Guitar amp- don't hurt me..
fattmann
Posts: 58
I'm sure I'll get a lot of crap for this, but worth asking. 
I have an old Fender rack mountable 2ch head that I used for my dual 15" Bass amp cabinet that is neglected (sadly I haven't picked up my bass in two years..). Could I use that for externally amplifying my HT speakers? (have the TSI-500s in the front for those that haven't seen my ramblings in the speaker section)
Not sure on the specs of the amp other than it was a 400w head. It was a thought. Figured that you generally want clean, uncolored sound from guitar amp heads before sending to a DSP (at least that was always my impression..), that it may be suitable for HT amping use. Just trying to utilize equipment I have laying about. Going to be getting the Yamaha 765 (more than likely) at some point here for the pre-outs.
Thoughts?
I have an old Fender rack mountable 2ch head that I used for my dual 15" Bass amp cabinet that is neglected (sadly I haven't picked up my bass in two years..). Could I use that for externally amplifying my HT speakers? (have the TSI-500s in the front for those that haven't seen my ramblings in the speaker section)
Not sure on the specs of the amp other than it was a 400w head. It was a thought. Figured that you generally want clean, uncolored sound from guitar amp heads before sending to a DSP (at least that was always my impression..), that it may be suitable for HT amping use. Just trying to utilize equipment I have laying about. Going to be getting the Yamaha 765 (more than likely) at some point here for the pre-outs.
Thoughts?
Components in The Rack:
Yamaha RX-V765 7.1 AVR
Sony TA-N511 (from 1065 to sub)
Xbox One
MA PD-915R Power Strip
Monster HTS-1650
Speakers:
L/R- Polk TSI-500 Cherry, 12awg in place of jumpers
C- Polk CS20 Cherry
SRs- Polk TSI-100 Cherry
Sub- Kicker S12L5, vented box
Display:
Sony VPH-1252Q
75" 16:9 DIY BO Cloth Screen
Not running:
Crown Straight Line Two
Crown Power Line Four
Pioneer PD-F908
Fender BXR Dual Bass 400
Pioneer BDP-51
Yamaha RX-V765 7.1 AVR
Sony TA-N511 (from 1065 to sub)
Xbox One
MA PD-915R Power Strip
Monster HTS-1650
Speakers:
L/R- Polk TSI-500 Cherry, 12awg in place of jumpers
C- Polk CS20 Cherry
SRs- Polk TSI-100 Cherry
Sub- Kicker S12L5, vented box
Display:
Sony VPH-1252Q
75" 16:9 DIY BO Cloth Screen
Not running:
Crown Straight Line Two
Crown Power Line Four
Pioneer PD-F908
Fender BXR Dual Bass 400
Pioneer BDP-51
Post edited by fattmann on
Comments
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I am not so sure how good an idea it is. I have used one of my TubeWorks rackmount guitar amps before just to test out. And was not all that impressed with the sound through some home speakers. Driving my 2 4x12 cabs its awesome though.--Gary--
Onkyo Integra M504, Bottlehead Foreplay III, Denon SACD, Thiel CS2.3, NHT VT-2, VT-3 and Evolution T6, Infinity RSIIIa, SDA1C and a few dozen other speakers around the house I change in and out. -
There are no dumb questions, but there are dumb answers and since I don't have clue about your question, I'm not going to be a dummy.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
and btw....what model is this old Fender?--Gary--
Onkyo Integra M504, Bottlehead Foreplay III, Denon SACD, Thiel CS2.3, NHT VT-2, VT-3 and Evolution T6, Infinity RSIIIa, SDA1C and a few dozen other speakers around the house I change in and out. -
May have to lug it up to my HT rack and give it a whirl and see... Thinking about it another issue is the fact that it only has 1/4" phono in, and I think 1/4" and XLR outs on it, not sure if any signal loss going from say 1/4" to bare speaker feed...
Will have to dust it off and take a look. Googleing real quick, I think it's a Fender BXR 400, its been soo long since I've messed with it I don't remember for sure...
