

    I can change the plugs and oil in my car but that doesn't mean I can build a race motor to compete at the track. Maybe I can, but most likely I can't even know where to begin unless I have some background and experience building motors, etc. That was my point.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Puritan Audio PSM136 Pwr Condtioner & Classic PC's | Legend L600 | Roon Nucleus 1 w/LPS - Tubes add soul!
  • VR3
    VR3 Posts: 29,384
    edited April 2012
    Gotcha!
    - Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit.
  • heiney9
    heiney9 Posts: 25,396
    edited April 2012
    I think it's an intriguing idea, because that could meld the best of both types.

    It seems I touched on that with Matt Polk at the last HQ fest and he said something to the effect going forward it would be about a passive and active approach having better results because the active approach solved a lot of the limitations (or rather could) of the strictly passive approach. But both were needed if he (Polk) was going to do a new SDA speaker. His words were about SDA's future in general not specifically about ribbon and planar drivers.

    Of course that was before retiring and Directed taking the reins.
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Puritan Audio PSM136 Pwr Condtioner & Classic PC's | Legend L600 | Roon Nucleus 1 w/LPS - Tubes add soul!
  • nooshinjohn
    nooshinjohn Posts: 25,877
    edited April 2012
    Thanks guys for taking this one on... H9, the idea I had was to also use a combination of passive and active technologies to bring them together, with the passive part being the planar drivers and how all 4 panels would relate to the other... basically the sda part of things, but active to meld the different drive groups together. I am going to spend some time getting my learn on about the different technologies, but I am of the belief that it can be done, should be done even. I think this combination has the potential to be amazing, and I think there are enough brains in this group to do it.
    The Gear... Carver "Statement" Mono-blocks, Mcintosh C2800 Arcam AVR20, Oppo UDP-203 4K Blu-ray player, Sony XBR70x850B 4k, Polk Audio Legend L800 with height modules, L400 Center Channel Polk audio AB800 "in-wall" surrounds. Marantz MM7025 stereo amp. Simaudio Moon 680d DSD

    “When once a Republic is corrupted, there is no possibility of remedying any of the growing evils but by removing the corruption and restoring its lost principles; every other correction is either useless or a new evil.”— Thomas Jefferson


    How many flies need to be buzzing a dead horse before you guys stop beating it?
  • tonyb
    tonyb Posts: 33,065
    edited April 2012
    If thats the case John, your either in for a world of disappointment, or heavenly bliss, all depends on your blood pressure meds.
    HT SYSTEM-
    Sony 850c 4k
    Pioneer elite vhx 21
    Sony 4k BRP
    SVS SB-2000
    Polk Sig. 20's
    Polk FX500 surrounds

    Cables-
    Acoustic zen Satori speaker cables
    Acoustic zen Matrix 2 IC's
    Wireworld eclipse 7 ic's
    Audio metallurgy ga-o digital cable

    Kitchen

    Sonos zp90
    Grant Fidelity tube dac
    B&k 1420
    lsi 9's
  • heiney9
    heiney9 Posts: 25,396
    edited April 2012
    It took Matt and another engineer 7 years to develop and implement the DSP algorithms for the Surround Bar, and they have doctorate degrees in the field. So knock yourself out :lol:
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Puritan Audio PSM136 Pwr Condtioner & Classic PC's | Legend L600 | Roon Nucleus 1 w/LPS - Tubes add soul!
  • nooshinjohn
    nooshinjohn Posts: 25,877
    edited April 2012
    Lmao...
    The Gear... Carver "Statement" Mono-blocks, Mcintosh C2800 Arcam AVR20, Oppo UDP-203 4K Blu-ray player, Sony XBR70x850B 4k, Polk Audio Legend L800 with height modules, L400 Center Channel Polk audio AB800 "in-wall" surrounds. Marantz MM7025 stereo amp. Simaudio Moon 680d DSD

    “When once a Republic is corrupted, there is no possibility of remedying any of the growing evils but by removing the corruption and restoring its lost principles; every other correction is either useless or a new evil.”— Thomas Jefferson


    How many flies need to be buzzing a dead horse before you guys stop beating it?
  • Joe08867
    Joe08867 Posts: 3,919
    edited April 2012
    Sounds similar to the Apogee Diva speakers I had. The sub is the only real difference. And I did use a sub with them. Actually dual subs set relatively high at about 100hz if memory serves. I used an active crossover to block anything above 80hz from the panels. Worked like a charm and had a huge soundstage for panels.
  • heiney9
    heiney9 Posts: 25,396
    edited April 2012
    So we have gone from SDA's to huge soundstage?

