Have you moved on from SDA's?

135

Comments

  • nspindel
    nspindel Posts: 5,343
    edited October 2011
    ...The SDA's on the other hand have produced sound that came from past my head.

    And I have witnesses to attest to that phenomenon also with out haveing any inhancements either.:cheesygrin:

    +1 to that. I've definitely heard things from SDA's that my ears perceive as coming from behind me.
    Good music, a good source, and good power can make SDA's sing. Tubes make them dance.
  • audiocr381ve
    audiocr381ve Posts: 2,588
    edited October 2011
    nspindel wrote: »
    +1 to that. I've definitely heard things from SDA's that my ears perceive as coming from behind me.

    +2 to that. I can't remember exactly what the sound was, but I remember getting up and checking to see if someone was outside making the noise to find out it was on the CD. Spookalicious.
  • heiney9
    heiney9 Posts: 25,165
    edited October 2011
    I've heard sound coming from the sides of my room from my maggies but only about 80* max. The SDA's on the other hand have produced sound that came from past my head.

    And I have witnesses to attest to that phenomenon also with out haveing any inhancements either.:cheesygrin:

    Yes, certainly. But the fact that the Maggies don't break out of the 80* or so plane, doesn't mean they don't sound 3 dimensional. Sometimes with some source material the SDA's can over do it. Not so much the SDA's but how the recording is mastered. This doesn't happen too often, but exaggerated recordings or deliberate recordings that unconventionally put seperation between sounds can sound a little bit contrived.

    For me those are few and far between recordings.

    Maggies will not duplicate SDA's, but they can render a holographic, 3D listening stage.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • nooshinjohn
    nooshinjohn Posts: 25,420
    edited October 2011
    nspindel wrote: »
    +1 to that. I've definitely heard things from SDA's that my ears perceive as coming from behind me.

    As have I with my 2.3TL's, but that is simply not believable, depending on the recording. If I am listening to music, the performers are in front of me, even in a live recording. The effect may be cool to hear a guitarist playing behind you, it is nevertheless distracting.

    The SDA's are a great speaker, among the best I have heard, but thanks to this motley crew of audiophiles, my hearing has advanced to the point where I need far more accuracy than they can deliver in their unmodded form. I will be trying the crossover mods and setting them up properly in a new dedicated room when we buy a house, but I am under no illusion that they will rise up to the level my tastes have come to desire.
    The Gear... Carver "Statement" Mono-blocks, Mcintosh C2300 Arcam AVR20, Oppo UDP-203 4K Blu-ray player, Sony XBR70x850B 4k, Polk Audio Legend L800 with height modules, L400 Center Channel Polk audio AB800 "in-wall" surrounds. Marantz MM7025 stereo amp. Simaudio Moon 680d DSD

    “When once a Republic is corrupted, there is no possibility of remedying any of the growing evils but by removing the corruption and restoring its lost principles; every other correction is either useless or a new evil.”— Thomas Jefferson
  • heiney9
    heiney9 Posts: 25,165
    edited October 2011
    John, if you are hearing guitar players behind you, then it's in the recording and that recording no matter what you listen to it on is going to sound unnatural. The best is when someone like Jewel is singing live, playing acoustic and I can hear the reverberations of the hall around and behind me, just like in a real concert hall. But if she was actually singing behind me, that would be weird.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • JPSmario
    JPSmario Posts: 142
    edited October 2011
    will hopefully never go away. I like my 2A's better than anything I've owned, but I'd like to hear 1C's in my room as well as B&W703's. I'm very curious about the 3.1TL's, since I think 2.3's might be just too big for my space (and neighbors:eek:). BTW, who is doing x-over mod's these days? I don't quited trust myself that far with soldering tools...
    Dual 1229/Grado Gold/Rotel RCD1070/RC995/RB980BX/Pioneer 7100/Denon DRM710/Monster HTS3600MKII/PolkAudio SDA2B/TL's
  • Big Dawg
    Big Dawg Posts: 2,005
    edited October 2011
    +2 to that. I can't remember exactly what the sound was, but I remember getting up and checking to see if someone was outside making the noise to find out it was on the CD. Spookalicious.

    +3 to that - it happens fairly often. Spooky.
  • heiney9
    heiney9 Posts: 25,165
    edited October 2011
    I was watching a movie the other night and a door slammed shut, out of screen view, in the movie and I swear it was my front door, scared the living crap outta me. I am constantly pausing movies because I'm hearing things all over the room and I swear it's not the movie, but it always is. SDA's in 2ch mode are great for movies.
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • Timothy Smith
    Timothy Smith Posts: 764
    edited October 2011
    Let's face it guys:

    All roads......eventually lead to the Bose "Wave Radio".

    It said so on TV.

    I am almost there.
    Norh ACA-2B tube pre, Sumo Andromeda SS amp. Magneplanar MMG speakers, M&K MX1250 Subwoofer, Pro-Ject RM1.3 Genie TT with Sumiko Pearl MM cart., Keces DAC, Cambridge Audio Azur 640c CD player
  • sda2mike
    sda2mike Posts: 3,131
    edited October 2011
    was listening to pink floyd's title cut from 'obscured by clouds'....the syth was all around the room, including behind my head!...i thought at first that i was smart to have installed that speaker back there:) that lasted about 1/2 a second...the sda fun lasted the whole song...i to, turned to look..along with the cat..it is profound...btw, this was from the new remastered release
  • heiney9
    heiney9 Posts: 25,165
    edited October 2011
    The only recordings I have a problem with are the Beatles stereo remasters. This has almost everything to do with the recording process/technique. The instruments are seperated unnaturally between the Left and Right speaker. So I hear vocals and snare all in the Left and Bass drum and Bass notes all in the left. There doesn't seem to be much "stereo" blending and it sounds weird to me. If I listen on my 5B's, it's the same, but much less pronounced

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • nooshinjohn
    nooshinjohn Posts: 25,420
    edited October 2011
    heiney9 wrote: »
    The only recordings I have a problem with are the Beatles stereo remasters. This has almost everything to do with the recording process/technique. The instruments are seperated unnaturally between the Left and Right speaker. So I hear vocals and snare all in the Left and Bass drum and Bass notes all in the left. There doesn't seem to be much "stereo" blending and it sounds weird to me. If I listen on my 5B's, it's the same, but much less pronounced

    H9
    Eleanor Rigby... That was the song. It happened on the MoFi vinyl cut, which does exactly the same as you describe.
    The remasters from mono to stereo suck from an imaging standpoint. Placement of the speakers may also have played a role in what I described.
    The Gear... Carver "Statement" Mono-blocks, Mcintosh C2300 Arcam AVR20, Oppo UDP-203 4K Blu-ray player, Sony XBR70x850B 4k, Polk Audio Legend L800 with height modules, L400 Center Channel Polk audio AB800 "in-wall" surrounds. Marantz MM7025 stereo amp. Simaudio Moon 680d DSD

    “When once a Republic is corrupted, there is no possibility of remedying any of the growing evils but by removing the corruption and restoring its lost principles; every other correction is either useless or a new evil.”— Thomas Jefferson
  • F1nut
    F1nut Posts: 50,566
    edited October 2011
    I've never had sounds coming from behind me in all the years I've owned SDA's. Something about your rooms isn't right if you get that.
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • audiocr381ve
    audiocr381ve Posts: 2,588
    edited October 2011
    F1nut wrote: »
    I've never had sounds coming from behind me in all the years I've owned SDA's. Something about your rooms isn't right if you get that.

    I know! And it's pretty cool!
  • Tony M
    Tony M Posts: 11,151
    edited October 2011
    F1nut wrote: »
    I've never had sounds coming from behind me in all the years I've owned SDA's. Something about your rooms isn't right if you get that.

    My experiences with SDA behind me sounds sure isn't coming from reflections of my back walls... I can't even see them sometimes.:lol:

    I have 12' behind me. Maybe depth of a room and ceiling height comes into play. My ceiling is 18' tall also.
    Most people just listen to music and watch movies. I EXPERIENCE them.
  • heiney9
    heiney9 Posts: 25,165
    edited October 2011
    F1nut wrote: »
    I've never had sounds coming from behind me in all the years I've owned SDA's. Something about your rooms isn't right if you get that.

    That's true for me, never behind me. Way out to the side, but never behind me other than the illusion of some hall acoustics. I have a recording where the hall acoustics reverberate behind me when she ends her note and pauses. It's eery, but I wouldn't say the music is playing behind me just the note as it lingers and fades.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • F1nut
    F1nut Posts: 50,566
    edited October 2011
    heiney9 wrote: »
    That's true for me, never behind me. Way out to the side, but never behind me other than the illusion of some hall acoustics. I have a recording where the hall acoustics reverberate behind me when she ends her note and pauses. It's eery, but I wouldn't say the music is playing behind me just the note as it lingers and fades.