Thanks for the input guys, anyone else have an opinion please let me know! Even if it's to tell me I'm silly.Components in The Rack:
Yamaha RX-V765 7.1 AVR
Sony TA-N511 (from 1065 to sub)
Xbox One
MA PD-915R Power Strip
Monster HTS-1650
Speakers:
L/R- Polk TSI-500 Cherry, 12awg in place of jumpers
C- Polk CS20 Cherry
SRs- Polk TSI-100 Cherry
Sub- Kicker S12L5, vented box
Display:
Sony VPH-1252Q
75" 16:9 DIY BO Cloth Screen
Not running:
Crown Straight Line Two
Crown Power Line Four
Pioneer PD-F908
Fender BXR Dual Bass 400
Pioneer BDP-51 -
Thinking about it another issue is the fact that it only has 1/4" phono in, and I think 1/4" and XLR outs on it, not sure if any signal loss going from say 1/4" to bare speaker feed...
There are adaptors available.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
Is this a an actual amp head(with separate preamp stages and power amp stages), or just a power amp?
When you say two channels...do you mean two actual channels of amplification, or 2 channels as in clean/distortion?
Better yet...what model is it?The nirvana inducer-
APC H10 Power Conditioner
Marantz UD5005 universal player
Parasound Halo P5 preamp
Parasound HCA-1200II power amp
PolkAudio LSi9's/PolkAudio SDA 2A's/PolkAudio Monitor 7A's
Audioquest Speaker Cables and IC's -
Pretty sure it's a BXR™ 400, it's at my brother's place so I can't check it right now.
Not 100% on the channels. It is an external head, with a 15 (?) band EQ on board. I also remember it having two sets of phono outs to send the high pass, and low pass cutoffs to different cabs. Quick reading it sounds like it had two 200w amps in the chassis. Don't think it had a clean/distortion "feature," I usually achieved that by cranking the gain above the volume. Thinking about all this I bet it would be a nightmare getting it dialed in and EQed properly... but again I'll stop by and grab it tomorrow night and see whats up with it.
http://webzoom.freewebs.com/lowendr/fndrdb400.jpg
http://www.gbase.com/files/store_images/gear/2029922/p1_u3agj4woq_so.jpg
http://homepages.shu.ac.uk/~eitjmh/music/fen-bxr-dual400.jpg
Almost 100% thats it..Components in The Rack:
Yamaha RX-V765 7.1 AVR
Sony TA-N511 (from 1065 to sub)
Xbox One
MA PD-915R Power Strip
Monster HTS-1650
Speakers:
L/R- Polk TSI-500 Cherry, 12awg in place of jumpers
C- Polk CS20 Cherry
SRs- Polk TSI-100 Cherry
Sub- Kicker S12L5, vented box
Display:
Sony VPH-1252Q
75" 16:9 DIY BO Cloth Screen
Not running:
Crown Straight Line Two
Crown Power Line Four
Pioneer PD-F908
Fender BXR Dual Bass 400
Pioneer BDP-51 -
The BXR400 is an unbridgeable solid state stereo amp. A bass guitar amp.
--Gary--
Onkyo Integra M504, Bottlehead Foreplay III, Denon SACD, Thiel CS2.3, NHT VT-2, VT-3 and Evolution T6, Infinity RSIIIa, SDA1C and a few dozen other speakers around the house I change in and out. -
Well after this I'm off for the night, one last thought: if it's not practical to use for the mains (doesn't sound like it would be), could it be adapted to run my sub? (separate 12" sub currently running off a crown pre-amp and sony 2ch)
Thought I had tried that way back when, and remember it being ridiculously loud, like I couldn't turn it down, but I may have known less of what I was doing back then (yes, I only act like I do currently.. lol)Components in The Rack:
Yamaha RX-V765 7.1 AVR
Sony TA-N511 (from 1065 to sub)
Xbox One
MA PD-915R Power Strip
Monster HTS-1650
Speakers:
L/R- Polk TSI-500 Cherry, 12awg in place of jumpers
C- Polk CS20 Cherry
SRs- Polk TSI-100 Cherry
Sub- Kicker S12L5, vented box
Display:
Sony VPH-1252Q
75" 16:9 DIY BO Cloth Screen
Not running:
Crown Straight Line Two
Crown Power Line Four
Pioneer PD-F908
Fender BXR Dual Bass 400
Pioneer BDP-51 -
Guitar amps are GENERALLY incredibly noisy & not suitable for H/T or anything of an audiophile nature. That said, it can't hurt to try it & see what you think~TNRabbit
NO Polk Audio Equipment :eek:
Sunfire TG-IV
Ashly 1001 Active Crossover
Rane PEQ-15 Parametric Equalizers x 2
Sunfire Cinema Grand Signature Seven
Carver AL-III Speakers
Klipsch RT-12d Subwoofer -
Guitar amps were not designed to be hifi. They were designed to have a signature sound, add certain amounts of distortion, etc. I wouldn't recommend using a guitar amp anywhere in a HiFi setup, 2-ch or home theater.