    I have heard speakers with a huge soundstage, however they didn't replicate everything SDA's do. I don't doubt with certain well established manufacturer's of panels and electrostatics that a large soundstage is possible. I personally haven;t heard it, but then my listening experience has been with several Maggies (all properly set up), Martin Logans and a couple pairs of Sanders Sound ESL's all properly set-up. In every case just moving my head a few inches collapsed the soundstage. I have heard Carver Amazings as well, again a little movement and you are out of the sweet spot.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Puritan Audio PSM136 Pwr Condtioner & Classic PC's | Legend L600 | Roon Nucleus 1 w/LPS - Tubes add soul!
  • Joe08867
    Joe08867 Posts: 3,919
    edited April 2012
    I guess I meant huge soundstage in comparison to other panels of the time. This was many moons ago.

    Nothing I have really listened to have had the soundstage of SDA's. Especially 4.1tl's.

    That is also why I still own the SDA's and not the panels.
  • newrival
    newrival Posts: 2,017
    edited April 2012
    heiney9 wrote: »
    So we have gone from SDA's to huge soundstage?

    I have heard speakers with a huge soundstage, however they didn't replicate everything SDA's do.

    What do you feel SDA's do better than other speakers, other than a wide soundstage? not rhetorical, just curious.
    design is where science and art break even.
  • evhudsons
    evhudsons Posts: 1,175
    edited April 2012
    It's not neccessary the size of the soundstage for me but the quality and accuracy of playback along with extremely pleasant music. One of things that sold me back in 1989 was the salesperson playing other high end speakers, and then the crs, then the crs with the interconnect. He showed me how the stereo image opened up and stayed quite distinct and profound no matter where you were in relatin to the speakers as long as I was somewhere in the middle.

    I wish I had the resources to try nooshines idea. If you were to do this you will most likely need toolfan, DarqueKnight, gimpod, h9 and others to help if you were not going to buy a speaker company. It is a neat idea.
    Polk Audio SDA CRS+ crossover 4.1TL by Trey/VR3 (Rings and custom stand by Larry)-Polk Audio SDA SRS2 crossovers by Trey/VR3Parasound HCA1500aYamaha rxa-3070 with musicast-Celestion SL6S presence,- sl9 surround backNHTsuper1's surroundMagnepan SMGParasound 1500pre- Sofia "Baby" tube amp - Monitor Audio Silver RX2 Marantz 2230/B&Kst140Technics 1200mk2 Gamertag: IslandBerserker I am but a infinitesimally small point meeting the line of infinity in the SDA universe
  • Face
    Face Posts: 14,340
    edited April 2012
    heiney9 wrote: »
    I will say right off because of the extreme directionality of planer and electrostatic type drivers, creating aany sort of wide dispersion pattern will not be possible, aleast passively. Maybe electronically with the right algorithms ala the Surround Bar type of technology.
    It depends on the width of the panel more than anything else. A narrow panel can have very wide dispersion, but may not have the LF extension of a wide panel.

    Waveguides are used to control directivity(dispersion) and properly designed, can increase LF extension. They're not for increasing dispersion per say, but matching it to other drivers or purposely creating a narrower beam that will interact with the room less.

    The easiest way to go about what John is proposing would be to use four of these: http://www.parts-express.com/pe/showdetl.cfm?Partnumber=264-706 crossed around 250hz, MiniDSP's for crossovers, 1-2 high quality woofers per speaker, and 6+ channels of amplification.
    "He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
  • SCompRacer
    SCompRacer Posts: 9,078
    edited April 2012
    Face wrote: »
    It depends on the width of the panel more than anything else. A narrow panel can have very wide dispersion, but may not have the LF extension of a wide panel.

    Thats where a well designed, properly powered (2400 + total watts on tap) active crossover ESL hybrid comes in and saves the day.:cheesygrin: I also damp much of my rear wave which makes the sweet spot even smaller and more exciting, to me anyway. However, I'll take that small area as to me it sounds better than other wide dispersion speakers. And I have owned stock and modded SDA's and heard just about every model of them in treated and untreated rooms. Including a nice pair of modded 1C's that made there way through here before selling them to someone I know.:cheesygrin:
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *