Recommendation for turntable

SumerianSumerian Posts: 473
edited January 31 in 2 Channel Audio
Hello Guys,
Its been quite a while since i posted in this forum.
I have been away from audio nirvana for a while.
Planning to add a turntable to my setup.
I have Cary SLP05, Polk 707 connected with shot gun S3s powered by JC1s. My budget is around 600$.
Greatly appreciate your help. Thanks in advance.
Based on internet search Audio technica and U turn seems to be the good ones in that budget range. What you guys think?
«134

Comments

  • verbverb Posts: 3,327
    Check out my thread. Lot's of cool stuff:
    http://forum.polkaudio.com/discussion/180385/show-me-your-tts/p1
    Basement: Polk SDA SRS, Micro Seiki MB14 TT, VTL 2.5 Pre, Marantz CD6006 CDP, Conrad Johnson MF2300A Amp, Furman 15PFi Power Conditioner, AQ Diamondback (version 1) RCA IC's, MIT Terminator2 Cables
    Office: PC, Marantz AMP-1, Acoustic Technologies Classic Speakers, Polk PSWi225 wireless sub, MIT AVt2 cables, IFI Purifier2, AQ Cinnamon USB cable
    Spare Room: Dayens Ampino Integrated, Auris BluMe, Polk TSi200's
    Living Room: Pioneer SX-N30 Network Receiver, Pioneer PD10AE CD Player, Furman M8-LX Power Conditioner, Polk RT265 In Wall Speakers, Polk DSW Pro 660wi Subwoofer
  • cmy330gocmy330go Posts: 2,285
    $600 puts you in the market for a number of good options. If you're determined to buy new, U-Turn is certainly worth considering, though IMO there are a few other more established/more-experienced companies that are worth considering, such as: Rega, Pro-Ject, Music-Hall, etc. If you're willing to venture into the used market you may be able to snag a deal on some pretty serious tables.
    HT
    Mits WD-65737, DirecTV, Oppo DV-970HD, XBOX ONE, Yamaha RX-A1030, Parasound Halo A23, Rotel RB-985, Music Hall MMF-7, Parasound PPH-100, LSi-15, LSi-C, LSi-FX, LSi-7, PSW-1000, Monster HTS2600

    2 CH
    Parasound Halo P3, Parasound Halo A21, Sutherland Ph.D, VPI Classic 3 w/ 3D arm & Soundsmith Aida Cartridge, Arcam CD72T, B&W 802 S3, Monster HTS2500,
  • MrBuhlMrBuhl Posts: 2,308
    edited February 1
    ^^ totally agreed, you could get a pretty nice table used and some vinyl cleaning and maintenance stuff for that, and you'll want that with a nicer table IMO ^^
    VA HT HK AVR20II, Sony S9000ES CD/DVD/SACD, Polk Audio RC80i / Polk Audio CSi3, 60" Panasonic Plasma, Nordost / Signal Cable A2 / Wireworld / Pangea / Magic Power
    VA 2 Channel ,Dodd 50W Dual Mono EL34 Amp, MFA based Cocci Tube Preamp, Polk SDA2BTL (fully modded), A/L 1000VA Dreadnought, Canare 4s11 SDA cable, Sony S9000ES CD/DVD/SACD, Music Hall mmf 5.1 Turntable, Vincent Pho-700 Phono Pre, MIT S3 IC's / MIT Shotgun S3 Speaker Cables / Pangea & Signal Cable MP power
    Noggin Schiit Valhalla, Pangea, Phillips Fidelio X1, Polk UF8000
    LA Pass Labs X150.5 Amp, Eastern Electric MiniMax Preamp, Polk LSIM705, Marantz DV8300 SACD, Audioengine B1, MIT AVt3 Speaker & RCA Cables, PS Audio Power Punch power cables

    Dodd Mid Level Preamp ("on the bench" w/Charlie)
    Polk SDA1c modded
    Polk CRS+ 4.1TL modded (need veneer)
    Soundcraftsmen PCR800
    Yamaha YP-D6
    Signal Cable Silver Resolution IC's
    Audible Illusions L1 Preamp
    McCormack DNA-1 Power Drive Amp
    Eastern Electric Minimax CDP
    Infinity RS5b Speakers

  • SCompRacerSCompRacer Posts: 6,912
    Do you have a phono pre amp? IIRC the SLP 05 didn't have one...
    Make yourself necessary to someone. Ralph Waldo Emerson

    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ & Pro 11+ * Signature Series Sonore Music Server w/Deux PS* Twisted Pear Buffalo III Dual Mono ESS Sabre32 DAC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *

  • SumerianSumerian Posts: 473
    edited February 1
    Thanks for the replies. Can you please let me know what i should look at in used market.?
  • hochpt21hochpt21 Posts: 5,041
    I would look at something in the Pro-Ject Debut series.

    For $400 you can get a solid belt drive TT with a nice arm and an Ortofon Red preinstalled. Or for $600 you can get one with a speed box built in.

    I think they basically show up plug and play...
    __________________________________________________
    2 Channel
    Turntable - VPI Scout 1.1/Ortofon 2M Blue
    Integrated Amplifier - Rogue Audio Cronus Magnum II
    Speakers - GoldenEar Triton 2
    __________________________________________________
    7.1 Home Theater
    Denon AVR-X3300W; Rotel RMB-1066; Polk CS350ls, LS90's, FXi3's, RC60i; SVS PC Ultra; BenQ W1070; Elite Screens 120"
    __________________________________________________
    Man Cave
    Turntable - 1) Pro-Ject 2.9 Wood/Grado Gold; 2) Sony PS LX410/Grado Green
    Phono Stage - PS Audio GCPH, Parks Audio Budgie; CD - Marantz DV4001
    Preamp - Dared SL2000a, Luminous Audio Axiom II; Amplifier - Parasound HCA-1500A
    Speakers - SDA 2A (x-overs etc...); Epos Epic 2; Polk Audio Monitor 70 (my first)
    __________________________________________________
  • agfrostagfrost Posts: 2,160
    SCompRacer wrote: »
    Do you have a phono pre amp? IIRC the SLP 05 didn't have one...

    This is an important question.
    Jay
    SDA 2BTL * Musical Fidelity A5cr amp * Marantz DV-9500 * Modded Adcom GDA-600 DAC * Rythmik F8
    Micro Seiki DQ-50 * A hodgepodge of cabling * Belkin PF60
    Preamp rotation: Krell KSL (SCompRacer recapped) * Manley Shrimp * PS Audio 5.0
  • mhardy6647mhardy6647 Posts: 19,003
    edited February 1
    well -- in the interest of option creation, the mass-market (gasp!) direct drive Japanese turntables from the mid 1970s into the early 1980s were -- good. Not great, but good. Medium mass arms that are good match for today's medium to low-ish compliance cartridges (MM, MI or even most MCs). The arms quality were generally good, the bearings decent (see note below). The drive systems were good and the general level of construction (especially earlier in that era, or at higher price points) was good and sometimes excellent.

    They were also unfussy in setup (they were massmarket items, after all!) but care in setup will yield commensurate improvement. They're also relatively tweakable and upgradable.

    They're not quite bargains any more, but $300 to 500 still ought to buy one a lot of performance in the used market.

    Panasonic (Technics) sold zillions of DD tables for a reason. Their tts were tremendous values on the market of the time.

    I was a snooty European tt audiophile in those days (belt drive, suspended subassemblies, and light, straight arms), and I looked down my nose at the massmarket Japanese hardware. The benefit of four decades of hindsight helps me realize how narrow-minded I was. Those Euro-tts were (and are) great, but the Japanese DDs are fine equipment for enjoying records (which was really what most folks want -- and probably still should be, for most folks, the primary goal).

    The one caveat, take care to avoid an old tt that was, as they say, rode hard and put away wet. Check the bearings for play in both planes, make sure the drive system is running smooth and quiet (and on speed). CLA, as the camera guys call it (cleaning,lubrication and adjustment) may well be needed -- but all in all there's really not much to go wrong with those old workhorses.

    Of course, you (the OP) will need a phono preamp unless your amp or preamp has one on-board. Decent phono preamps are available starting at around 50 smackers (I am specifically thinking of the Art DJPre II :) http://artproaudio.com/turntable_preamps/product/djpre_ii/

    Whoa, that got voluminous, didn't it? sorry... :p

    24216429785_2ef0ace7e3_b.jpgDSC_2464 by Mark Hardy, on Flickr
  • maxwardmaxward Posts: 148
    Amen to mhardy6647! I was also a snooty European tt audiophile. I bought a Thorens in 1973 and still use it regularly. At age 22, I couldn’t afford a Linn Sondek. You might find some of these used for a good price, but beware of condition issues and the suspended designs can be a little tweaky about setup and placement.
    Thorens TD-160C; Sumiko Talisman S; Jolida JD9; Marantz CD-53; Micromega Mydac
    Joule-Electra LA-100; Balanced Power Technology AC conditioner;
    Odyssey Khartago monos (with most factory upgrades); Magnepan MG 3.6R
  • hochpt21hochpt21 Posts: 5,041
    I agree with good deals being had on the used market, but part of it depends on how "handy" or "involved" the OP wants to be.

