Dumb things you've heard from "audiophiles"...
Comments
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It's all good man, ya know...."common sense dictates" that the experienced carpenter is your best bet anyway. Also very dependant on your definition of "common sense".
If only you could teach common sense lol......"....not everything that can be counted counts, and not everything that counts can be counted." William Bruce Cameron, Informal Sociology: A Casual Introduction to Sociological Thinking (1963) -
It is probably not exactly a dumb thing, since it does require more knowledge than the average person, but almost any sentence uttered by an audiophile using the word "electron" is bound to be wrong (often spectacularly). I have seen a few comments regarding cutting down on the vibrations of the electrons in their system which is of course crazy talk.
If you are ever tempted to use the word "electron", see if you can substitute the word "current". If you can, use current instead. If you cannot, this is one of those times you should remain silent rather than prove yourself a fool. In general, before speaking about any subatomic particle, you should ask yourself how many semesters of quantum mechanics you have had. If your answer is less than 2, you should tread carefully. -
EndersShadow wrote: »If only you could teach common sense lol......
Having my elders putting a couple knots on my head worked ...I think2-channel: Modwright KWI-200 Integrated, Dynaudio C1-II Signatures
Desktop rig: LSi7, Polk 110sub, Dayens Ampino amp, W4S DAC/pre, Sonos, JRiver
Gear on standby: Melody 101 tube pre, Unison Research Simply Italy Integrated
Gone to new homes: (Matt Polk's)Threshold Stasis SA12e monoblocks, Pass XA30.5 amp, Usher MD2 speakers, Dynaudio C4 platinum speakers, Modwright LS100 (voltz), Simaudio 780D DAC
erat interfectorem cesar et **** dictatorem dicere a -
txcoastal1 wrote: »Having my elders putting a couple knots on my head worked ...I think
You got that right, I started to look like Gumby when I was kid from the knocks on the head. To top it off, I had twin older sisters that would twist me up like a pretzel too. Don't picture that please.HT SYSTEM-
Sony 850c 4k
Pioneer elite vhx 21
Sony 4k BRP
SVS SB-2000
Polk Sig. 20's
Polk FX500 surrounds
Cables-
Acoustic zen Satori speaker cables
Acoustic zen Matrix 2 IC's
Wireworld eclipse 7 ic's
Audio metallurgy ga-o digital cable
Kitchen
Sonos zp90
Grant Fidelity tube dac
B&k 1420
lsi 9's -
Climb out of the box, sheesh. Experiment, stop parroting the internet dribble. Try things for yourself and see if they make a difference.Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2
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Climb out of the box, sheesh. Experiment, stop parroting the internet dribble. Try things for yourself and see if they make a difference.
You are correct, the biggest problem is, now days getting out to places that have nice gear. I live in the great state of TX and drove around to all the major cities, and a few houses and shows to get a grasp of what I really wanted and enjoyed hearing. It has taken every bit of 2 years to accomplish this, and once I get all the pieces in the rack setup and listen for a couple months, I'm sure I still won't be done.
Thats why its called a hobby...but I am sure there are limits to other parts of the U.S. that this next to impossible
But the first hi-end audio shop I visited I was hooked, all the definitions: soundstage, depth, dark, neutral etc started to make since, but those who may never get a chance to experience will never get it2-channel: Modwright KWI-200 Integrated, Dynaudio C1-II Signatures
Desktop rig: LSi7, Polk 110sub, Dayens Ampino amp, W4S DAC/pre, Sonos, JRiver
Gear on standby: Melody 101 tube pre, Unison Research Simply Italy Integrated
Gone to new homes: (Matt Polk's)Threshold Stasis SA12e monoblocks, Pass XA30.5 amp, Usher MD2 speakers, Dynaudio C4 platinum speakers, Modwright LS100 (voltz), Simaudio 780D DAC
erat interfectorem cesar et **** dictatorem dicere a -
This seems like a provocation to me.That said, have you read Ray's (Darqueknight's) detailed thread on why ABX and DBT's are not fit for stereophonic audio? It is extremely well done and informative. Ray is an electronics engineer for all the "science" proves or nullifies all types out there. You can find it here.