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Well this is a bass guitar amp so its voiced a lot different than a regular 6 string guitar amp. One of the bands I once played in, the bassist had a old Carvin tube head that he used to push some big ole' subwoofers with for his home stereo. Didn't sound all that good really, that was a 2 channel setup. I thought it sounded like ****$, but he liked it.
He could use it, but I wouldn't recommend it either. Thinking if I were done with playing bass. I would stick on fleabay/Craigslist to sell it. And pick up the proper equipment.--Gary--
Onkyo Integra M504, Bottlehead Foreplay III, Denon SACD, Thiel CS2.3, NHT VT-2, VT-3 and Evolution T6, Infinity RSIIIa, SDA1C and a few dozen other speakers around the house I change in and out. -
Bass amps tend to be a lot cleaner in sound than guitar amps.
There should be an effects loop return- this will bypass most the tone processing and the impedance on it will be appropriate for a home pre-amp (the instrument inputs will have an impedance appropriate for a pickup).
The effects return usually doesn't bypass any compression or reverb/chorus, so make sure you disable all those, then you should be left with a plain old SS power amp. It won't be great, and don't be surprised if it's a little noisy, but you could definitely use it as a Sub amp.Gallo Ref 3.1 : Bryston 4b SST : Musical fidelity CD Pre : VPI HW-19
Gallo Ref AV, Frankengallo Ref 3, LC60i : Bryston 9b SST : Meridian 565
Jordan JX92s : MF X-T100 : Xray v8
Backburner:Krell KAV-300i -
I wouldn't use it.
Guitar/bass amps and home audio amps are entirely different animals.
The purpose of a home audio amp is to reproduce sound without coloring the signal, adding distortion...etc.
Guitar amps are designed to be able to get any kind of tone you want out of them. They're very colored sounding. Think of it this way...
The guitar amp is the device that you use, to create the tone you're trying to preserve through your home audio amp. Obviously there are several other steps in the chain there...but that's the gist of it.
Knowing that, a guitar amp is anything but "uncolored". They aren't meant to send a completely blank signal through. Even when an amp is in clean mode, the signal is still being manipulated to a great extent. Tone controls, reverb, gain, presence...it all adds it's own bit to the tonal flavor.The nirvana inducer-
APC H10 Power Conditioner
Marantz UD5005 universal player
Parasound Halo P5 preamp
Parasound HCA-1200II power amp
PolkAudio LSi9's/PolkAudio SDA 2A's/PolkAudio Monitor 7A's
Audioquest Speaker Cables and IC's -
comfortablycurt wrote: »Knowing that, a guitar amp is anything but "uncolored". They aren't meant to send a completely blank signal through. Even when an amp is in clean mode, the signal is still being manipulated to a great extent. Tone controls, reverb, gain, presence...it all adds it's own bit to the tonal flavor.
Not so true in some cases. Maybe in the case of this amp. But there are amps out there that run totally silent and do not color the signal at all. Usually running through the effects loop, as said, will bypass the preamp and gain stages all together. Leaving basically just a power amp. In my experience this has been true mostly with high end, and very expensive, boutique tube amps.--Gary--
Onkyo Integra M504, Bottlehead Foreplay III, Denon SACD, Thiel CS2.3, NHT VT-2, VT-3 and Evolution T6, Infinity RSIIIa, SDA1C and a few dozen other speakers around the house I change in and out. -
well, it will work and I suppose if you have nothing else its beats nothing until you can locate a proper home amplifier, there certainly are folks here who use or have used pro amps in there rigs, particularily for subwoofers.