    A used table can be a gamble, and need service, or a new cartridge/stylus etc...

    New tables in his price range usually come pretty much dummy proof, and ready to plug and play.
    __________________________________________________
    2 Channel
    Turntable - VPI Scout 1.1/Ortofon 2M Blue
    Integrated Amplifier - Rogue Audio Cronus Magnum II
    Speakers - GoldenEar Triton 2
    __________________________________________________
    7.1 Home Theater
    Denon AVR-X3300W; Rotel RMB-1066; Polk CS350ls, LS90's, FXi3's, RC60i; SVS PC Ultra; BenQ W1070; Elite Screens 120"
    __________________________________________________
    Man Cave
    Turntable - 1) Pro-Ject 2.9 Wood/Grado Gold; 2) Sony PS LX410/Grado Green
    Phono Stage - PS Audio GCPH, Parks Audio Budgie; CD - Marantz DV4001
    Preamp - Dared SL2000a, Luminous Audio Axiom II; Amplifier - Parasound HCA-1500A
    Speakers - SDA 2A (x-overs etc...); Epos Epic 2; Polk Audio Monitor 70 (my first)
    __________________________________________________
  • mhardy6647mhardy6647 Posts: 19,003
    hochpt21 wrote: »
    I agree with good deals being had on the used market, but part of it depends on how "handy" or "involved" the OP wants to be.

    A used table can be a gamble, and need service, or a new cartridge/stylus etc...
    I agree 100.00%, for the record.
    New tables in his price range usually come pretty much dummy proof, and ready to
    plug and play.

    hmmm -- I dunno. I concur that, e.g., the U-turn is set up to run right out of the box (which is commendable). From my perspective, the cheap modern tts* just strike me as a little delicate. I am not sure that delicate = dummy proof.

    Again, I am (seriously) not anti-new-tt, just providing some counterpoint, as is my wont ;)

    ____________________
    * unfortunately, "cheap" in today's tt market, is sub-$1000. :( (not my idea!)
  • hochpt21hochpt21 Posts: 5,041
    I appreciate your thoughts and experience. And for the record...I am definitely not anti-used TT. Used is how I purchased all 3 of mine. :)
    __________________________________________________
    2 Channel
    Turntable - VPI Scout 1.1/Ortofon 2M Blue
    Integrated Amplifier - Rogue Audio Cronus Magnum II
    Speakers - GoldenEar Triton 2
    __________________________________________________
    7.1 Home Theater
    Denon AVR-X3300W; Rotel RMB-1066; Polk CS350ls, LS90's, FXi3's, RC60i; SVS PC Ultra; BenQ W1070; Elite Screens 120"
    __________________________________________________
    Man Cave
    Turntable - 1) Pro-Ject 2.9 Wood/Grado Gold; 2) Sony PS LX410/Grado Green
    Phono Stage - PS Audio GCPH, Parks Audio Budgie; CD - Marantz DV4001
    Preamp - Dared SL2000a, Luminous Audio Axiom II; Amplifier - Parasound HCA-1500A
    Speakers - SDA 2A (x-overs etc...); Epos Epic 2; Polk Audio Monitor 70 (my first)
    __________________________________________________
  • dromundsdromunds Posts: 7,181
    ^^ And don't forget about the cartridge. Good arm and good cartridge.
  • mhardy6647mhardy6647 Posts: 19,003
    The Rega arm is a classic; I cannot argue with that!

    :)
  • SumerianSumerian Posts: 473
    Looks like it's not that easy to zero down on a TT.

  • mhardy6647mhardy6647 Posts: 19,003
    Sumerian wrote: »
    Looks like it's not that easy to zero down on a TT.

    It's like everything else -- if there were only one great tt at any given price point, there'd only be one tt available at any given price point.

    Sort of like cars. I mean, somebody buys Fiat-Chrysler products! ;)
  • KennethSwaugerKennethSwauger Moderator Posts: 6,616
    edited February 1
    We would recommend a Rega turntable with a Grado FTE+, an NAD 3020 integrated amp and a pair of Spica TC50 on Chicago speaker stands and the combination would absolutely amaze owners. I wouldn't be surprised if there weren't people still listening to that system.
    Put a Grado or Shure M97 on a well cared for second hand (if you're going that route) Rega turntable and if there's any money left get a basic Nitty Gritty record cleaner. Nothing could be finer!
    "And the house you live in will never fall down
    If you pity the stranger who stands at your gate" G.Lightfoot
  • mhardy6647mhardy6647 Posts: 19,003
    edited February 1
    Heh. I still have a Grado FTE+ Heck of a cartridge, it was, for thirteen dollars.