Simply put, if the difference can't be heard in a proper DBT, there is no actual audible difference. Or, to put it another way, the difference you thought you were hearing wasn't actually there.Also, have you looked up the definition of placebo?Lastly, if by using the word "placebo", you are implying that people who can hear and feel a difference a power cord makes are deceiving themselves I ask the question: How many people does it take having experienced the differences a cable makes to show that we are not deceiving ourselves? I can guarantee you that I am not; of course my saying that cannot convince you that you can experience the differences a cable makes. I'm sorry you are missing out on great audio!I'm not going to flame you but I will say you are missing out. And for the record I don't mind being proven wrong..For those of us that have, a good PC will give way more noticeable improvements than your run of the mill power conditioner. Excluding the good power conditioners of coarse from the likes of PS Audio, Running Springs, Shunyata, etc. Your standard fair Belkin, Monster, Furman, are good for cleaning up noise in the signal, and to reduce or prevent surges or spikes. Some do better than others in any event. Even more gains can be had by using both, a good power cord into a good power conditioner. You'd have to be deaf not to hear the differences.Part of this hobby and I might add the fun part, is tossing out pre conceived notions and just trying different things in your system. You just might find a surprise or two along the way.Hell, I better call Jud Barber (Joule Electra)up right now and tell him to remove the reference in his PREAMP owners manual, that if you want more bass upgrade to a better power cable.Actually, it is the lack of common sense that "dictates that they won't have any real effect". The same thing applies to digital cables. I have upgraded both my power cords and digital cable, and the upgrades have produced obvious, audible sonic improvements. Just because you do not bother try anything, or are partially deaf, does not mean they do not work. Like it or not, once you stop using completely low-end gear, cables can produce audible differences.
Oh, as for my hearing, I actually had a hearing test recently and my hearing is just fine. But, thank you for the concern! -
Except your strong view doesn't come from any experience, it's just a guess and assumption based on what you've read or interpreted somewhere else. No actual evaluation of your own.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
I see Mr. Know-it-all is from Texas. All hat and no cattle.Lumin X1 file player, Westminster Labs interconnect cable
Sony XA-5400ES SACD; Pass XP-22 pre; X600.5 amps
Magico S5 MKII Mcast Rose speakers; SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits. -
I also find that the people in your camp beefjerky can suffer from the same placebo effect you accuse us of suffering from. Because you believe there is no difference you trick youself into not hearing differences you could be hearing but because of your bias they are completely ignored or passed over as not being there. It can go both ways you know, except no one in your camp ever experiences that (atleast publically admits it). They assume because they can't hear it, it must not exist. It only is non-existent for the person who can't or refuses to hear it.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
There sure are different levels of enjoyment in this hobby, if you want to call it that even. Some don't see it as a hobby but just a means to an end. They want a system they can turn on when they come home, no muss, no fuss, and sound good. No playing around with cables, conditioners, tubes, vinyl, speakers to match receivers, receivers to match speakers, stands too high, too low, placement, looks, no bass traps, no huge subwoofer the size of a coffee table. To these people, it is not a hobby, they simply have no time or concern over such things....but want good sound. Thats how the HTIB craze started, an all in one solution. Same with AVR's. Only threw experience and trying new things can one appreciate what good sound can be. If your not interested in furthering your concept of what good sound is or can be, then cruising audio forums isn't for you. The high school kid at Best buy will be all you'll ever need. Don't get me wrong, if thats all you'll ever need, rock it then, we all enjoy music in our own way in our own world. Just don't knock those who seek to further their definition of good sound is all I'm saying.HT SYSTEM-
Sony 850c 4k
Pioneer elite vhx 21
Sony 4k BRP
SVS SB-2000
Polk Sig. 20's
Polk FX500 surrounds
Cables-
Acoustic zen Satori speaker cables
Acoustic zen Matrix 2 IC's
Wireworld eclipse 7 ic's
Audio metallurgy ga-o digital cable
Kitchen
Sonos zp90
Grant Fidelity tube dac
B&k 1420
lsi 9's -
I am no expert by any stretch when it comes to audio....or really anything! lol And I am not sure what setup that dude has at home that made that comment about the amp. But that is about the same as saying the amplifier in my old Technics receiver (my first) sounds the same as the Onkyo Integra power amp that I presently run. That is pure common sense, there is no comparison. If that was the case, ALL capacitors, diodes, transistors etc. are of the same quality no matter the price. How can someone honestly believe that? Now if you state that as your opinion, or your experience. Then that is fine. But to state that as fact just blows my mind.