    H9

    Ed Zachery
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • VR3
    VR3 Posts: 28,650
    edited October 2011
    I have never heard a set of SDAs do something a good set of properly set up speakers cant do...

    Just sayin
    - Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit.
  • F1nut
    F1nut Posts: 50,566
    edited October 2011
    I have never heard a set of SDAs do something a good set of properly set up speakers cant do...

    I have.
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • Dawgfish
    Dawgfish Posts: 2,554
    edited October 2011
    Unfortunately I have moved on from my SDA-1Cs, but not by choice. I moved and no longer have the room for them. Since I had the 1Cs in the system I've had various models of DCM Timeframes and a set of Martin Logans. All of them were quite nice, but I still miss the SDA effect. I'm currently running a set of LSiM 703s with great success. They are an outstanding bookshelf speaker and fill my smaller room with more sound then a bookshelf has a right too. One day I will return to a set of SDAs, probably some 1.2 or 2.3 TLS, but I plan on keeping my 703s for a second system. They are definite keepers!
  • Dawgfish
    Dawgfish Posts: 2,554
    edited October 2011
    F1nut wrote: »
    I have.

    +1 on this.
  • heiney9
    heiney9 Posts: 25,165
    edited October 2011
    I have never heard a set of SDAs do something a good set of properly set up speakers cant do...Just sayin
    F1nut wrote: »
    I have.

    That there is some funny stuff. I have been around this hobby both in sales and as a hobbiest since the early 80's, and I have to say I've never encountered a pair of speakers that could consistently do what SDA's do. Perhaps I've just not been around long enough. Or perhaps Trey you need a redux.

    I am not saying everyone should like SDA's, but they are pretty unique when set-up and driven properly. Some love it or some hate it, but it is a different experience for sure, one I haven't quite heard before.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • Toolfan66
    Toolfan66 Posts: 17,243
    edited October 2011
    heiney9 wrote: »
    That's true for me, never behind me. Way out to the side, but never behind me other than the illusion of some hall acoustics. I have a recording where the hall acoustics reverberate behind me when she ends her note and pauses. It's eery, but I wouldn't say the music is playing behind me just the note as it lingers and fades.

    H9

    Thats what I get!! sometimes I look upstairs to see if the wife was calling me... LOL!!!
  • nspindel
    nspindel Posts: 5,343
    edited October 2011
    heiney9 wrote: »
    The only recordings I have a problem with are the Beatles stereo remasters. This has almost everything to do with the recording process/technique. The instruments are seperated unnaturally between the Left and Right speaker. So I hear vocals and snare all in the Left and Bass drum and Bass notes all in the left. There doesn't seem to be much "stereo" blending and it sounds weird to me. If I listen on my 5B's, it's the same, but much less pronounced

    H9

    That's not a characteristic of the remastering though, that's just how all the Beatles stereo mixes are, even the vinyl. Stereo was a new thing back then, they had no clue what they were doing.
    Good music, a good source, and good power can make SDA's sing. Tubes make them dance.
  • evhudsons
    evhudsons Posts: 1,175
    edited October 2011
    I'm going home now to dip into my other world enhanced by SDA aura of beer and musical goodness.
    Polk Audio SDA CRS+ crossover 4.1TL by Trey/VR3 (Rings and custom stand by Larry)-Polk Audio SDA SRS2 crossovers by Trey/VR3Parasound HCA1500aYamaha rxa-3070 with musicast-Celestion SL6S presence,- sl9 surround backNHTsuper1's surroundMagnepan SMGParasound 1500pre- Sofia "Baby" tube amp - Monitor Audio Silver RX2 Marantz 2230/B&Kst140Technics 1200mk2 Gamertag: IslandBerserker I am but a infinitesimally small point meeting the line of infinity in the SDA universe
  • Tony M
    Tony M Posts: 11,151
    edited October 2011
    To the responders who say they've never heard sound from SDA's come from the rear.

    Is your listening position backed up to a wall? I wonder.

    If it is, of course you won't hear the phenomenon.

    If it isn't, sorry you haven't experienced that extra nuance that others claim to hear when others doubt it.

    It might be like changing fuses or cleaning AC with power conditioners. Some will hear it, some don't. No difference I would guess.
    Most people just listen to music and watch movies. I EXPERIENCE them.
  • headrott
    headrott Posts: 5,496
    edited October 2011
    heiney9 wrote: »
    That there is some funny stuff. I have been around this hobby both in sales and as a hobbiest since the early 80's, and I have to say I've never encountered a pair of speakers that could consistently do what SDA's do. Perhaps I've just not been around long enough. Or perhaps Trey you need a redux.