RT1 -
comfortablycurt wrote: »
Knowing that, a guitar amp is anything but "uncolored". They aren't meant to send a completely blank signal through. Even when an amp is in clean mode, the signal is still being manipulated to a great extent. Tone controls, reverb, gain, presence...it all adds it's own bit to the tonal flavor.
Actually if you bypass to the power section and defeat the reverb (which goes in parallel and gets mixed back in) bass amps and keyboard amps run the signal completely clean. Go check out the block diagram on a few- they add things, but not at the power stage. Now, the quality of that SS amp is questionable, but you can get a clean signal there. Oh, and you'll have to down-rate the power spec some. They'll spec the max power at no more than 1khz, so if you want a clean 20khz signal, you'll have to crank it back a bit.
Guitar amps are a slightly different creature- depends on the design. Some are just like bass amps where all the color is before the power stage, but some rely on getting their funky sound out of the power stage.Gallo Ref 3.1 : Bryston 4b SST : Musical fidelity CD Pre : VPI HW-19
Gallo Ref AV, Frankengallo Ref 3, LC60i : Bryston 9b SST : Meridian 565
Jordan JX92s : MF X-T100 : Xray v8
Backburner:Krell KAV-300i -
OK, here you go, block diagram on page 6 (BXR200, couldn't find the BXR400):
http://www.fender.com/support/manuals/pdfs/manuals_elec/basspdf/BXR200.pdf
So take the effects loop in, bypass chorus and deltacomp (whateverthehellthatis) and you're tapped right into the poweramp.
In the manual for the BXR300:
http://www.fender.com/support/manuals/pdfs/manuals_elec/basspdf/BXR_300C.pdf
It's got the bandwidth as 20hz-20khz (sometimes the bandwidth is limited on bass amps)
Hard to say about the power spec- the one manual is definitely at 1khz, whereas the other seems to imply it's full range...
Don't get me wrong, I'm not saying that this is going to sound as good as most home amps, but you can absolutely get clean-signal power amplification out of it.Gallo Ref 3.1 : Bryston 4b SST : Musical fidelity CD Pre : VPI HW-19
Gallo Ref AV, Frankengallo Ref 3, LC60i : Bryston 9b SST : Meridian 565
Jordan JX92s : MF X-T100 : Xray v8
Backburner:Krell KAV-300i -
I stand corrected.
I know much more about playing guitar than I do about effects loops/preamp stages and all that razmatazz though. Anymore I'm on a back to basics kinda theory with my guitar playing...and I play almost exclusively acoustic guitar.
So...Should I hook up my SDA's to my Mesa/Boogie Dual Rectifier!?:p:eek:The nirvana inducer-
APC H10 Power Conditioner
Marantz UD5005 universal player
Parasound Halo P5 preamp
Parasound HCA-1200II power amp
PolkAudio LSi9's/PolkAudio SDA 2A's/PolkAudio Monitor 7A's
Audioquest Speaker Cables and IC's -
comfortablycurt wrote: »So...Should I hook up my SDA's to my Mesa/Boogie Dual Rectifier!?:p:eek:
lol, No that will sound very bad. The Dual REc is a NICE amp! I used to have a Single Rec and wish I had kept it.
I have played through a Triple Rec before and didn't like it all that much.
EDIT: And I will take trades on that Kramer I got.
Whatcha got laying round? --Gary--
Onkyo Integra M504, Bottlehead Foreplay III, Denon SACD, Thiel CS2.3, NHT VT-2, VT-3 and Evolution T6, Infinity RSIIIa, SDA1C and a few dozen other speakers around the house I change in and out. -
lol, No that will sound very bad. The Dual REc is a NICE amp! I used to have a Single Rec and wish I had kept it.
I have played through a Triple Rec before and didn't like it all that much.
They really are nice amps. I'm thinking about picking up a Fender Twin Reverb combo though too...eventually.:D
The big problem with the Triple Rec is that it's almost overpowered for most situations. 150 tube watts in a guitar head is a lot of power...and for most situations it's really overkill. You can mod them to remove two of the 6L6's though, and tame the wattage down to 100, making it sound virtually identical to a Dual Rec.