Trying different preamps in my set up has yielded vastly different outcomes. Some better some worse. I have an older model Onkyo cd player. Was fairly expensive in its time. I have been running it on a pair of Infinity RSIIIa's. Kinda thought they sounded laid back. Just swapped out to a newer model Phillips player, and damn, they are not laid back at all really! lol
I firmly believe the ones that say it does not matter. Are the ones that do not swap gear in and out of their systems....or try new stuff.--Gary--
Onkyo Integra M504, Bottlehead Foreplay III, Denon SACD, Thiel CS2.3, NHT VT-2, VT-3 and Evolution T6, Infinity RSIIIa, SDA1C and a few dozen other speakers around the house I change in and out. -
Except your strong view doesn't come from any experience, it's just a guess and assumption based on what you've read or interpreted somewhere else. No actual evaluation of your own.
H9I see Mr. Know-it-all is from Texas. All hat and no cattle.I also find that the people in your camp beefjerky can suffer from the same placebo effect you accuse us of suffering from. Because you believe there is no difference you trick youself into not hearing differences you could be hearing but because of your bias they are completely ignored or passed over as not being there. It can go both ways you know, except no one in your camp ever experiences that. They assume because they can't hear it, it must not exist. It only is non-existent for the person who can't or refuses to hear it.
H9 -
I see Mr. Know-it-all is from Texas. All hat and no cattle.
Hey now there are quite a few TX polkies here2-channel: Modwright KWI-200 Integrated, Dynaudio C1-II Signatures
Desktop rig: LSi7, Polk 110sub, Dayens Ampino amp, W4S DAC/pre, Sonos, JRiver
Gear on standby: Melody 101 tube pre, Unison Research Simply Italy Integrated
Gone to new homes: (Matt Polk's)Threshold Stasis SA12e monoblocks, Pass XA30.5 amp, Usher MD2 speakers, Dynaudio C4 platinum speakers, Modwright LS100 (voltz), Simaudio 780D DAC
erat interfectorem cesar et **** dictatorem dicere a -
Except the above casual listeners want to be know-it-all's and tell those of us heavily invested in the hobby with a plethora of experience we are all wrong, yada, yada, yada. That's what I get tired of. I would never tell someone who took the time to explore the hobby, swap some gear, listen semi-critically and still not experience all the nuances this hobby can offer that they were full of crap or wrong or flawed or whatever. It's the ones who never try anything, who never experience anything and only want to stare at numbers on a piece of paper and then say nothing matters that really p*ss me off.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
"The high school kid at Best buy will be all you'll ever need. Don't get me wrong, if thats all you'll ever need, rock it then, we all enjoy music in our own way in our own world. Just don't knock those who seek to further their definition of good sound is all I'm saying."