    I am not saying everyone should like SDA's, but they are pretty unique when set-up and driven properly. Some love it or some hate it, but it is a different experience for sure, one I haven't quite heard before.

    H9

    Great response Brock. I agree 100%.

    Greg
    Relayer-Big-O-Poster.jpg
    Taken from a recent Audioholics reply regarding "Club Polk" and Polk speakers:
    "I'm yet to hear a Polk speaker that merits more than a sentence and 60 seconds discussion." :\
    My response is: If you need 60 seconds to respond in one sentence, you probably should't be evaluating Polk speakers.....


    "Green leaves reveal the heart spoken Khatru"- Jon Anderson

    "Have A Little Faith! And Everything You'll Face, Will Jump From Out Right On Into Place! Yeah! Take A Little Time! And Everything You'll Find, Will Move From Gloom Right On Into Shine!"- Arthur Lee
  • OldmanSRS
    OldmanSRS Posts: 419
    edited October 2011
    As long as I can hear, I'm keeping them. I've owned the 1.2's since new in 1988. They are big, impressive looking sound like no other speaker (for better or for worse) and they are payed for :) They are family now.

    When people see and hear them they are blown away and can't believe a speaker that was built before they were even born can sound so good.

    They suit my needs and I will look no further, only make improvements to these over the years ahead. Some things were just better made when China was only growing rice and making fireworks.
    '65 427 Shelby Cobra
    '72 Triumph TR-6
    __________________
    '88 Polk SDA SRS 1.2, with upgraded XO caps and Erse SDA inductors
    '86 Polk SDA CRS+
    '84 Polk Monitor 10A (Peerless tweeters)
    '05 HSU VTF-3 Sub (Original OEM)
    '20 HSU VTF-3 Sub (three more, 100% cloned)
    '93 Carver TFM-35
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    '88 Adcom GFT-555
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    '88 Adcom GFA-555 (a second one upgraded/restored)
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    One PGA2310 based custom built remote volume control
    Four Polk T-15's
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    Two Polk CS-10's
  • VR3
    VR3 Posts: 28,650
    edited October 2011
    Eh - I have owned a set of CRS and CRS+ - I have heard the 1.2TL driven properly...

    I have heard them at several Polkfests and I can without a doubt say if you are willing to get speakers with drivers that are leaps and bounds above what the SDAs use (which at this point in time are really nothing much) - Pinpoint accuracy, detail, texture, microdetails, depth, weight of sound - I dont think SDAs can hold a candle to current high end speakers. IMO.

    SDAs MIGHT have width - but given that my Tylers put out a 20ft + wide soundstage I question if they have that...

    All I am saying is - SDAs are good speakers given you can find them for under a grand (sometimes a hundy) and can spend some money updating them and have a fantastic set of speakers...

    But to blanket statement they can do things that current high end speakers cant do with far superior driver technology and cabinet lay out is crazy talk.

    I bet the LSiM in a properly setup envrionment could walk circles around SDAs in every category.

    But just to restate my previous statement - "All I am saying is - SDAs are good speakers given you can find them for under a grand (sometimes a hundy) and can spend some money updating them and have a fantastic set of speakers..."

    Now if you were to take SDA technology and throw in Scan speak and Seas finest - NOW we might have a winner ;)
    - Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit.
  • heiney9
    heiney9 Posts: 25,165
    edited October 2011
    Quite a bit overstated Trey. I agree to a small degree, in the same way the new Ferrari 458 is the most modern sports car Ferrari has ever built. It's as fast or faster around the track than an Enzo, it has more technology than any previous Ferrari, it has more comfort, quieter, easier to drive, etc, but does that mean the Enzo is all of a sudden a lesser car and can't compete and should be relegated to the junk pile? Does that mean all of a sudden the Enzo is no longer fun to drive, exhilarating, breathtaking as the 458?

    Like I said I agree to a small degree with you POV, but you have way over stated it and I would put a properly modded pair of SDA's up against a lot of modern designs and I don't think the gap would be all that large and in many cases one might prefer the SDA's. One has to get past the love/hate of the SDA properties however.

    I am not under any allusion there aren't better speakers out there, but they aren't as washed up, old, outdated and poor sounding as you make it seem. I actually preferred my 1C's over the LSi 15's by a wide margin and until the LSiM series came along those were the best Polk had going at the time. It's not even a contest the SDA's are better is every regard. It remains to be seen if the same can be said about the LSiM series.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!