I've got the Dual Rectifier Solo head, with a full size Rectifier 4x12 cab. Makes for an excellent sounding rig.
edit-And I'm thinking about that Kramer!!The nirvana inducer-
APC H10 Power Conditioner
Marantz UD5005 universal player
Parasound Halo P5 preamp
Parasound HCA-1200II power amp
PolkAudio LSi9's/PolkAudio SDA 2A's/PolkAudio Monitor 7A's
Audioquest Speaker Cables and IC's -
Double postComponents in The Rack:
Yamaha RX-V765 7.1 AVR
Sony TA-N511 (from 1065 to sub)
Xbox One
MA PD-915R Power Strip
Monster HTS-1650
Speakers:
L/R- Polk TSI-500 Cherry, 12awg in place of jumpers
C- Polk CS20 Cherry
SRs- Polk TSI-100 Cherry
Sub- Kicker S12L5, vented box
Display:
Sony VPH-1252Q
75" 16:9 DIY BO Cloth Screen
Not running:
Crown Straight Line Two
Crown Power Line Four
Pioneer PD-F908
Fender BXR Dual Bass 400
Pioneer BDP-51 -
I know its got the diagram on the top, will try to post It when I get home (still in class ugh). So If I can bypass the preamp and eq portions it would render it nearly a SS power amp that I can then either run w my 765 (when I get It..) or my crown power line two preamp?
I know several of you are shaking your heads, but if I can get it to run my sub w decent accuracy, I can then free up my 2ch Sony ta-n511 for my 500 mains... which I think would be beneficial.Components in The Rack:
Yamaha RX-V765 7.1 AVR
Sony TA-N511 (from 1065 to sub)
Xbox One
MA PD-915R Power Strip
Monster HTS-1650
Speakers:
L/R- Polk TSI-500 Cherry, 12awg in place of jumpers
C- Polk CS20 Cherry
SRs- Polk TSI-100 Cherry
Sub- Kicker S12L5, vented box
Display:
Sony VPH-1252Q
75" 16:9 DIY BO Cloth Screen
Not running:
Crown Straight Line Two
Crown Power Line Four
Pioneer PD-F908
Fender BXR Dual Bass 400
Pioneer BDP-51 -
Yeah, get a pic of the block diagram and the i/o's. Should be able to tell from that.Gallo Ref 3.1 : Bryston 4b SST : Musical fidelity CD Pre : VPI HW-19
Gallo Ref AV, Frankengallo Ref 3, LC60i : Bryston 9b SST : Meridian 565
Jordan JX92s : MF X-T100 : Xray v8
Backburner:Krell KAV-300i -
comfortablycurt wrote: »I stand corrected.
I know much more about playing guitar than I do about effects loops/preamp stages and all that razmatazz though. Anymore I'm on a back to basics kinda theory with my guitar playing...and I play almost exclusively acoustic guitar.
So...Should I hook up my SDA's to my Mesa/Boogie Dual Rectifier!?:p:eek:
That would be a perfect example of a guitar amp that has a lot of flavor on the power amp side
Gallo Ref 3.1 : Bryston 4b SST : Musical fidelity CD Pre : VPI HW-19
Gallo Ref AV, Frankengallo Ref 3, LC60i : Bryston 9b SST : Meridian 565
Jordan JX92s : MF X-T100 : Xray v8
Backburner:Krell KAV-300i -
Damn flash was giving me hell.
Diagram: pretty self explanatory.
Front panel: Just to the left of EQ it reads;
Crossover stereo/biamp (button)
Line Out pre/post (button)
Pot is Vol 1-10
Deltacomp B (Light)
Power (Light)
Deltacomp A (Light)
Deltacomp on/off (button)
Brother broke some knobs off, wasn't too thrilled...