Well said Tony
Don't piss on my hobby and I won't piss on yours2-channel: Modwright KWI-200 Integrated, Dynaudio C1-II Signatures
Desktop rig: LSi7, Polk 110sub, Dayens Ampino amp, W4S DAC/pre, Sonos, JRiver
Gear on standby: Melody 101 tube pre, Unison Research Simply Italy Integrated
Gone to new homes: (Matt Polk's)Threshold Stasis SA12e monoblocks, Pass XA30.5 amp, Usher MD2 speakers, Dynaudio C4 platinum speakers, Modwright LS100 (voltz), Simaudio 780D DAC
erat interfectorem cesar et **** dictatorem dicere a -
Too bad none of ya'll power cord believers are willing to do the same and join me on a DBT!
Hold on there bro. I most certainly am willing to double blind test. Secondly, is there not an answer as to why not use at least the same size as the infeed lines? I have visible proof of clearer picture and decreased grain in digital feed with the upgraded cord for my oppo. If what the nay sayers hold is actually true then I suppose there is no reason for Intel to use gold plating and silver. It's just metel right! No differences here:rolleyes:Too much **** to list.... -
Basic knowledge in electronics provides me what I need to know about the (lack of) effects from power cords. I don't buy something based on outrageous and fabricated claims.
Obviously, your basic knowledge of electronics is between null and nill. Read it and weep. Of course, your lack of knowledge will prevent you from understanding the issues and details.
"Though there are many sound and visual professionals who report experiencing dramatic differences when replacing stock power cords, there are still skeptics who point to a lack of measurements as proof that no real difference can exist.
Shunyata Research scientist, Caelin Gabriel, has put an end to the debate by revealing not only one -- but three dramatic measured differences between stock power cords and an inexpensive audio-grade power cord."
http://www.shunyata.com/Content/DTCD.htmlLumin X1 file player, Westminster Labs interconnect cable
Sony XA-5400ES SACD; Pass XP-22 pre; X600.5 amps
Magico S5 MKII Mcast Rose speakers; SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits. -
I think its time for a Texas DBT meeting with powercords as the main subject.
Lord knows there are like 50 million forum members in Texas :biggrin:
As an aside BeefJerky, are you in the MIT Cable demo? Its free and you could setup your own DBT to prove or disprove your thoughts with real data (provided you dont skew it by inviting all your other copper is copper friends)"....not everything that can be counted counts, and not everything that counts can be counted." William Bruce Cameron, Informal Sociology: A Casual Introduction to Sociological Thinking (1963) -
Hold on there bro. I most certainly am willing to double blind test.Secondly, is there not an answer as to why not use at least the same size as the infeed lines?I have visible proof of clearer picture and decreased grain in digital feed with the upgraded cord for my oppo.If what the nay sayers hold is actually true then I suppose there is no reason for Intel to use gold plating and silver. It's just metel right! No differences here:rolleyes:
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Actually, the primary advantages of gold and silver are their resistance to corrosion. Silver is the more corrosion resistant of the two, but it is also more expensive. Note also that mixing metals isn't a good idea, and can actually make the corrosion problem worse. For example, hooking up a gold-plated plug to a nickel-plated jack will likely make things worse than if you stuck with a cheaper nickel-plated plug. So, yes, there are reasons to use exotic metals in some cases, but it isn't necessarily in relation to electrical signal quality or conductivity.
Nice contradiction, so it's resistant to corrosion but that in no way helps the signal quality or conductivity. A corroded connection is just as good as a non-corroded connection?
You are smarter than the rest of us, that's for certain.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
Obviously, your basic knowledge of electronics is between null and nill. Read it and weep. Of course, your lack of knowledge will prevent you from understanding the issues and details.
"Though there are many sound and visual professionals who report experiencing dramatic differences when replacing stock power cords, there are still skeptics who point to a lack of measurements as proof that no real difference can exist.