    13434720275_9b6e7e785a_b.jpgGrado stylus pull3 by Mark Hardy, on Flickr

    I'd like to think that the modern Grado Black is still in the same league. A l'il pricier, though.

    Ken's recommendation is a solid one (no surprise) -- I tend to think of the Regas as enthusiast's turntables, but mostly because they're very basic (not because they aren't good). In terms of the Rega arms, the RB200, RB300 and some of their kin have appeared on many, many very good turntables (some at pretty rarefied price points). They're good arms.

  • KennethSwaugerKennethSwauger Moderator Posts: 6,616
    edited February 1
    I loved the cardboard tube the Grado came in, with the plastic tool to take out the stylus if the owner ever needed to. Grado put a small amount of a black sticky material where the stylus joined the main body.
    That cartridge and the Sennheiser HD414 headphones were the best values in audio ever.
    "And the house you live in will never fall down
    If you pity the stranger who stands at your gate" G.Lightfoot
  • Viking64Viking64 Posts: 3,272
    edited February 1
    I loved the cardboard tube the Grado came in, with the plastic tool to take out the stylus if the owner ever needed to. Grado put a small amount of a black sticky material where the stylus joined the main body.
    That cartridge and the Sennheiser HD414 headphones were the best values in audio ever.
    I still have the one of those cardboard Grado tubes. It is black and green, if my memory serves me well. :p

    81nla7bh9k4p.jpg

  • mhardy6647mhardy6647 Posts: 19,003
    I loved the cardboard tube the Grado came in, with the plastic tool to take out the stylus if the owner ever needed to. Grado put a small amount of a black sticky material where the stylus joined the main body.
    That cartridge and the Sennheiser HD414 headphones were the best values in audio ever.

    Folks used to sometimes scrape the black damping goo out of their cartridges -- oops. :)

    I have the tube which "my" FTE+ came in. I will dig it out & take a photo anon.

    I bought it for my parents and installed it in a Philips tt I'd passed along to them. It served them well for years, and I ultimately inherited it back. It's still installed on a tt here... now, just don't ask me which tt it is currently on. All I remember is that it's on a Japanese "SME-style" headshell :)
  • Viking64Viking64 Posts: 3,272
    mhardy6647 wrote: »
    Folks used to sometimes scrape the black damping goo out of their cartridges -- oops. :)
    Guilty.


  • mhardy6647mhardy6647 Posts: 19,003
    This is a guilt free zone; it's OK :)
  • mhardy6647mhardy6647 Posts: 19,003
    Viking64 wrote: »
    I loved the cardboard tube the Grado came in, with the plastic tool to take out the stylus if the owner ever needed to. Grado put a small amount of a black sticky material where the stylus joined the main body.
    That cartridge and the Sennheiser HD414 headphones were the best values in audio ever.
    I still have the one of those cardboard Grado tubes. It is black and green, if my memory serves me well. :p

    81nla7bh9k4p.jpg

    whoa, talk about inflation.

    When I bought the one pictured above, the price was $13. The FC+ (or FCR+ or whatever it was called), with conical stylus, was $9. :)
  • Viking64Viking64 Posts: 3,272
    edited February 1
    I just looked for mine to see what the price was, but I have yet to find it. I know it contains all of my cartridge screws and what-not, but I haven't seen it in a while. :p
  • dromundsdromunds Posts: 7,181
    You wanna talk about inflation? I paid $3.00 to see Fleetwood Mac the first time, with Bob Welch

    3u66ujgvqnxx.jpeg
  • mhardy6647mhardy6647 Posts: 19,003
    I'm not exactly sure where mine is at the moment, either.
    It is either upstairs or downstairs. Possibly both. Darn that darned Schrödinger!
  • Viking64Viking64 Posts: 3,272
    dromunds wrote: »
    You wanna talk about inflation? I paid $3.00 to see Fleetwood Mac the first time, with Bob Welch
    I used to talk to Bob about guitars on his website back around 2003 or so. He wasn't always fast to respond, but he was always funny and informative.
  • SumerianSumerian Posts: 473
    Any feed back on the current onkyo TT?
    May be i should pick a brand first and pick mid level TT?
«134
Sign In or Register to comment.

Howdy, Stranger!

It looks like you're new here. If you want to get involved, click one of these buttons!