Back Panel: Where the flash is: Patching In Out High/BComponents in The Rack:
Yamaha RX-V765 7.1 AVR
Sony TA-N511 (from 1065 to sub)
Xbox One
MA PD-915R Power Strip
Monster HTS-1650
Speakers:
L/R- Polk TSI-500 Cherry, 12awg in place of jumpers
C- Polk CS20 Cherry
SRs- Polk TSI-100 Cherry
Sub- Kicker S12L5, vented box
Display:
Sony VPH-1252Q
75" 16:9 DIY BO Cloth Screen
Not running:
Crown Straight Line Two
Crown Power Line Four
Pioneer PD-F908
Fender BXR Dual Bass 400
Pioneer BDP-51 -
Got it. Turn off the deltacomp, get a couple 1/4 to RCA mono adaptors and use the patch inputs. For the speaker outputs you'll have to rig some speakerwire to 1/4 plugs- don't think I've seen an adaptor for that.Gallo Ref 3.1 : Bryston 4b SST : Musical fidelity CD Pre : VPI HW-19
Gallo Ref AV, Frankengallo Ref 3, LC60i : Bryston 9b SST : Meridian 565
Jordan JX92s : MF X-T100 : Xray v8
Backburner:Krell KAV-300i -
So sub out into the Patch Low input, then Low A out to the sub with, bi-amping on? Hmm definitely a hassle.. if I ever get done with this electrical engineering (ironic...) hw I'll poke at it tonight..Components in The Rack:
Yamaha RX-V765 7.1 AVR
Sony TA-N511 (from 1065 to sub)
Xbox One
MA PD-915R Power Strip
Monster HTS-1650
Speakers:
L/R- Polk TSI-500 Cherry, 12awg in place of jumpers
C- Polk CS20 Cherry
SRs- Polk TSI-100 Cherry
Sub- Kicker S12L5, vented box
Display:
Sony VPH-1252Q
75" 16:9 DIY BO Cloth Screen
Not running:
Crown Straight Line Two
Crown Power Line Four
Pioneer PD-F908
Fender BXR Dual Bass 400
Pioneer BDP-51 -
So just hooked it up. Not too bad, not really that impressed. Went Sub out from my receiver, to Patch A in, then 1/4" to bare leads to the sub with some Liberty wire I had laying around. No discernible distortion as far as I can tell- but then again my old KLH receiver is beat, and it's a car sub...
One odd note though, it isn't very loud... I have a "SPL meter" on my HTC Hero (no I don't take it seriously, just good for comparing output levels), and the Fender read a full 7-8dbs under the Sony at the same receiver vol, and preamp level. Had to tick the preamp up about two (four digits 40 to 44, goes from infinity (60) to 0) clicks to get it at about the same level. Fender is rated at 200w RMS @ 4ohms (from what I can tell), where as the Sony is rated at 135w 8ohms. Speaker being driven is a 2ohm DVC wired in series for 4ohms. Is the fender just old and worn out?
Segway to the other note- I tried the High B input, but the front panel threw the Deltacomp light at me, which I'm assuming is clip-protection? Got no sound out of High B at all.. Assuming that channel is dead? I did get it second hand, and never used it on more than one cab. So could indicate it's on the way out.
Have a similar sound level issue with a Crown Power Line Four amp I have that matches the Crown preamp. It is ALOT quieter than my Sony. Someone mentioned that the mosfets were wearing out, but don't know much about the actual circuitry.
I don't know, sounds alright to me, but again I stress my lame receiver and sub, lol. Using the patch input seems to bypass all other controls like was theorized. Oddly the Deltacomp on/off switch does nothing, even though it throws that light at me. Will have to see what it does when I get that 765 (damn tax return..). Will run it for a few days and see what it does, definitely won't be using it for my mains, but like I said that frees up my Sony for that detail later on.
Looks like it runs for about $200-350 on a few craigslist postings. Missing a few knobs, and possibly missing a channel, figure I could only get about $80-150. Think it'd be worth hawking and buying a plate amp for my sub box?Components in The Rack:
Yamaha RX-V765 7.1 AVR
Sony TA-N511 (from 1065 to sub)
Xbox One
MA PD-915R Power Strip
Monster HTS-1650
Speakers:
L/R- Polk TSI-500 Cherry, 12awg in place of jumpers
C- Polk CS20 Cherry
SRs- Polk TSI-100 Cherry
Sub- Kicker S12L5, vented box
Display:
Sony VPH-1252Q
75" 16:9 DIY BO Cloth Screen
Not running:
Crown Straight Line Two
Crown Power Line Four
Pioneer PD-F908
Fender BXR Dual Bass 400
Pioneer BDP-51