Shunyata Research scientist, Caelin Gabriel, has put an end to the debate by revealing not only one -- but three dramatic measured differences between stock power cords and an inexpensive audio-grade power cord."
http://www.shunyata.com/Content/DTCD.html
a) The article seems to make no mention of wire gauges in the article. Obviously a larger gauge wire will be able to pass through larger amounts of current without a voltage drop.
b) He makes no mention of what voltage he is testing at - I would assume either 120v or 240v, but I don't actually know.
c) The current measurements he is making are well above what any home piece of audio gear would actually draw, even for transients. If you piece of audio gear pulled that much current, even for an instant, and even on a 20A circuit, it would trip your breaker. In addition, his graphs don't actually give enough detail in the lower current regions for me to know what is going on in realistic situations.
d) None of this necessarily amounts to audible differences.
Anyone with an ounce of electronics knowledge would be able to see the giant flaws in that article.Jerky, just out of curiosity, have you ever sat down and listened with someone who has more "experience" and listened to their critiques? There are things I've learned just from casual conversations that I picked up on after pointed out. It was always there, I just never noticed until it was shown to me. The different "nuances" spoken of are very hard for me to grasp without a little "help".EndersShadow wrote: »I think its time for a Texas DBT meeting with powercords as the main subject.Lord knows there are like 50 million forum members in Texas :biggrin:As an aside BeefJerky, are you in the MIT Cable demo? Its free and you could setup your own DBT to prove or disprove your thoughts with real data (provided you dont skew it by inviting all your other copper is copper friends) -
Nice contradiction, so it's resistant to corrosion but that in no way helps the signal quality or conductivity. A corroded connection is just as good as a non-corroded connection?
You are smarter than the rest of us, that's for certain.
H9 -
Actually, the primary advantages of gold and silver are their resistance to corrosion. Silver is the more corrosion resistant of the two, but it is also more expensive.
If that is the case why does silver tarnish? Why silver coins crust over in salt water when gold coins don't? hummmm....Note also that mixing metals isn't a good idea, and can actually make the corrosion problem worse.
Sooo.......alloy's are bad huh? :rolleyes: Think you need to do some reading here.--Gary--
Onkyo Integra M504, Bottlehead Foreplay III, Denon SACD, Thiel CS2.3, NHT VT-2, VT-3 and Evolution T6, Infinity RSIIIa, SDA1C and a few dozen other speakers around the house I change in and out. -
Once again you completely and decisivley talk all around a subject and never ever answer it straight on. You are so busy trying to defend you position you never answer anything completely or even within the same context of your prior post or the question posed. I don't know if you lack of reading comprehension, are ADD, can't formulate the correct response or just want to see your thoughts in print.
It's very difficult to carry on a meaningful discussion with someone that consistently all over the place and never really says anything.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
If that is the case why does silver tarnish? Why silver coins crust over in salt water when gold coins don't? hummmm....Sooo.......alloy's are bad huh? :rolleyes: Think you need to do some reading here.
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Once again you completely and decisivley talk all around a subject and never ever answer it straight on. You are so busy trying to defend you position you never answer anything completely or even within the same context of your prior post or the question posed. I don't know if you lack of reading comprehension, are ADD, can't formulate the correct response or just want to see your thoughts in print.
It's very difficult to carry on a meaningful discussion with someone that consistently all over the place and never really says anything.
H9 -
Tarnish is a thin layer of corrosion that forms over copper, brass, silver, aluminum, and other similar metals as their outermost layer undergoes a chemical reaction.
Corrosion is the gradual destruction of material, usually metal, by chemical reaction with its environment.
Really
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
Tarnish is a thin layer of corrosion that forms over copper, brass, silver, aluminum, and other similar metals as their outermost layer undergoes a chemical reaction.
Corrosion is the gradual destruction of material, usually metal, by chemical reaction with its environment.
Really
H9 -
Are you kidding me? I gave a perfectly reasonable answer to your claims of contradiction. I explained why the corrosion-resistance wasn't always necessary or meaningful, including other alternatives. Just because you didn't like the response doesn't mean it's not valid.
You are hopeless, I am done communicating this way with you. Maybe someday we can share a beer and face-to-face will be more meaningful.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
This discussion has been closed.